Category California

North American 2010 Viognier: Kunin Paradise Road Santa Barbara, and Dominio IV “Still Life” Oregon

With two West Coast N. American Viognier’s from the same vintage I decided to taste them side-by-side.

Viognier is a grape known for the Rhone region of France. However, it no longer holds a very strong presence in that area, and since the 1980s has gained footholds in multiple locations of the United States, including the southern states. It was even last year named Virginia’s official grape. Still, it is best seen in California, and has more recently begun to show in Oregon though with smaller volume.

Kunin Paradise Road 2010 Viognier, Santa Barbara

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The Paradise Road Viognier bottles the first Viognier for Kunin from this particular vineyard plot. The site has been providing Syrah for Kunin for years, but 2010 is the first time they have specifically selected Viognier from the location.

The wine carries with it a lovely combination of clean presentation with rich flavors. The wine showcases apricot and meyer lemon, with touches of honeysuckle, marzipan, and herbal notes on the nose, turning to fresh fruit citrus and white pepper on the palate. There is a lovely minerality here as well.

At first taste the richness of the palate fooled my guess on the production choices Kunin made here. As the wine enjoys air it opens to a more obvious mineral focus, balanced with an even cleaner fruit presentation. Kunin kept this wine in entirely neutral (more than 6 year old) barrels, with no malolactic fermentation. The choice keeps the acidity balance in the wine overall. But to add body, they chose to do full cluster pressing, and leave it on lees for 7 month barrel aging.

All together, it results in a lovely wine that I very much enjoyed on a warm sunny day, and that would be a brilliant winter white as well. It’s a white with the drinkability of summer, and the anticipation of fall. The mood here is one that has grown accustomed to summer heat, and yet can begin to feel the leaves and fruit anticipating their turn.

Dominio IV “Still Life” 2010 Viognier

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Dominio IV’s 2010 Viognier, so titled “Still Life”, showcases fresh, fleshy fruit–a mix of stone fruits, and touches of jasmine, with hints of citrus, pear and lemon zest. The result is a rich flavored, relatively light bodied white that balances the opening dance of Springtime with a steady finish. This is a wine that anticipates summer–lightly tart to start with a balancing fruit sweetness, that opens to a softer, steadier presentation. This wine is crisp, while still also warm in the mouth, which I enjoyed.

Dominio IV has identified an area of Southern Oregon that does well with growing Viognier–the Rogue River Valley, with its higher elevations at 2200 feet brings together warm day temperatures with still cool nights to enliven the ripe but still crisp flavors of the fruit. They source the fruit for this wine from sustainable focused farms that Dominio IV works closely with for selection.

The fermentation here is done in a mix of mostly stainless steel, and some barrel on lees. It is then aged in, again, a blend of neutral French oak barrels and stainless steel tank. After blending, the wine is then held in tanks for a month, and aged finally for two months in bottle.

This wine is just now being released.

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Thank you to Kunin Wines, and to Dominio IV for these Viognier samples.

This week will also look at Kunin Wines’ recent red wine portfolio release, and then later at Dominio IV’s recent red wine release.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Iconic Wines: 2010 Heroine Chardonnay, 2011 Secret Identity Trousseau Gris Rose’

The Iconic Wines Project

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Let me be plain. I suspect Birk O’Halloran and Karl Antle like women, and super heroes, and women in superhero outfits. The truth is, I can’t blame them. I like those sorts of things myself–appreciate women celebrating their own awesomeness, spend as much time as possible dressing up in super hero-like outfits, and dream of someone someday deciding I’m worthy of being drawn up as a superhero comic and then actually following through on the idea.

I begin this way because Birk’s and Karl’s rather young project, Iconic Wines, recently sent me wine samples, and their work consistently presents itself with labels focused on their own renditions of female superheroes–a marketing concept after my own heart, clearly.

The two took the leap into wine making, with the help of wine maker Dan Petroski of Massican Wine along side, by traveling to California and sourcing grapes from established vineyards in Sonoma and Mendocino. They began with the release of the now sold out 2010 Heroine Chardonnay last October, and move forward with their own Rose’ version of the rather uncommon Trousseau Gris, which they’ve named Secret Identity.

2010 Heroine Chardonnay, and 2011 Secret Identity Trousseau Gris Rose’

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* 2010 Heroine Chardonnay

The first ever release by Iconic Wine, the 2010 Heroine Chardonnay, utilizes 100% Clone 4 Chardonnay arising from the 4-acre only Michael Mara Vineyard of Sonoma, run by Steve Matthiasson. The site takes up the soil of an old river bed with young vines that even in their early stages have already been regarded by well-known wine makers as showing good potential and quality. Fruit from the vineyard is sourced not only by Iconic’s good men but also by the likes of Abe Schoener of The Scholium Project, and Arnot Roberts for his own single vineyard wine.

For Iconic’s bottling, Birk and Karl choose to do a split harvest paired too with split production. The fruit is selected at two different stages of ripeness two weeks apart. A portion of each harvest is allowed to go through malo-lactic fermentation, while the remainder is not. Then the four pressings are blended to achieve the quality of Chardonnay varietal they are looking for.

The 2010 Heroine shows a classic rich flavor and texture combination offering flavors of fresh and candied citrus–fruit, zest, and blossom–with touches of ripe pear, light spice, and dried sage. The alcohol offers just enough heat and pepper to keep the wine warm in your mouth.

I will admit that I prefer a slightly higher acidity level on a round-palate Chardonnay than the 2010 Heroine has to offer. That said, the flavors and texture here were rich, and well executed. The wine would be beautiful alongside roast chicken breast, but it really got me craving both strawberries and mac & cheese, not to mention a good sit down evening at the end of a long day in superhero makeup. You have no idea how tiring a full day in superhero make up can be.

* 2011 Secret Identity Trousseau Gris Rose’

Trousseau Gris originates from France and was at one time widely planted in California under the name “Gray Riesling.” Today a mere 10 acres of the grape still stand along the North American coast in the Fanucchi Vineyards of the Russian River Valley.

As he describes it, Birk of Iconic is obsessed with Pinot Gris produced with skin contact. Known in Italy as Pinot Grigio Ramato, the extended skin contact on the lightly colored grape imparts a richer texture, along with more developed flavors from the fruit including spice notes, floral elements, and ripe orchard fruit. With Ramato in mind, the Iconic men decided to apply the same process to another Gris–the Fanucchi’s Trousseau. The fruit here comes from 30 year old vines, which is impressive. To produce this Ramato style wine, the juice was allowed to cold soak on skins in steel for 10 days without punch down or pump over. The wine was then pulled off skins and fermented in tank for 10 days before being aged in bottle for 6 months.

Let me say I very much enjoyed Iconic Wine’s current release, and their second wine, the 2011 Secret Identity. A word of warning–at first taste this wine appears pert, spicy, and a little too tart. But, like any good woman that demands your attention up front, she lures you in further as she relaxes and opens, becoming more floral, keeping that spice but integrating it into her warm humor, and approachable, while still sharp intellect… dear god, I’m honestly sitting here wishing I could be described like their Secret Identity wine…. Please don’t tell anyone.

As I said, this Trousseau Gris Rose’ starts tart in the mouth but opens to wonderfully ripe, lightly musky white nectarine, lychee and melon (there is a little sweat on this fruit. It’s sexy.), showcased alongside a honeysuckle nose and palate, light notes of dried oregano, and mace spice, and just a touch of residual sugar in the mouth. The scents are pleasant and balanced, and the structure shows well too, keeping your mouth watering through a medium-long finish.

I loved drinking this as a rose’ on its own, but it would also do very well with grilled chicken and sticky rice.

The Iconic men are also working on very low production Trousseau Gris wine fermented in barrel, instead of tank.

If you’re interested in their Secret Identity it is going on release to their mailing list this week. Find out more via their website: http://www.iconicwine.com/

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Thank you to Iconic Wine and Birk O’Halloran for sending me these samples.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

St. Helena’s Smith-Madrone: 2009 Chardonnay, 2006 Cabernet Sauvignon

Smith-Madrone and St. Helena, Napa

It’s a wonderful surprise to discover a new winery making wines to enjoy. Smith-Madrone rests in the Northern portion of Napa Valley to the west of the St. Helena area. Napa is of course known for big wine, but one of the distinctive aspects of this particular area of Napa is the high proportion of family owned, smaller size wineries. That is 95% of the wineries in St. Helena are family owned.

Started in 1972, Smith-Madrone remains in the same family ownership with which it began. The family focuses on keeping their winery size down to what keeps hands-on vineyard and wine making practices possible. The winery rests on top of Spring Mountain with elevations of 1300 to 1900 feet, and red volcanic soil slopes. The combination gives distinct flavor and delicacy to their grapes–there is a sort of flavor and structural precision that stands here along with noticeable red chalk elements–while their production techniques keep their wines clean and enjoyable.

One of the elements I appreciated about the Chardonnay and Cabernet Sauvignon from this year’s Smith-Madrone release was how they both showcase what California can do well. That is, both of these wines carry a recognizably California style, but each with their own distinct, (and lighter) personality, showing good balance between fruit and other flavor components; between noticeable alcohol and overall structure. These are clean, well made wines that present balanced palates, both with sophisticated nose and a range of subtle flavors in rich texture.

2009 Chardonnay

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The Smith-Madrone Chardonnay undergoes full barrel fermentation followed by 9 months in new French oak. That said, the oak elements are well integrated here. This is a California style Chardonnay that can relax with its own innate characteristics, thereby setting you at ease to enjoy them too.

The nose shows as lightly candied, nutty, and chalky, with good fruit of yellow apple skin and mixed citrus zest, and hints of toast. The palate follows with the addition of light white pepper accents. The overall structure is very pleasing–there is rich texture, with great acidity, and a good medium-long finish.

I would love to let this Chardonnay age to drink again in a few years, but it drinks beautifully now as well. The overall style is richer than I tend to reach for on a Chardonnay, but, that said, I was pulled in by this wine and enjoyed it. It’s a California style Chardonnay with well done, balanced presentation and its own story to tell.

2006 Cabernet Sauvignon

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The Cabernet Sauvignon shows an excellent nose with nice meaty qualities, light pepper, good earth, and red fruit. I like the red chalk effect on the palate that comes in alongside a great umami character (I was caught up thinking of caribou soup with red cherry, pepper, and light tobacco here, I have to admit), light tobacco notes, red fruit, and that nice alcohol pepper and heat. The presentation offers a drying grip, with pleasing texture, red fruit, and lightly watery body.

I very much enjoyed this Cabernet and wanted it alongside meat to help draw out more of the fruit flavors. The tannin here has enough of a drying effect that pairing with meat proteins would give more room to show off the flavors. Again, like the Chardonnay, I’d love to let this Cabernet age, and I enjoyed it now as well.

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Thank you to Smith-Madrone, and Julie Ann Kodmur for sending these samples.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Wine Miracles in Alaska: Number 3: This one just because it’s nice

Sharing Wine with Family

Sharing wine with people that appreciate it similarly to you is awful nice, isn’t it? To share with my parents a brief window into how I spend my time I brought two (new to me) bottles with me to taste.

Baker Lane 2009 Sonoma Coast Cuvee Syrah

All three of us enjoyed the Baker Lane’s Sonoma Coast Cuvee Syrah. It offers a nose of smoked meat, red cherry and berry, clove, and hints of vanilla, with the palate following. This is an approachable medium bodied syrah that is well-balanced, and juicy in the mouth. It has the structure appropriate to food while not demanding it.

My mom was impressed by its medium-long finish, and my dad liked how clean the flavors were. The Sonoma Coast Syrah is a nice choice for its approachability, hitting the interests of three fairly different palates here.

Interestingly, our views overlapped on the Pinot Noir as well with none of us appreciating it as much. On the 2008 vintage the flavors present as chunky and disjointed with the structure also generally out of balance.

Wine for Smoked Salmon

One of my birthday wines this last year was the 2008 Brewer-Clifton Santa Rita Hills Chardonnay. I love its steely floral citrus combination of flavors. The acidity on this wine is beautiful and perfect for pairing with a richer flavored food. My brother in law home packs salmon from the family’s commercial fishing venture every year and then smokes some of it in a soft-smoke style. The flavors on the fish carry the distinctness of king salmon alongside pleasing buttery smoke notes all with a rich, soft texture. The Brewer-Clifton offers palate cleansing acidity and an utterly clean presentation to complement the fish. Oh! Alaska, how well you treat me on these visits!

It’s nice to see the Brewer-Clifton for sale in Anchorage. I shared the bottle with my mom and sister Paula and they both enjoyed it. Paula’s preference is to drink crisp whites and to steer clear of any buttery/oaky chardonnay’s because of their rounder mouth feel and richer flavors. The Brewer-Clifton showed her a chardonnay that can be done differently.

Angel Joy Tears

Years ago my friend Kate and I accidentally discovered Tokaji Aszu at a restaurant in Montreal named Aszu. We’d ordered a plate of Quebecoise cheeses and asked the Sommelier to take a risk and bring us something wonderful to pair and not tell us till afterwards what it was. He complied beautifully bringing us a glass each of the 2000 5 Puttonyos Oremus Tokaji Aszu. Later when I told our friend Luis about the wine he urgently demanded to know WHERE in Montreal they were pouring that wine because he’d been wanting to taste Tokaji Aszu for a couple of years (it’s harder to find in Brazil, where he’s from, apparently). He and I went back later that same week and worked our way through an utterly extravagant multi-course meal with the Sommelier selecting perfect wine pairings for each course. By the end of the night we were admittedly drunk, and so happy, sipping the Oremus. I announced that it was like drinking Angel Joy Tears, one couldn’t help but feel blessed. Later that month Luis and I plus two friends went to a performance of Shakespeare in the park alongside the pond in Parc Lafontaine near my old Montreal flat. At the end of the show Luis’s friend stood in front of me smiling hugely with a little bag. When I opened it it turned out to be a bottle of Tokaji Aszu they’d actually found at the SAQ (the Quebec Liquor Board Shop) and purchased for me as a gift. I was so happy I stood speechless and smiling with my hand at my heart for a very long time.Though I’d intended to hold that bottle as a special gift from friends, the next morning while eating avocado I realized the Oremus would pair perfectly with avocado. Then perfectly with maple butter toast. Then perfectly with citrus salad… I sipped through the bottle tasting it alongside everything I ate through the remainder of that day, and decided it paired perfectly with anything. The experience was wonderful.

In case it isn’t obvious already, Tokaji Aszu is a sentimental favorite for me. I associate it with absolute joy and gratefulness, with friendship and appreciation. I can’t help but be happy when I drink it (slowly and with great pleasure). Several years ago I introduced my parents to Tokaji Aszu and though my dad doesn’t go for sweet wines generally they both loved it. On my recent visit back home my dad kept commenting, “oh, I wish we could drink Tokaji with you!” On the third day, my mom jumped up saying she’d be right back. After running back from upstairs she showed us this bottle of Oremus 2000 5 puttonyos Tokaji Aszu that she’d pulled from her treasure closet. I’d given it to them as a gift several years ago and she’d saved it.

The 2000 is wonderfully balanced. It’s drinking perfectly right now. The sweet elements are balanced with a rich texture and excellent acidity. The dried apricot and pear fruit flavors dance alongside herbal notes–touches of dried beach grass and sage. The slight tartness couples with mouth watering that keeps the sweetness from ever being cloying. What a treat!

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We’re back in Arizona again now. By this stage of my life I’ve learned to better integrate the qualities of where I’m from with the everyday life of elsewhere. For decades though the contrast I felt between my Alaskan life and my life ‘outside’, as we say in Alaska, was a challenge for me. It felt like I needed different persona almost to operate in Alaska versus anywhere elsewhere. The upside of having worked through such difference is that I believe that I do well with traveling, and I’ve developed a deep openness to seeing what is unique and valued in any particular place.

Still, it’s a funny contrast to go quickly to the quiet of Alaska and now be back to the quiet of my otherwise empty house. Outside pollen puffs from the Alpine Birch in my yard are floating up past the window, getting lit up by sun. The small leaves of the birch are dancing in the wind, their tops flashing as they hit the direct light of sun then dance out of it again.

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Thank you to Baker Lane for the sample bottles. It was a pleasure to share the wine with my parents, and we all enjoyed the approachability of the Syrah.

Thank you to my mom for sharing her treasure. What a treat!

Degas’s Dancers, and the (Surprising) Grace of a California Chardonnay

Edgar Degas, Three Dancers in an Exercise Hall 1880

Examine any of Degas’s paintings of ballet dancers from the later portions of his career and one sees a charming simplicity of grace. The dancers most often appear quite young, shown in muted tones, generally in practice rather than performance situations, and wearing skirts that puff about their bodies creating the shape of a bell.

Already a successful painter, Degas’s dancer series appeared as a departure from the work he’d done previous, and seemed reflective too of him taking a new level of consideration for form and balance after years of portraits involving people in everyday circumstances. What is unique about Degas’s overall career at the time, is his interest in behind the scenes portrayals of human life. He often painted people at rest alone in a room leaning on their own knee, or a bartender rushing to tend to too many customers. The dancers shift Degas’s focus from the reality of everyday grit and even despair, to instead an occupation of intense dedication to craft. (Incidentally, Degas was also later the first European artist to produce a mixed media sculpture in 1922–a ballet dancer of bronze wearing actual gauze skirt, and bow. To see an image of it look here: http://www.metmuseum.org/toah/works-of-art/29.100.370 )

At their best, Degas’s dancers celebrate the varied shapes, expressiveness and self-contained focus of the human body. What is common among his work from this series is the sort of inwardness each of his subjects carry. They are aware of their surroundings, and they respond to it (most especially in the few where dancers are on stage) but in each case the young women are deeply rooted in themselves, focused on performing a long standing tradition with proper poise, balance and grace.

Today Degas’s dancers are a sort of familiarity, appearing so many times in the background of movies, celebrated as a historical feature in museums, reproduced and reprinted for posters at home. Such common presence can make it easy to overlook the skill and ingenuity of Degas’s work. But one of the gifts of the ballet dancer series is how much detail and presence they contain in themselves–the dancers have a life on the canvas that is their own, and offer richness to the viewer willing to return to them again and again with dedicated attention. These are a reflection of Degas’s talent and well-trained experience as a painter.

Antinori Antica 2009 Chardonnay

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Chardonnay stands as California’s most planted grape. Advantages of the variety include its relative ease to grow in the field, and its popularity as an approachable, buttery, fruit-driven wine. The California style is known for these descriptors with the wine spending its life on oak for spice and wood notes that increase its fullness and zest on the tongue, and undergoing malo-lactic fermentation too adding a buttery or butterscotch flavor. Though there are multiple exceptions to this style in the overall region, it is still easier to find a chardonnay from California that fulfills it than not.

Enter Antinori. As they tell it, the Antinori family began making wine in 1385 in what is now Italy. As such they have 26 generations of wine makers in the family. In the 1960s, Piero Antinori visited California and began to dream of a second wine making venture for his family in a new locale along the California hilltops. The project gained roots in the early 1990s when they purchased land along the Napa Valley. What is unique about the property is its hilly terrain, and higher-than-normal planting elevation. The rocky soil suits chardonnay’s needs for enriching struggle, and the slopes allow drainage that encourages clarity of flavor. Naming the estate for a combination of their own name and that of California, Antinori’s Napa wines are known as Antica. Their first vintages of Napa wine–Cabernet Sauvignon and Chardonnay–were released in the mid-2000s.

My feature today of Antica Chardonnay arises because of my surprise with it. Antinori has managed to create a chardonnay that carries aspects of California’s chardonnay typicity but with a sophistication and elegance that shows both complexity and focus. In short, Antinori makes oak and butter-notes desirable.

One can taste the oak influence, but it is light, offering baking spice and touches of sweet heat all balanced with pleasing fruit and bright acidity. The wine has the butter elements of malo-lactic fermentation but here they are more creamy than buttery and bring a steadiness to the elongated finish. The citrus fruits are also balanced and at ease in the glass, dancing alongside fresh crushed rock minerals, and even light hints of smoke.

Antica’s 2009 Chardonnay shows a dancer’s body. Like Degas’s graceful figures, this wine certainly arises out of long standing tradition. But this wine has its own life–focused in the glass, determined to carry the tradition forward, while comfortable in its own fluid strength. This is readily one of the best chardonnays I’ve tasted from California recently, and I celebrate it especially for its ability to take up the fearfulness of an oaked chardonnay and instead make it good.

For an interesting video from the Antica estate on the production of this 2009 chardonnay watch here: http://www.youtube.com/watch?v=dYS5KSB25tw

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Seth Long, of Seler d’Or, dedicated this 29-day month of February to the variety chardonnay. To add to the charm of this venture his site is also filled for it with a predominance of guest writers–some of the most knowledgeable and quirky figures of the wine blogging world. To thank Seth again for taking up such an interesting project, I decided to, with him, close the month of February with a chardonnay focus. Check out Seth’s interesting blog, where his own writing dives into the qualities of what he calls “real wine.” http://sethmlong.com/

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For just a touch more on the range of flavors chardonnay can show depending on wine style, check out my color characteristics card on the grape from a previous post:

http://wakawakawinereviews.com/2011/12/12/chardonnay-varietal-characteristics-card/

Cheers!

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Understanding Orange Wines 4: Abe Schoener’s Scholium Project: The Prince in His Caves 2010, San Floriano Normale 2006

Abe Schoener, Scholium Project winemaker, as Thor

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Considering the Meaning of the Germanic-Norse God Thor

From the 8th to 12th centuries a campaign to Christianize Scandinavia ensued with missionaries first venturing into Denmark and over time slowly establishing a network of churches through Iceland, Sweden, Norway, and later Finland. During this time period, many people in the regions became nominally Christian but simultaneously showed resistance in other ways. One way in which this is seen is that the god Thor stood as a popular symbol of working against the demands of the missionaries to instead maintain ones own commitments, even while the larger system of Christianity stayed in place. People were seen wearing symbols of Thor to express such interest. In this way, the symbolic history of the god Thor includes working against the larger social system in place without necessarily undoing it.

Thor now is often recognized as a kind of storm god, because of his pictorial associations with lightning, and other cloud formations. However, scholars have found that Thor’s deeper associations actually included family, community and fruitful health of the fields. The god does bring lightning with him as he travels when needed. He is also connected with the growth of oak trees, fertility, and healing. Further, it has been found that Thor has carried a presence across centuries of tradition, reaching from Ancient times all the way into contemporary interest. Over time he has been seen with many nicknames, even while the symbols surrounding him are consistent. (I promise talk of Thor will be relevant in a moment.)

Tasting Orange Wines: Italians Alongside California’s Scholium Project

Several weeks ago several of us tasted five orange wines–three Italian and two from Abe Schoener of the Scholium Project–alongside each other. (For more on the Italian orange wines, and a picture of the wines that shows their rich color and opacity side-by-side check out Thursday’s post. Incidentally, the name Thursday actually originates in honor of the god Thor. Honest.) In tasting the five wines together a family of style showed itself between the Italian wines on the one hand, and the Scholium wines on the other. There was a kind of textural quality common to each set that differed from that of the other. Orange wines vary so much from the kinds of wine most people are used to it can be challenging to describe the experience of tasting them. In seeing how the Italian wines diverged from the Californian it seemed metaphor best captured familial congruence. While the Italian wines drank as if they embodied themselves in the glass, the Scholium wines had a focused, sharp precision as if they were shooting light from the glass before you’d even finished pouring them.

Wine Maker Abe Schoener

Abe Schoener of Scholium Project has become a kind of mythical figure with a strong cult following. His wines deviate so consistently from the mainstream perception of California wine style they take on their own sort of cult of personality, associated with the perceived personality of their maker, but garnering a following of their own. On the wine geek-hipster side of things, much of the passion people hold for Schoener’s wines arises out of their departure from the nominal style of California. He does his own thing within the surrounding region without falling to expected styles of the area, and without changing the way the overall system works either. California is comfortable with what it does in wine.

Schoener also garners a following, however, from his own personal story, and the commitments he brings to his work. Originally a philosophy professor, in the late 1990s Schoener began to grow tired of academia and turned to deepening his knowledge of wine. While touring and learning in Napa Valley he eventually connected with wine maker John Kongsgaard and assisted with him for a year. As the story goes, at the end of the year, Kongsgaard sent Schoener off to begin making wine on his own believing he had gained the knowledge to step into his own production process. Taking a risk, Schoener gave up academic life all together and began funding his wine interests with credit cards and a couple of small financial supporters.

Schoener avoids the claim that he purposefully makes wines that taste different from his area’s surrounding wine makers. But he readily admits that he experiments with various production techniques and describes his wines as a project in which he’ll try something new and hopefully learn to emulate those he admires. Schoener also states that his goals are to let the wine manage itself, so to speak, while also producing a style that reflects the place, the harvest year, and the grapes themselves. However, Schoener’s wines often show such difference from how the involved varieties are usually expected to taste that he avoids naming the grapes on the label and instead offers the name of the vineyard from which the fruit was harvested, and a title he believes captures that particular wine’s personality (most often historical literature references).

Creating Scholium Project Review Comics

My wine comics generally include some visual reference to an element from the wine label being reviewed. However, the label of Scholium Project wines consistently carry an elegant presentation of the first proposition of Newton’s Principia. I’ve drawn a Scholium wine previously and as such wanted a different challenge of presentation for a comic of these wonderful wines. In reflecting on the original experience I had with Scholium orange wines alongside the Italians the reference to light shooting from the glass stood out. Between the similarity that description has with lightning, and the god Thor’s association with the health of fields, as well as oak, fertility and healing I realized two things. Thor is connected to a range of elements deeply entwined with the wine makers life, and, like Thor, Schoener would seem to have the ability to wield the power of lightning. To put it another way, Abe Schoener–a newly found nickname for the god Thor.

Scholium Project The Prince in His Caves 2010

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100% Sauvignon Blanc

The Prince in His Caves is an orange wine produced entirely from Sauvignon Blanc. It has been an ongoing project of Schoener’s released now for a handful of years. Illustrative of Schoener’s commitment to developing his abilities, the Caves project has been produced with a similar basis of technique–foot stomping of grapes with extended skin contact, thus making it an orange wine–each vintage but with tweaking of the details of production to allow for recognition of that year’s grape qualities. As such, the Cave project is very vintage driven.

The 2010 rendition of The Prince in His Caves is a vibrant, enlivening, and at the same time elegant wine showing a surprising mix of characteristics, as must be expected from any orange wine. The alcohol here is fairly high at 14.02% and thus the wine is warming, but the effect turns out pleasing alongside the medium high acidity and smooth medium tannin. This is not a wine that burns. The flavors here show similarities to ginger-peach tea in a manner desirable from the wine glass. Those notes are expanded by a bouquet and flavor of honeysuckle, touches of white pepper, and a surprising, lovely bite of pickled lemon. For such a range of characteristics, the Prince still shows as well balanced. The finish here is impressively long leaving light in the mouth for at least two runs around the block.

Scholium Project San Floriano Normale 2006

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100% Pinot Grigio

Schoener’s 2006 San Floriano Normale exemplifies his willingness to admit when an experiement didn’t really work out, as well as his interest in seeing what he can do to work with it. As he describes it, the acidity on the original version of this wine was so high it was verging on undrinkable. He reblended barrels and aged the wine in a mix of conditions (in the cellar, outside on the patio, back in the cellar, back outside, etc) for five years before bottling, thus turning a skin fermented pinot grigio into an incredibly textured chocolatey, rich fruit wine with tang, both richness and precision, and sherry or madeira like notes. It shows both the oxidative elements of sherry, and the rich flavors associated with maderization.

incredibly, the alcohol on this wine is high at 16.98%. It definitely carries the heat of such alcohol and yet the body of the wine makes it work. My fear in tasting the San Floriano Normale was that with the high alcohol-medium high acidity combination this wine would burn the mouth as it got warmer. Initially I was certain that it needed to be served partially chilled. In actuality the wine handled drinking warm quite well and remained pleasant, without burning as high alcohol and acid together will tend to do.

Both of the Scholium Project orange wines were liked by the group in our tasting, and a couple of the tasters went on to order some of the Prince in His Caves to have with dinner. They’re wines that are fascinating on their own, and also work alongside food.

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Thanks again to Kim for requesting the orange wine focus. It’s been fun to delve so deeply into the phenomenon, and I hope you’ve enjoyed it, Kim. There are numerous other orange wines in the world. I have a few more in cellar that will appear here in the future.

If you’re interested in knowing about other orange wines, check out Dr. Vino’s nice long list that includes many of them.

http://www.drvino.com/2011/10/29/orange-wines-levi-dalton-decanting/

Thank you to Dan for encouraging me to go ahead with the Thor cartoon. I was nervous about doing it but am happy with how it turned out, and appreciate the push to take a risk. I hope Abe Schoener finds it funny as well.

***

Have a wine focus you’d like to see explored here through comics and write up? Please feel free to email me at lilyelainehawkwakawaka (at) gmail (dot) com . I enjoy the challenge, and hearing from you too!

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Considering Biodynamic Red Wines from Paolo Bea, Chapoutier; Quintessa, and Eyrie Vineyards

Monday here hosted a comics-based examination of biodynamic practices in relation to wine. Following are reviews of four very different red wines from four different regions. The first two are made using biodynamic practices, and the second two are made using non-petrochemical practices.

Paolo Bea 2007 Umbria Rosso

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The complexity on this particular Paolo Bea was astounding. The tannins here are higher than on any other wine I’ve tasted. As such, it demands food (fatty salami is perfect) to help bring out the flavors, and time with open air on it. Without food the tannins make this Rosso a challenge to drink, with food the fruit is rich and lovely, accompanied by herbs. That said, I very much enjoyed drinking this wine, even with the challenge. The textures were rich, not only because of the tannins, but because of the dense sediment within the glass.

Paolo Bea is thoroughly invested in biodynamics, working a farm with grapes as only one small part of the overall estate. He is known too for saying that filtering a wine removes its soul–one is meant to experience what the grapes have to offer complete. Skimming reviews and articles on his work you’ll regularly see his wines described in this language too, as having soul with the import being that the metaphysical quality is somehow extra to what other wines would seem to offer.

Bea’s wine making practices are also manageable partially because of his focus on economy. His goals are to produce only as much wine as he can sell, rather than to push for making extra money, and also to make only wine he loves. What Bea loves is to allow nature to do its work, rather, as he puts it, than trying to dominate it.

To add to the interest of this particular Bea wine, it’s a Sagrantino blend, bringing in Sangiovese, and a touch of Montepulciano. Sagrantino is indigenous to the Umbria region where Bea grows and makes his wine.

M. Chapoutier 2005 Crozes-Ermitage

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At the end of a hard day I decided to pick the one wine I knew that would pull me in and occupy my attention with joy. I turned to this Chapoutier. The 2005 Crozes-Ermitage has just enough age on it to bring out the complexity and richness of the Syrah, but has at least 15 years more aging potential in the bottle. The flavors here bring together rich fruits, spice, and earth, with a smooth texture.

Chapoutier is known for his biodynamic commitments. He helped start a wine-focused biodynamic certification program in Europe, and freely offers critique of other biodynamic programs and their perceived limits.

The quality of Chapoutier’s wines is reliable, over a range of price-points. Currently his name carries a large presence in the wine world as he is regularly seen commenting on the current state of various areas of the Rhone, and also working with other wine makers to develop new projects.

** Post Edit for Clarification: Vineyard Practices Contrast

The first two wines mentioned in this post draw strongly on biodynamics as a system. The following two American wines utilize *elements* of biodynamic practices without carrying certification, and while allowing other non-petrochemical practices that they believe best suit their purposes. If you are interested in certified biodynamic wineries within the United States, consider the list linked at the end of this post from Wine Anorak.

**

Quintessa 2005 Rutherford Red Wine

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Quintessa is a beautiful estate in the Rutherford district of Napa Valley. Their Meritage red blend begins with a base of Cabernet Sauvignon, and brings in various amounts of other Bordeaux-style blend grapes, namely, Merlot, Cabernet Franc, Petit Verdot, and/or Carmenere, depending on the vintage.

Quintessa’s estate utilizes biodynamic practices, without showcasing certification, focusing on diversity of plant life on the property, and the advantages of animal composts.

My sister and I visited Quintessa Estate in 2008 taking a private tour of the vineyards, and winery. They offer a barrel tasting coupled with a tasting of the vintage the relevant barrels then blend into, all alongside food pairings created by a Napa area chef. The experience was a treasure, and led to drinking this particular bottle several years later.

The 2005 Quintessa is perfectly aged now. It shows an interesting blend of both dried and fresher fruits, with earthy elements and a pleasing briny quality. Though the sardine reference might seem unusual, here it offers savory and briny elements that make the wine refreshing and nicely balanced, while still carrying the fuller qualities of a Meritage wine.

Eyrie Vineyards 2008 Pinot Noir

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Eyrie Vineyards helped start the Willamette Valley wine region. In the 1960s David Lett brought Pinot Noir, and Pinot Gris to the valley becoming the first to plant the former in the region, and the first to plant the latter in North America. Their wines bring with them consistently good quality, and I’ve become a fan of each of their grape varietals.

Jason Lett now continues the Eyrie project his father started, as well as his own. Eyrie is known and respected for its biodynamic practices showing a small but functioning farm with a range of animals (I particularly enjoy seeing how the Lett’s reference their chickens with a fondness), and other plants.

The 2008 begins with a lot of wet leaves and forest floor, and opens into a balanced range of red fruit with the spice of hatch chile, and hints of smoked bacon that surprised me. The wine is pleasantly rich flavored while medium-light bodied. I enjoyed it on its own but would be happy to drink it alongside cedar-plank or grilled salmon.

*** Post Edit: Jason Lett, the President and Wine Maker of Eyrie, has clarified that their vineyard is not strictly speaking biodynamic. My inclusion of Eyrie and Quintessa was purposeful–that though they do not showcase biodynamic certification, they do follow important aspects of biodynamic practices. As Jason Lett clarifies, they have developed “a strict set of practices all [their] own.” In other words, while the Eyrie approach strongly overlaps the focus of a healthy environment seen in Biodynamics, they part ways when it comes to the treatments mentioned on the last page of the Biodynamics comics shown here Monday. My view of these ideas is that one can share overall purposes without having to strictly follow entirely identical practices. In other words, cow manure buried in a horn in the ground might not be the only way to fulfill our goals of a healthy environment. Thanks for responding, Jason!

***

For a good, though partial list, of biodynamic wine makers check out Wine Anorak’s list here: http://www.wineanorak.com/biodynamic3.htm .

Again, it is good to note that some wine makers have biodynamic practices without certification. There are also wine makers that draw on biodynamic practices to develop a non-petrochemically based practice their own. In this way their goals of creating a healthy environment may be similar without the practices being entirely the same.

If you’re in the United States, for a good source of biodynamic wines online check out the following retailers:

Out of NYC

Italian Wine Merchants: http://www.italianwinemerchants.com/

The Natural Wine Company: http://www.naturalwine.com/catalog

Out of SF

Biondivino: http://www.biondivino.com/

***

Friday will take a look at how orange wines are made. Then next week we’ll review first some biodynamic orange wines, and then later in the week some other orange wines.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Vertical Tasting of Monte Bello Wines: 1990, 1994, 2001, 2006, 2008, and the Klein Monte Bello Cabernet Sauvignon 2009

Ridge Vineyards Monte Bello  is considered by many the finest example in the United States of a Cabernet Sauvignon focused Bordeaux-style blend. As such it is often referred to as “America’s First Growth” referring to the strength of quality found in the wine, and the age of the vineyards as well.

Ridge Vineyards began when doctor Osea Perrone purchased acreage atop Monte Bello Ridge near Santa Cruz, terraced the land and began planting vines. The cellar he dug into the mountainside is still used today as Ridge’s production facility. In the 1940′s, a theologican, William Short developed an abandoned vineyard just below the Perrone estate, and began planting Cabernet Sauvignon. From the Short property the first Monte Bello Cabernet Sauvignon were produced, in the 1960s regarded as some of the best of their era.

Monte Bello vineyards are grown between 1300′ and 2700′ in elevation, lending to concentrated flavors. The ground in the area shows a combination of green stone, and decomposing limestone, unlike the earth of the Napa and Sonoma Valleys. Additionally, the Santa Cruz mountains receive air currents from the Pacific Ocean and Monterey Bay keeping a fairly cool climate for the grapes to grow in. These elements combine to produce a Cabernet based wine considered in many ways unique for California.

Ridge Monte Bello Vertical Tasting

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Last week I was lucky enough to attend a Ridge Monte Bello vertical tasting hosted by Solano Cellars in Albany, California (just north of Berkeley). The tasting brought together five Monte Bello blend vintages, with a recent component bottling of the Ridge Klein Cabernet Sauvignon produced from what is known as the Klein Monte Bello vineyard. That is, the Klein Cabernet goes on to form a portion of the ultimate Monte Bello blend, and is offered on its own as well in limited production.

1990

I was impressed by the ageability of each these wines. The 1990 was my favorite of the selection, showing the greatest balance of characteristics as well as development, but also offering the potential for several more years of cellaring. This vintage brought together wonderful dried fruit elements, with hints of forest floor and cigar box, bbq spice sweetness on savory meat notes, and the trademark Eucalyptus oil touches that Ridge Cabernet is known for carrying. In fact, the Eucalyptus oil showed through each of the vintages tasted.

1994

The 1994 showed as far more youthful than the vintage would seem to imply. It carried a richer, fuller body than the 1990, and brought together more savory elements than the previous, with less tart or sweet touches, as well as a more distinct note of Cabernet Sauvignon’s characteristic green pepper elements. The tannins and overall structure were consistent with the 1990.

2001

2001 showed as the ripest of the vintages, carrying less structure (though by no means absent of it) than the others. The grapes of 2001 grew amidst heat spikes not typical to the region, thus rushing and slowing their ripening. The fruit here offered a mix of black fruits, and underlying dried fruits, giving a chewy complexity. The umami (savory) elements were here as well, all together giving a medium-long finish.

2006

We were lucky to taste from 2006, as it is a less available vintage, due largely to smaller production that year after little rainfall. The tannins here were strongest, carrying alongside them the most distinct herbal notes as well.

2008

In 2008 the Monte Bello vineyards were surrounded by forest fires that threatened hundreds of acres in the Santa Cruz mountains. Gratefully the estate was spared, but the smoke notes definitely show themselves as an established element of this vintage. The wine is youthful, with all fresh fruits rather than the dried concentrates appearing previously. There is earth on the nose, but shifting to tart acidity in the mouth.

2009 Klein Cabernet Sauvignon

Our final wine of the evening was the component part Klein Cabernet. I’d say it could do with several more years of age before drinking, though it shows impressive structure and a wealth of developing flavors now. After sitting open for several hours the tannins were still thickly drying. The acidity is medium + here too, but the tannins definitely win. I’d love to taste this fresh, vibrant cab again in a few years.

***

Thank you to Jason of Solano Cellars, and Amy of Ridge Vineyards for co-hosting this lovely event!

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Considering Treatment of the Grape Pinot Blanc, and Tastings from 2009

It turns out Pinot Blanc veils it self in mystery. The grape presents in many cooler climate regions of the world; as a close cousin of Pinot Noir and Pinot Gris it shares their delicate skins and selective temperaments. But, the grape finds itself misnamed in many of its apparent homelands, being more commonly blended with other whites when showing itself on the label, or simply altogether tricked out of the bottle that boasts its name. In two of the regions we’ll examine below the legal requirements actually allow for a wine to be named Pinot Blanc without carrying any of the grape’s product at all.

When Pinot Blanc does show itself though, it is considered one of the most food friendly white wines due to its combination of healthy body and ripe acidity.

Pinot Blanc in Germany

Typically labelled “Weissburgunder” in Germany (though sometimes re-labeled Pinot Blanc when sold outside the German market), Pinot Blanc has been increasing in attractiveness in Germany over the last decade, and has become recently a well-respected grape there. It’s delicate qualities do well in the Northern Climate, where it is generally produced in a clean style with little oak influence, though more producers in Germany have been experimenting with some barrel aging.

The variety is produced in Germany as either a sweet, or dry style.

Becker Estate Pinot Blanc 2009, Pfalz Germany

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The Becker Estate drank as the most well-balanced, and simultaneously approachable plus interesting of the four wines mentioned here. Of the four it was the one I’d most want to stick with through a meal, or to continue drinking through an evening on its own. We have nice fresh minerals, developed fruit, hints of wood, and pleasing acidity, all showing through a lush bodied wine. This wine is more mineral, than fruit driven.

The Becker Estate is a nice example of the good quality dry white wines that Germany produces. This wine stands up to drinking alone, for those that enjoy Pinot Blanc, but has enough flavor and acidity to add to a meal as well. Would pair well with fish or poultry. I’d love to have this wine with sauteed white fish, and white asparagus.

Pinot Blanc in Alsace

In Alsace France, this grape is one of the primary plantings, and carries the body of a number of the area’s popular wines. Even so, it is not necessarily the most respected grape of the region, and tends to be used in blend with other whites, or presented as Pinot Blanc while blended with Auxerrois, a grape with lower acidity. In combination, the distinctiveness of Pinot Blanc is mellowed significantly by the fuller body, and flatter flavor of the Auxerrois.

When purchasing an Alsacian Pinot Blanc it is actually difficult to know what the precise grape selection happens to be because legally the designation “Pinot Blanc” on an Alsacian wine can contain some combination of actual Pinot Blanc, Auxerrois (the most common partner), Pinot Gris, and/or no-skin (therefore no color) Pinot Noir. It is even possible to purchase an Alsacian Pinot Blanc that in actuality is 100% Auxerrois. For a true Pinot Blanc from the area, the best bet is to look for a bottle labelled “Clevner.”

Still, the area is also known for producing what is considered a truly distinctive Alsacian Pinot Blanc, which shows a smokey floral quality that many love, and that some wine makers from other regions strive to emulate.

Gustave Lorentz Reserve Pinot Blanc 2009, Alsace France

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This wine had the lightest flavor of the three, and did not carry the smoke on the nose that many associate with an Alsacian style. However, the bouquet did offer interesting floral and mineral notes, that show as much lighter on the palate. In fact, the contrast between the nose and palate was a bit of a surprise to me. I’d describe the Lorentz as a very approachable wine that shows some interesting complexity, but even so wants to be had with food. The focus on this wine is good value, rather than being a stand alone.

It is pleasantly mouth watering, and would drink well along side lightly flavored scallops, a seafood risotto with touches of citrus, or other white seafoods.

Pinot Blanc in the United States

Interestingly, the history of this grape in North America runs confused and still not entirely clarified. Pinot Blanc took hold in California as what was considered an alternative white varietal to the already popular Chardonnay. Some producers even choose to make their Pinot Blanc wines remarkably similar to what is considered a California-style Chardonnay, that is, strongly oaked and buttery. In the 1980′s, however, examinations of the Pinot Blanc root stalk grown at the UC Davis experimental vineyards were done by French botanist, Dr. Pierre Galet. He found that what the university had certified as Pinot Blanc was actually a different French varietal, namely Melon de Bourgogne. The result of the university’s error was that numerous viticulturists all over the state of California were actually growing Melon vines under the Pinot Blanc name.

Oregon suffered the same fate as its southerly sibling, at least initially. David Lett of Eyrie Vineyards had brought vines from UC Davis north to the Willamette Valley in the 1960s, instigating the start of the Oregon wine industry. But he arrived with some mis-labeled vines as well. and planted vineyards of Pinot Blanc only to discover them to be another grape type entirely. Interestingly, Lett’s claim was that his vines were not originally Melon de Bourgogne, but instead actually misnamed Chardonnay.

The two states have dealt with the mixed-up history quite differently.

Oregon wine laws demand that bottles labeled Pinot Blanc must contain certified (correctly) juice from the grape the name implies. So, wine makers in Oregon really do make Pinot Blanc wine from actual Pinot Blanc grapes, and those that arrived with mis-labeled vines have corrected the error either by replanting what they’d rather grow, or simply correctly renaming what they continue to grow.

California, on the other hand, has decided that the agricultural history of the state makes its own demands. Legally, wine labeled “Pinot Blanc” in the state of California can be made with any of the grape types that have been historically understood as Pinot Blanc in that state. That is, if a vineyard planted what was actually Melon de Bourgogne, believing it originally to have been Pinot Blanc, then wine made with Melon can still be labeled Pinot Blanc. However, to confuse matters further, it is also legally allowed for these wines to be labeled Melon now that the error is known. Most wineries choose to retain the Pinot Blanc name for their bottlings, however, rather than use the botanically correct Melon reference.

Interestingly, some wineries in California, particularly in the Carneros area, have established newer plantings of what has been correctly certified as Pinot Blanc vines. Trying to determine which wines from the state are made from Melon but labeled Pinot Blanc, and which really are made from the grapes of the correct designation is a challenge, however. Most winery websites don’t clarify the issue, and the bottles don’t either since the law simply doesn’t demand such certainties.

Of the four wines tasted, the Robert Foley, and the Eyrie were the most challenging in that they both offered fascinating, but also slightly strange characteristics. To be clear, I’ve never minded a challenge when it comes to wine, so I describe them as such as in no way slighting. For those that want simply approachable wines, however, you will not find them here.

Robert Foley Pinot Blanc 2009, Napa California USA

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A fan of Alsacian wine, Robert Foley describes his Pinot Blanc as an attempt to emulate the best of that region’s Pinot Blanc varietals. The style shows itself here, as his rendition certainly carries the strong floral wine for which a good quality Alsacian Pinot Blanc is known. He does well too at offering good quality.

To the American palate Foley’s style comes as a surprise showing an almost strange mix of evergreen, fragrant white flowers, alcohol-heat, and moderate acidity. That said, I found his wine thoroughly intriguing as I kept putting my nose back in the glass to take in the mix of qualities I found there.

Foley keeps this juice in stainless steel, with no oak influence or malolactic fermentation, in order to keep his wine clean and focused on what the grapes themselves have to offer. As a result, there is pleasant fruit here with white peach, and light meyer lemon plus lime coming together with jasmine on both the nose and palate. I mention hints of clove in the comic not to reference oak indicators, but instead to capture the kind of rich spice-heat that hovers about this wine. The wine deserves to be chilled, as the combination of flavors holds together best when served cooler.

The Robert Foley Pinot Blanc would pair well with fish, or light pasta with fresh ingredients.

** As mentioned above, California winemakers are not obligated to distinguish their Pinot Blanc as genuine PB or Melon. As a result, it can be hard to know for sure which grape you find in the bottle, as either grape can be named the same. In this case I have as of yet not been able to find definitive information, but am hoping to hear back from the wine maker via email. I’d love to hear in comments or email if anyone else has further information on the matter, and I’ll be sure to fix a post-edit when the info is confirmed. Pinot Blanc is one of those grapes that is readily mistaken for a couple of other white wines and so it is hard to make a commitment here based simply on having tasted it. That said, the flavors and structure on this wine were consistent with other actual-Pinot Blanc varietals I’ve tasted either here, or previously.

Eyrie Vineyards Pinot Blanc 2009, Willamette Oregon USA

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The Eyrie Pinot Blanc is a true varietal. Jason Lett, the president and wine maker of the label chooses to rest the juice on lees, adding body to the wine, and to allow malolactic fermentation as well, bringing a buttery smoothness to the final drink.

The Eyrie clones originate from the Alsace region, and this wine is produced as a limited bottling, adding to the treasure of tasting it. It is also readily considered unusual when compared to its Willamette counterparts in that the Eyrie presents with richer, creamier texture.

The grapes offer a rich, savory, dried herbal quality to complement the melon and citrus notes. The acidity is lower, but the alcohol higher compared to either the Becker, or Lorentz offerings, as a result the Eyrie leaves more of a sense of heat in the mouth.

The Eyrie would pair well with an avocado-citrus offering such as Avocado-Ahdi, and buttered scallops. This is also the perfect picnic wine.

What I really want with this though? Dungeness Crab. Amen.

This wine is so much Oregon sea coast and forest to me. It tastes like fog, with fresh sea air, the forest surrounding you, and your best friend there on a picnic. For those of you familiar with the area, you’d drink this where Ecola State Park meets the Pacific. It’s beautiful there, and totally intriguing.

Cheers!

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

A Vertical Tasting: Faust Napa Cabernet, 2005, 2007, 2008

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One of my favorite things to do is to taste different wines of the same grape variety, or grape blend, side-by-side, or, to taste multiple vintages of the same wine side by side–that is, a vertical tasting.

I was lucky enough to taste three vintages of the Faust Napa Cabernet Sauvignon recently.

2005

Though 2005 is not deep age on a rich bodied wine, it shows well already on the Faust. This is a nice quality Cabernet, with tannins to allow deepening complexity as it is stored. The 2005 already shows such secondary characteristics, with hints of smoke and smoked meats, some pepper spice, and even my beloved Alaskan tundra herbs and plants that I’ve mentioned here before. I very much enjoyed this vintage.

The 2005 is certainly ready to drink now, but can also be held for drinking later.

2007

It is clear that this is a nice quality wine, but drinking it now catches it in an in-between/development stage. This vintage was lauded on its release for ripeness and range. Tasting it today, you can see that the structure is there to allow for aging and interest, but right now the flavors are showing as flat. There is plenty of fruit–a ripe year–and other notes of interest, but hold onto this for a couple years before drinking so that the elements can come back together.

2008

The youth of this vintage offers juicy fruit, and pleasant spice. Again, this is a lovely vintage with good quality. You can enjoy it now with its pert, vivacious character, or let it age into a deeper wisdom.

Incidentally, the 2008 Faust is a wine my parents thoroughly enjoyed. It has all the verve and body of a rich Caifornia Cabernet that they appreciate.

Side-by-Side

The 2005 was without doubt my favorite of the three. I love how the age shows on this vintage. The 2007 seems the ripest, but needs time. The 2008 shows the most spice, and I’m interested in how the complexity will come out with age on this vintage.

Enjoy!

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com