Category Sweet Wines

Photos from Pebble Beach Food & Wine 2013

Pebble Beach Food & Wine

One of the great annual food and wine extravaganzas on the West Coast United States occurs each Spring in Pebble Beach. The town becomes host to the best chefs, wines, and sommeliers from all over the world, as well as the folks that want to be there to drink in their offerings.

Here are photos surveying some of the activities I was lucky enough to attend over three of the four days (it begins Thursday but I arrived Friday).

Friday:The Grand Tour: European Continental Cuisine Lunch, featuring Wines of Portugal

Pebble Beach

Garden lunch reception begins at Pebble Beach

Salmon Cavier Popsicles

appetizers are served on the lawn, Chef Roland Passot’s Salmon Lollipop, w Quinta da Raza, Raza 2011 Vinho Verde

Cassolette des Fruits des Mer Printaniere

Inside for a seated lunch: Chef Johan Bjorklund’s Cassolette, w Companhia das Quintas, Quinta da Romeira 2011

Duck Charcuterie & Traditional Garnishes

Duck Charcuterie & Traditional Garnishes by Chef Michael Ginor, w Esparao Reserva 2008

Patisserie Chef Francois Payard

Patisserie Chef Francois Payard

Sommeliers

World Class Sommeliers serving at lunch

Sommeliers

World Class Sommeliers serving at lunch

Wines of Portugal

Portuguese wines from lunch

Ruinart Private Dinner

The Ruinart Table

Nicolas, Michelle, and Frederic

Nicolas Ricroque, Chef Michelle Bernstein, and Chef de Caves Frédéric Panaiotis discuss final dinner preparations

Ruinart

welcome with Ruinart Blanc de Blancs

Ruinart Dinner Setting

Ragout of spring vegetables

Ragout of spring vegetables, seared foie gras, truffle vegetable nage, served w Dom Ruinart Rosé 1998

the brilliantly improvised skatewing and uni course

beautifully improvised dish of Skatewing w fresh Sea Urchin, Sourdough Bread, paealla, open clams, and fresh peas, served w Dom Ruinart 2002, and 1998

Dom Ruinart Rose 1990 and 1996

Dom Ruinart Rosé 1990 and 1996

Saturday:
Chef Morimoto Master Cooking Demonstration w Ruinart Champagne

Chef Morimoto and Chef de Caves Frederic Panaiotis preparing for the demonstration

Chef Morimoto and Chef de Caves Panaiotis prepare before the demonstration

The preparations

the view before hand in the demonstration mirror

Chef and Chef de Caves

Chef Morimoto and Chef de Caves Panaiotis

The demonstration tent

Panaiotis discussing food pairings as Morimoto preps

the event begins. Frédéric Panaiotis introduces Ruinart Champagne

The crowd

Offering sushi

Chef Morimoto gives sushi for Chef de Caves Panaiotis some final touches

Fans with Morimoto

the audience excited for pictures after the demonstration

Fans for Morimoto

Ridge Monte Bello Panel at Spanish Bay

View from Spanish Bay

the view at Spanish Bay

Flowers seaside

Ridge Monte Bello Vertical

Nine vintage vertical of Monte Bello–1984, 1995, 2006-2012

The Ridge Panel

The Ridge Discussion Panel preparing

Ridge Monte Bello Barrel Samples

2011 and 2012 are still in barrel

Ridge Monte Bello Vertical

Battle of the Coasts: WEST Dinner

Starting dinner with Dom

beginning with Dom Perignon 2003

Opening Course

Uni by Chef Dominique Crenn, served w Grieve Family Winery 2011 Sauvignon Blanc

Black Cioppino

Black Cioppino by Chef Thomas McNaughton, served w Clendenen Family Chardonnay “Le Bon Climat” 2008

Red Velvet Cake

Red Velvet Cake by Pastry Chef Lincoln Carson, served w Taylor Fladgate Vintage Porto 2003

Sunday:
The Grand Tasting

Food at the Grand Tasting

Grand Tasting

Pouring Wind Gap

Pax Mahle pouring Wind Gap Wines

Chris Williams

Chris Williams, Brooks Wines

Brooks Riesling

Brooks, Willamette Valley Riesling and Pinot Noir

Chef preparing food

Chef projector

The Lindt Chef Projector (This image talked about the chocolate while the real her was standing 5-ft away talking about the chocolate. It was a trip.)

Pouring Palmina

Steve Clifton pouring Palmina Wines

***
Thank you to Sarah Logan, and Vanessa Kanegai.

Thank you to Nicolas Ricroque, and Frederic Panaiotis.

Thank you to Mark Stone.

Thank you to Bettye Saxon.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

Tasting South Australia: 11 Wines of the Region

We were able to gather 11 wines total from South Australia for a tasting bringing together a few of the smaller boutique labels, with a few of the more established ones. The vintages also varied between 2003 and 2012.

This Monday several of us got together to taste, enjoy, and talk through the wines. I retasted everything again the next day, and then once more the day after. The wines were not tasted blind because part of the interest was talking through the different regions and age of the wines. Here are the tasting notes.

Tasting South Australia

Much of South Australia has warmer temperatures bringing wines with a softer structural presentation. However, Clare Valley is one exception represented in the tasting, offering a moderate continental climate with cool nights. It is also one of the oldest wine regions in the country, and with its cooler nights and elevation is known for its Riesling.

General insight states that South Australian wines age less long than those from cooler climate areas, such as Victoria or Tasmania. However, to give us some glimpse at exceptions, Torbreck sent two older vintage wines, both also made partially from older vines.

The whites presented strongest overall in the tasting with the Kilikanoon Riesling, and the Torbreck Semillon showing best to the group in the tasting overall. The Torbreck Steading, and Ochota Barrels Grenache Syrah blend were the most pleasing of the reds. Details follow.

Flight 1: The Whites

South Australian Whites

Kilikanoon Clare Valley 2009 Mort’s Reserve Watervale Riesling, Kanta Egon Muller 2010 Riesling, Torbreck Barossa Valley 2004 Woodcutter’s Semillon

* Kilikanoon Clare Valley 2009 Mort’s Reserve Watervale Riesling 12.5%
Opening with classic petrol in nose and palate, that lifts to some degree with air, the Kilakanoon gives green apple notes with gritty texture coming through on a distinct mineral tension through the throat, vibrant acidity, and a tang finish. The wine starts high and lifted in the mouth, with lots of juiciness, followed by a grabbing finish full of tension and length. I vote yes.

Kanta Egon Muller 2010 Riesling 13.5%
Where the Kilakanoon comes in fresh and lifted, the Kanta has more weight. The nose is floral, and more candied, moving into a tart opening on the palate with a driven apple tang rise that grips the mouth for a gritty tart close all with a polished sand texture. The acidity here is juicy. If you prefer more of a fruit focus and slightly wider palate to your Riesling, you’ll like the Kanta better. It’s a nicely made wine but not my style. The weight of the wine and breadth of the palate work against me.

* Torbreck Barossa Valley 2004 Woodcutter’s Semillon 14.5%
The Woodcutter’s Semillon was my favorite of the entire tasting. It gave delicacy with depth, drinking (interestingly enough) like a nicely aged Rhone white. The nose was pretty and light, balanced with both a floral-herbal lift and a mid-range breadth of light marzipan on the nose. The palate carried through without sweetness, offering clean delicate flavors adding in light beach grass notes and a long saline finish. This wine offered good presence, with a delicate presentation, and nice weight.

Flight 2: Grenache Reds

South Australia Grenache Reds

d’Arenberg the Derelict Vineyard 2009 McLaren Vale Grenache, Ochota Barrels 2012 the Green Room Grenache Noir Syrah

These two wines come from starkly different styles giving an interesting contrast on treatment of Grenache.

d’Arenberg the Derelict Vineyard 2009 McLaren Vale Grenache 14.5%
d’Arenberg offers a rich focused presentation that is comfortable using oak to integrate spice with the fruit. The Derelict Vineyard Grenache serves as a nice example of a wine committed to this style and doing a fine job of it. It gives a layered presentation of flavors including lightly sweet fruit, lightly sweet baking spice, primarily clove and ginger, and an earthy groundedness. The fruit is juicy without being overly extracted. The wine shows best on its first day as it showed its oak more than its fruit as it stayed open longer giving stronger pencil elements–both the wood and graphite–as it got more air. It did not drink well on day 3.

Ochota Barrels 2012 the Green Room Grenache Noir Syrah 13.8%
The Ochota is quaffable and fresh, all about lifted fresh drink-now fruit. It drinks like a cool climate grenache with those slightly under-ripe elements alongside fruity varietal expression. The wine is fun, and lively, meant to be enjoyed while cooking and laughing with friends. It gives pink flowers, strawberry, orange peel, cardamom, and fennel seed on the finish. There are stem chewing elements that provide interest on what would otherwise be an ultra light fruit driven wine. This wine is pleasing and very much about varietal character, rather than about showing off the soil or site in which it’s grown.

(I was joking with Amy during the tasting that where the Ochota is meant to be gulped with friends at the start of a bbq while the meat is cooking but not yet ready, the d’Arenberg is the wine a slightly old school man would pour for you in front of a fire at night when he’s getting up the guts to make his first move.)

Flight 3: Shiraz and blend

South Australia Shiraz and blend

Adelina 2010 Clare Valley Shiraz, John Duval Entity 2010 Barossa Valley Shiraz, Torbreck 2003 The Steading Barossa Valley GSM

Properly speaking the Torbreck should have been placed in the previous flight. The Shiraz didn’t impact the flavor of the Torbreck. It would simply have suited the Grenache flight better.

Unfortunately, both the Adelina and the John Duval Wines were not pleasing here. Based on the texture and flavor composition of the wines I believe the bottles had been heat effected. With that in mind I cannot provide proper notes here as I believe what we tasted does not represent how the wines were made.

* Torbreck 2003 The Steading Barossa Valley 14.5% Grenache 60% Shiraz 20% Mataro 20%
The wine opens with a bretty sense that blows off and becomes animal musk on forest floor. The nose carries into the palate layering in an enlivening iodine element alongside porcini and seaweed umami with a long tingling finish and polished tannin. The alcohol is lightly hot here but palatable. The wine holds strong on day 3 bringing in a smoked cherry element and a touch more of the alcohol heat. This wine may be a year or so past its prime but that said I enjoyed it and was impressed by how well it showed on day 3.

Flight 4: Other Reds

South Australian Reds

Alpha Box & Dice 2007 Blood of Jupiter, Samuel’s Gorge 2011 Tempranillo McLaren Vale

Alpha Box & Dice 2007 Blood of Jupiter 15.5% Sangiovese 85% Cabernet 15%
The label Alpha Box & Dice is known for their commitment to experimentation and trying new blends to see what works. That is the sort of interest I appreciate, and in trying such wines some levity has to be allowed in the risk. This is all by way of saying I appreciate the work done here while at the same time am not a fan of this particular blend. The wine is drinkable while singular. It focuses primarily on fruit and spice without enough layered flavor.

Samuel’s Gorge 2011 McLaren Vale Tempranillo 14.5%
This was one of the harder wines for me as it comes in with big fruit and collapses into leather. The structure is soft collapsing in quick stages on the palate with a semi-long finish. There is more fruit than this wine’s spine carries. The varietal character does not show.

Flight 5: Dessert

South Australian Pedro Ximenez

Dandelion Vineyards Legacy of the Barossa 30 year old Pedro Ximenez

Dandelion Vineyards Legacy of the Barossa 30 year old Pedro Ximenez 19%
The Pedro Ximenez enters with a fresh, delicate nose that is lightly nutty, turning into black walnut and baking spice on the palate with a long juicy finish. The flavors are pleasing but I’d prefer more acidity to help wash the palate. Without the higher acidity it gets heavy in the mouth. This wine demands cheese.

***

Thank you to each of the importers that provided these wines as samples.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

Willamette Wine 8: Visiting Brooks Wines, part 1, the Rieslings

Tasting at Brooks

In any wine trip there are stand outs. Having spent almost a month in Willamette Valley I’ve tasted a wealth of area wines from multiple vintages, through various grape varieties, along clonal and soil differences. There are a number of wines here that I love. Brooks Wines is the stand out.

As members of both the Oregon Riesling Alliance (ORA), and the International Riesling Foundation (IRF), Brooks Wines helps to cultivate the variety in Willamette Valley’s cool climate. With just under 40 members of the ORA, the group works to develop the overall quality of Riesling in Oregon. As Harry Peterson-Nedry put it, “higher water floats all boats. We know that if anyone of us improves, we all benefit.” With that in mind, the ORA meet to hold private blind tastings to critique the quality of the individual wines, media tastings at different points in the year, and work together to build the overall quality, and public awareness of Oregon Riesling.

Janie Brooks Heuck serves as a member of the IRF board, whose goal is to develop long term public education, quality, and information about quality Riesling from around the world. The well-known Summer of Riesling campaign, with its participating wineries, shops, and wine serving venues from bars to restaurants, arises from the work of the IRF, celebrating Riesling through focus on various global regions. The program has done an incredible job at increasing interest and distribution too of Riesling in the United States, and other regions of the world. One of Brooks Heuck’s goals is for the program to grow to include a focus on domestic Rieslings as the quality of domestic Riesling also increases.  Currently Summer of Riesling has celebrated attention on Riesling in general, with a focus on well-known regions such as Germany or Austria during their regional highlights. Domestic production of Riesling is far lower than these other regions, but there are already examples of quality Riesling being made in the United States, Brooks being one of them.

The 2009 Brooks Willamette Valley Riesling is an excellent value. The bottle retails at $18 (or less) and offers a fresh, clean, energizing nose with citrus florals and light prosciutto notes. The palate is genuinely dry, offering distinct stone minerality, with dry toast touches, and a rush of citrus and floral qualities. The movement on this wine is fantastic. I’ve been craving it since our visit.

Brooks Wines was started with a commitment to keeping prices down to allow their wines to be accessible to more people. Janie Brooks Heuck has been able to keep that commitment to affordability by working with wine maker Chris Williams to increase the production levels, while still holding onto a hands on approach to maintain quality.

Riesling came in as one of the early varieties to grow in the Willamette Valley. Initially, the wine style being produced with the grape was what many locally still refer to as ‘soda pop’ with alcohol. Because of the initial difficulty in producing quality wines with the variety many began ripping out their Riesling in favor of other varieties. Jimi Brooks, the founder of Brooks Wines, worked to convince vineyard owners and managers to hold onto the older vine Riesling so that a return to quality dry style wine with older vines could continue in the region.

The 2009 Ara depends upon 50% Brooks estate fruit, and 50% fruit from Yamhill Vineyard, with vines planted in 1984. Yamhill Vineyard is one of the sites Jimi Brooks approached to maintain older plantings.

The 2009 Ara offers a fully dry, slightly rounder presentation, with a still up but softer acidity than the Willamette Valley Riesling. There is a nose of peach blossom here, with a palate of white peach, and peach blossom. The shift from citrus to stone fruit focus changes the experience of this wine so that where the acidity of the Willamette Valley Riesling shows as bright and racing in the mouth, the Ara offers a smoother focus.

As Brooks Heuck explains, in their view the reason for choosing to make single vineyard wines is to bring attention, and regard to the farmer of the site, and the work they are doing, as well as to learn about and celebrate the site itself. With this in mind, Brooks has chosen to create a Bois Joli Vineyard specific Riesling in the medium dry category.

2011 offered extended hang time due to the cool temperatures throughout the vintage. A number of Riesling producers in Willamette Valley have remarked that for that reason they believe it’s a beautiful vintage for an off-dry style. The very light note of residual sugar changes the experience of the intense acidity of such a vintage, creating a more complete presentation of the wine.

The Bois Joli Vineyard 2011 Riesling comes in with 2% residual sugar. This has a peach blossom plus meyer lemon nose that is vibrant and lightly touched with green bean. There are loads of peach and citrus plus light smoke and cut stone minerality on the palate. This has a mouth squeezing (yum) acidity, and a long finish. Ultra juicy.

The Sweet P 2011 Riesling arises entirely from Brooks Estate Vineyard fruit. The choice has been to model biodynamic winemaking practices with the fruit from this location. To celebrate the unique qualities of the location, Brooks has chosen to also sell some estate Riesling fruit to other wine makers in the area. Big Table Farm produces a Brooks Estate Vineyard Riesling, which I was lucky enough to taste recently as well. (Notes on that to follow in a future post.)

The 2011 Sweet P, named for winery owner, Pascal–son of Brooks founder Jimi Brooks, beautifully integrates the 5% residual sugar with the vibrant acidity. This wine undergoes natural ferments, which bring an open complexity to the presentation. There are refreshing vegetal qualities coming through along side pie crust, and late season citrus blossom. This wine offers an impressively vibrant expression–again energizing and clear, without having to demand your attention, all carried with both feet on the ground. I very much enjoy this wine.

Born and raised in Oregon, Chris Williams had worked with Jimi Brooks making wine at Willakenzie, and Momtazi, before then becoming the wine maker for Brooks itself. After Jimi Brooks passing, Janie Brooks Heuck stepped in to keep the winery going for the same of Pascal Brooks, Jimi’s son. As she explains, it became clear that Williams was the right person to make Brooks’ wine. “He wanted to keep it going for the same reasons I did. Now we’ve had one more harvest than Jimi did.”

The Tethys Riesling is a late harvest wine, with the 2011 made in a year where all fruit hung late. Again, this wine carries a rolling acidity that brings the sweetness over and off the palate. There are light vegetal notes here along with peach blossom, white peach, and hints of date. The wine carries cut stone and light petrol minerality, alongside light white herbs.

Brooks Rieslings are some of the finest offered in Willamette Valley.

(The white blend that shows in this photo will be discussed in the “Visiting Brooks Wine, part 2″ post to follow.)

After IPNC 2012 some of us were able to attend a media tasting of approximately 15 Riesling producers in the Willamette Valley. Alder Yarrow posted thorough tasting notes on his experience with the media tasting. To read more about recent releases of other Rieslings in Willamette, as well as more information on the variety in the region, find Yarrow’s post here: http://www.vinography.com/archives/2012/08/treasure_in_the_hills_tasting.html

More on other Willamette Rieslings, and on Brooks other wines to follow.

***

Thank you to Janie Brooks Heuck and to Chris Williams for taking time to meet with me. I’ve very much enjoyed having time with both of you.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Willamette Wine 5: The Long-Dudley Wakawaka BBQ

Seth Long and Destiny Dudley Throw an Alaska Salmon, Moose Meat, Oregon Wine Wakawaka BBQ

Thank you to Seth Long and Destiny Dudley for inviting together in one place the five things everyone needs–a wealth of good wines, Salmon, Moose Meat, Oregon Hazelnuts, and the good people of Willamette Valley. We had a wonderful time, and tasted, as I said, a wealth of good wines. Thank you!

wide angle lens photos taken by Destiny Dudley-thank you for sharing them!

Thank you to Destiny Dudley, and Seth Long for being such lovely and generous hosts!

Thank you to my family for sending me down with fresh caught Bristol Bay Salmon, and Moose Meat.

Thank you to Anneka Miller, Jason Lett, Andrew Rich, Jim Maresh, Joseph Zumpeno, Amanda Evey, Timothy Wilson, Drew Voit, Mike Primo. I apologize if I’ve forgotten anyone.

Thank you, finally, to our philosophical belly buttons. And to the hazelnuts.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Willamette Wine 4: Omero Cellars, and Sarah Cabot

Visiting Omero Cellars and Sarah Cabot

the tasting room in Carlton

inside the tasting room

getting ready to walk through the vineyards on Ribbon Ridge, our greeter

The Omero Cellars property rests in the smallest AVA in Willamette Valley at only 1300 acres, Ribbon Ridge. Omero’s vines are predominately Pinot Noir planted in 2009, with 26 total acres, 22 of which are Pinot Noir, 4 acres Pinot Gris. 2011 offered the first vintage of fruit off the property.

After completing studies at the Northwest Wine Academy with South Seattle Community College (as well as a degree in Jazz Composition from Berklee College of Music in Boston), Sarah Cabot sought harvest internships in Willamette Valley. The difficulty was found in her already having a secure position with the restaurant Wild Ginger in Seattle. Finally, she got the guts up to quit her job. The same day she gave notice she arrived home to an email about a harvest internship at Belle Pente, and the possibility of work as their Assistant Wine Maker, if she’d relocate, and proved the right fit. She hit the road.

“There has been a lot of serendipity for me in all of this.” –Sarah Cabot

“I love working with Pinot Noir. I love making whites. Those two are favorites. … There is no end to what we can learn. Each vintage is so different. I’m really playing mad scientist right now. Quality and knowledge in wine making come from trial and error. So, I always experiment, and put a lot of thought into my experiments before starting them, and talk with peers about them too. And then there are also the tools from school to work with. ” –Sarah Cabot

rains fell at bud break this year, causing some of the blooms to stay shut, thereby not turning into fruit. The phenomenon is known as “shatter”, leading to clusters with fewer grapes. Without shatter a Pinot cluster would form a small fairly cohesive fist shape. Here the open nature of the cluster shows the loss of berries caused by the opening rain. Asking Cabot about the health of her clusters this year she is surprised at the amount of shatter, but quickly remarks she’s okay with it because of what the loss of fruit now can do for the complexity of the wine in the end.

The Pinot Gris is planted on incredibly steep slopes. The Omero Cellars 2011 Pinot Gris offers juicy, bright fruit, with touches of light citrus powder, good movement of acidity, and a smooth mouth feel.

The wines are made to be served with food, and so we ate. Roasted Beets served with a goat cheese whip, and a reduction of pink grapefruit, peach, rosemary, and lavender.

Served with the 2008 Omero Cellars Pinot Noir made with fruit from Chehalem Estate Vineyard, which was planted in 1983. The wine offers rich aromatics, with light caramel notes, pepper, dark fruit, and rose floral, plus rose bramble notes. The palate follows. I am disinclined to spit. This wine has a lot to offer now, but also wants time to show the joy of experience.

Beet greens, red quinoa, fresh green beans, roasted potatoes, broccolini, cherry tomatoes, and balsamic. Oregon vegetables are one of the five necessities for a good life.

The 2009 Omero Cellars Pinot Noir from the Ribbon Ridge AVA but declassified to name as Willamette Valley fruit. The wine offers rose, and lavender spice with a belly of red fruit aromatics. There is a soft mouth feel carrying pepper, and rose perfume alongside thoroughly integrated red fruit and light caramel notes.

Shaved zucchini squash, corn, truffle oil, and shaved Parmesan

Carlton Farms Pork Ribs served in a blackberry and Omero Pinot Noir reduction. I like meat. #meat

The 2010 Omero Cellars Iliad offers rose and cherry blossom with integrated spice and pepper, and a perfumed palate carrying deep date notes. The flavors here are fluid, while also rich and concentrated.

The 2010 Omero Cellars Odyssey–their reserve wine that vintage–shows a darker, fuller, and richer presentation alongside the Iliad. The aromatics show spiced, with pepper, and cooked (not jam) cherry. There are rose back notes here integrated in with the fruit.

What is consistent in Omero Cellars wines is a rich presentation with plenty of movement. There is a focus here on dark-flower aromatics, concentrated fruits, and acidity.

Tartlets from mixed greens and vegetable juice pulp, plum-apricots, with black pepper crumple, Oregon hazelnuts, and truffle honey. Oregon hazelnuts are another of the five things necessary to living a good life.

As a surprise, Destiny Dudley pulled out the first wine Cabot ever made to go with dessert–a 2007 Late Harvest Pinot Gris made in 5 gallon buckets and Cabot’s garage. The wine is remarkably fresh, and only a touch sweet. It offers orange blossom, and quince in a delicate nose, with white herbs, nuts, white peach, very light residual sugar and white pepper, all well integrated through the palate, and served in a label-less bottle (my favorite).

Thank you very much to Sarah Cabot for the wines, and walking me through the vineyards.

Thank you very much to Destiny Dudley for the fantastic food served for lunch.

Thank you to Amanda Moore.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Preparing for IPNC 2: Visiting Eyrie Vineyards Winery

Visiting Eyrie Vineyards Winery

the oldest vines in Willamette Valley, the South Block planted in 1966

beginning with a surprise–blind tasting 2989 Pinot Gris: nutty, (pleasing textural) oxidative notes, dried apricot

the Black Cap label, as Jason Lett explains it, is all about getting off the farm to see what other wine makers and farmers are doing; the Eyrie label is all about doing the best with the Estate’s own fruit

Mr. Dr. Who, Jason Lett

from left: fruit from the entire Eyrie estate; fruit only from the South Block original vines; fruit from Eyrie’s highest, Daphne Vineyard, all 2009

the Black Cap Pinot Noir blend 2009

Original vines, South Block Pinot Noir, 1980

the time machine–library bottles served in the tasting room

Eyrie Vineyards started with 30 new oak barrels. They still use 12 of those original barrels (they do repairs and replace the bands).

In going through the barrels of South Block Reserve from 1975 through 2007 (David Lett’s vintages of that presentation), barrels that were overly oxidized were lost. Those that showed oxidation but in a way that offered still interesting insight into the site were kept and blended together. 2011 juice was then added, and the remaining pressed grapes were sent to Portland to have custom brandy made with them. The wine was then fortified with the custom brandy to make a complete horizontal blend South Block Pinot Noir dessert wine. I did not spit this wine.

little barrels are kept in the Eyrie cellar to age wine made by the Lett daughters

an Eyrie Chardonnay dessert wine includes every vintage of South Block Chardonnay from 1970 through 2006. Juice from 2009 was added, and brandy made with the same fruit, then used for fortification. As Jason explains, we’re used to having wine blended from grapes in the same year over various vineyard sites. The dessert wine shows the South Block site over a long expanse of time. I did not spit the Chardonnay either.

the dessert wines will be bottled in the 500 ml clay Grolsch bottles. Since these bottles are not recyclable Eyrie will include the Grolsch closure with the bottle so that it can be reused.

the auger David Lett kept in the back of his car so he could take soil samples, as he toured Willamette looking for the right vineyard site.

“My father started this business. For a long time, Pinot Noir just ran through his veins. It was an incredible act of bravery, and generosity on his part to turn the winery over to me. It came after ten years of various changes at the winery. But then he said to me, “Jason, here are the keys. Don’t screw it up.” He was so deeply dedicated to his craft that for him to hand that over to me is a deep honor. At the same time, one cannot be too over awed, or you will get stuck in a mold and not move forward. What dad did was all about new direction. I want to keep tradition moving forward, while also keeping that tradition of trying new varieties, and new wines moving forward too.” -Jason Lett

Thank you to Jason Lett. Thank you to Diana Lett.

Thank you to Annica, and to Jacques!

I’m so grateful.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Return to California 13: Hawk and Horse Vineyards, Lake County

Touring Hawk and Horse Vineyards

Together Mitch and Tracey Hawkins run the Hawk and Horse Vineyards, a name given to the wines and vineyard by their daughter. It is an entirely family owned property and business in Lake County, California, with Tracey’s stepfather, David Boies, helping to kick start the project.

100 year old Redwood water tank resting low on the hill side entering the vineyard property. All of the water is fed from natural springs on the mountain.

vineyard at 1800 feet

young French Plum trees (the property has more mature ones throughout as well). French Plum trees attract beneficial moths that help keep undesirable pest populations down throughout the vineyard.

an owl feather on the edge of the vineyard. Hawks hunt ground pests that would eat roots during the day, owls at night. Bird boxes and perches are found throughout the vineyards encouraging birds of various sizes and types to populate the area.

Cabernet was planted on the hillsides in 2000 and 2001, after walking the property and taking soil samples. Vine at 2200 feet. The Cabernet clones they grow–337 and 15–produce tiny clusters with lots of skin, and little juice offering good concentration of flavor. Set this alongside the heat and wind pushing through the area and you get wine that showcases distinct fruit flavors coupled with grounding spice and earthy notes.

Mitch Hawkins operates Hawk and Horse Vineyards as both Demeter Biodynamic Certified, and CCOF Organic Certified. Mitch and Tracey had agreed to start the vineyard as organic from the beginning, but after doing extensive research, Tracey realized she wanted to focus on Biodynamic practices as well. As a result, the vines have been developed as both from inception.

an important aspect of Biodynamic Certification is recognizing the holistic nature of the ranch and farm. As such, the entire facility is certified, not just the vineyard sites. Scottish Highland cattle are recognized as an important element of Biodynamic practices. Hawk and Horse has a beautiful smaller size (as in height) herd that I fell in love with.

the 2007 Red Hills Lake Country Cabernet Sauvignon carries a beautiful rose oil and cocoa nose alongside spice and dark fruit, with a palate that follows. The flavors here are well-integrated and well balanced. Across each of the wines tasted there is a distinctive red dirt-dust scent and light flavor that I find pleasing as well, and have tasted in other Cabernets grown on similar soils.

the red volcanic soil–an ultra fine powder

both award winning Cabernets. The 2008 has a slightly darker, and fuller bodied presentation to the 2007.

the family decided to try a Cabernet Sauvignon dessert wine made with Germain Robin craft brandy for fortification. The wine starts with 26 months in new French oak, with the 2006 arising out of Tracey Hawkins love for Port. The result was exactly what she’d hoped, and after a two year hiatus from the project (to see if the original was worth drinking), they now intend to keep making the wine. I was impressed by how well integrated the various elements of this wine are–the berries stand up to the brandy, the oak complements the alcohol, there is a nice cigar nose, followed by a dried berry palate, and caramel cream texture. The elements here are in harmony with each other.

the property is also home to horses with the family training and riding as avid Rodeo competitors. This year’s colt.

Tracey has spent a lot of time working with the colt to help make him comfortable with people and ready to train. He’s a lovely, friendly horse.

I was able to share the 2007 Cabernet later with my friends Robin and Dierk. We all really loved it.

Thank you to Mitch and Tracey Hawkins for your generosity.

Thank you to Julie Ann Kodmur.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Return to California 11: Time with Jim Moore, Uvaggio, and Il Ponte fra due Terre

Talking with Jim Moore

Ma(i)sonry in Yountville is a combined space–an art gallery and wine bar plus shop. The business features wine flights of quality local wines selected by the owner. He likes and so also pours Uvaggio.

Jim Moore has worked in Napa Valley, and California wine for three decades. After almost 20 years with Mondavi, he decided to focus on developing his own label, l’Uvaggio di Giacomo–Uvaggio. I admire the concept–the idea is to make the best quality wines possible while keeping the price under $20, all directed at enjoying with food. It works.

We taste through the entire 2010 portfolio, beginning with two whites–Vermentino, and Moscato [Giallo] secco. The Vermentino offers vibrant aromatics, and a crisp mouthfeel with good acidity. I enjoy drinking this wine. The Moscato is a Moscato Giallo with a combination of nutty and light tropical fruit and bloom. Both wines very clean.

To help keep costs down, Moore walks the vineyard sites doing the quality selections in advance of the harvest crew. Then they can move through picking what’s left quickly. Growing in Lodi allows a focus on Italian varieties that need warmer temperatures, and a lower land cost as well. The Rosato carries a blend of Primitivo, Barbera, and Vermentino offering rich aromatics, and good acidity with just enough weight to be a complement for food and refreshing. It’s lively in the mouth.

The perfect pizza wine. Going into the Uvaggio tasting I wasn’t sure what to expect–I wanted to taste Italian variety focused wines from California, and I was interested in Moore’s overall concept but didn’t know how well the quality would hold. The Primitivo was my surprise wine. It’s got a juicy (not at all jammy) core, with just enough heat and weight while being dance-y in the mouth. Of the portfolio the Primitivo was the one that most impressed me for hitting good value.

Another good value, for a little more texture with still well done flavor presentation–the Barbera. Good for meats. I love meats.

The best part of the project? The wines are good, good value, and Moore clearly enjoys what he’s doing.

Moore shared two wines from an earlier face of the label as well–l’Uvaggio’s, Il Ponte fra due Terre. First, a 2000 Sangiovese,

then, a 3-vintage blend Vin Santo style wine, both part of the Chez Panisse wine list following their release.

Write-up to follow.

Thank you to Jim Moore for taking time to meet with me, and for selecting both the Uvaggio, and the Il Ponte wines for us to taste. I enjoyed talking with you.

Thank you to Dan Fredman.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Driving California Wine 6: Matthiasson Wine

Steve and Jill Klein Matthiasson focus on sustainable agriculture in both vineyards, and farming more generally, while also making wine for their own Matthiasson label. We were lucky enough to taste with them, and hear more about their work in vineyards and with farmers. In the following photos the various plants shown are purposefully grown along grape vines for the support they provide to vineyard supporting insects, and birds. Write up to follow. In the meantime, here are some photos from the visit.

Matthiasson Wines

Thank you to Steve and Jill Klein Matthiasson.

Thank you to Abe Schoener.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

 

Wine Miracles in Alaska: Number 3: This one just because it’s nice

Sharing Wine with Family

Sharing wine with people that appreciate it similarly to you is awful nice, isn’t it? To share with my parents a brief window into how I spend my time I brought two (new to me) bottles with me to taste.

Baker Lane 2009 Sonoma Coast Cuvee Syrah

All three of us enjoyed the Baker Lane’s Sonoma Coast Cuvee Syrah. It offers a nose of smoked meat, red cherry and berry, clove, and hints of vanilla, with the palate following. This is an approachable medium bodied syrah that is well-balanced, and juicy in the mouth. It has the structure appropriate to food while not demanding it.

My mom was impressed by its medium-long finish, and my dad liked how clean the flavors were. The Sonoma Coast Syrah is a nice choice for its approachability, hitting the interests of three fairly different palates here.

Interestingly, our views overlapped on the Pinot Noir as well with none of us appreciating it as much. On the 2008 vintage the flavors present as chunky and disjointed with the structure also generally out of balance.

Wine for Smoked Salmon

One of my birthday wines this last year was the 2008 Brewer-Clifton Santa Rita Hills Chardonnay. I love its steely floral citrus combination of flavors. The acidity on this wine is beautiful and perfect for pairing with a richer flavored food. My brother in law home packs salmon from the family’s commercial fishing venture every year and then smokes some of it in a soft-smoke style. The flavors on the fish carry the distinctness of king salmon alongside pleasing buttery smoke notes all with a rich, soft texture. The Brewer-Clifton offers palate cleansing acidity and an utterly clean presentation to complement the fish. Oh! Alaska, how well you treat me on these visits!

It’s nice to see the Brewer-Clifton for sale in Anchorage. I shared the bottle with my mom and sister Paula and they both enjoyed it. Paula’s preference is to drink crisp whites and to steer clear of any buttery/oaky chardonnay’s because of their rounder mouth feel and richer flavors. The Brewer-Clifton showed her a chardonnay that can be done differently.

Angel Joy Tears

Years ago my friend Kate and I accidentally discovered Tokaji Aszu at a restaurant in Montreal named Aszu. We’d ordered a plate of Quebecoise cheeses and asked the Sommelier to take a risk and bring us something wonderful to pair and not tell us till afterwards what it was. He complied beautifully bringing us a glass each of the 2000 5 Puttonyos Oremus Tokaji Aszu. Later when I told our friend Luis about the wine he urgently demanded to know WHERE in Montreal they were pouring that wine because he’d been wanting to taste Tokaji Aszu for a couple of years (it’s harder to find in Brazil, where he’s from, apparently). He and I went back later that same week and worked our way through an utterly extravagant multi-course meal with the Sommelier selecting perfect wine pairings for each course. By the end of the night we were admittedly drunk, and so happy, sipping the Oremus. I announced that it was like drinking Angel Joy Tears, one couldn’t help but feel blessed. Later that month Luis and I plus two friends went to a performance of Shakespeare in the park alongside the pond in Parc Lafontaine near my old Montreal flat. At the end of the show Luis’s friend stood in front of me smiling hugely with a little bag. When I opened it it turned out to be a bottle of Tokaji Aszu they’d actually found at the SAQ (the Quebec Liquor Board Shop) and purchased for me as a gift. I was so happy I stood speechless and smiling with my hand at my heart for a very long time.Though I’d intended to hold that bottle as a special gift from friends, the next morning while eating avocado I realized the Oremus would pair perfectly with avocado. Then perfectly with maple butter toast. Then perfectly with citrus salad… I sipped through the bottle tasting it alongside everything I ate through the remainder of that day, and decided it paired perfectly with anything. The experience was wonderful.

In case it isn’t obvious already, Tokaji Aszu is a sentimental favorite for me. I associate it with absolute joy and gratefulness, with friendship and appreciation. I can’t help but be happy when I drink it (slowly and with great pleasure). Several years ago I introduced my parents to Tokaji Aszu and though my dad doesn’t go for sweet wines generally they both loved it. On my recent visit back home my dad kept commenting, “oh, I wish we could drink Tokaji with you!” On the third day, my mom jumped up saying she’d be right back. After running back from upstairs she showed us this bottle of Oremus 2000 5 puttonyos Tokaji Aszu that she’d pulled from her treasure closet. I’d given it to them as a gift several years ago and she’d saved it.

The 2000 is wonderfully balanced. It’s drinking perfectly right now. The sweet elements are balanced with a rich texture and excellent acidity. The dried apricot and pear fruit flavors dance alongside herbal notes–touches of dried beach grass and sage. The slight tartness couples with mouth watering that keeps the sweetness from ever being cloying. What a treat!

***

We’re back in Arizona again now. By this stage of my life I’ve learned to better integrate the qualities of where I’m from with the everyday life of elsewhere. For decades though the contrast I felt between my Alaskan life and my life ‘outside’, as we say in Alaska, was a challenge for me. It felt like I needed different persona almost to operate in Alaska versus anywhere elsewhere. The upside of having worked through such difference is that I believe that I do well with traveling, and I’ve developed a deep openness to seeing what is unique and valued in any particular place.

Still, it’s a funny contrast to go quickly to the quiet of Alaska and now be back to the quiet of my otherwise empty house. Outside pollen puffs from the Alpine Birch in my yard are floating up past the window, getting lit up by sun. The small leaves of the birch are dancing in the wind, their tops flashing as they hit the direct light of sun then dance out of it again.

***

Thank you to Baker Lane for the sample bottles. It was a pleasure to share the wine with my parents, and we all enjoyed the approachability of the Syrah.

Thank you to my mom for sharing her treasure. What a treat!