Category White Wines

North American 2010 Viognier: Kunin Paradise Road Santa Barbara, and Dominio IV “Still Life” Oregon

With two West Coast N. American Viognier’s from the same vintage I decided to taste them side-by-side.

Viognier is a grape known for the Rhone region of France. However, it no longer holds a very strong presence in that area, and since the 1980s has gained footholds in multiple locations of the United States, including the southern states. It was even last year named Virginia’s official grape. Still, it is best seen in California, and has more recently begun to show in Oregon though with smaller volume.

Kunin Paradise Road 2010 Viognier, Santa Barbara

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The Paradise Road Viognier bottles the first Viognier for Kunin from this particular vineyard plot. The site has been providing Syrah for Kunin for years, but 2010 is the first time they have specifically selected Viognier from the location.

The wine carries with it a lovely combination of clean presentation with rich flavors. The wine showcases apricot and meyer lemon, with touches of honeysuckle, marzipan, and herbal notes on the nose, turning to fresh fruit citrus and white pepper on the palate. There is a lovely minerality here as well.

At first taste the richness of the palate fooled my guess on the production choices Kunin made here. As the wine enjoys air it opens to a more obvious mineral focus, balanced with an even cleaner fruit presentation. Kunin kept this wine in entirely neutral (more than 6 year old) barrels, with no malolactic fermentation. The choice keeps the acidity balance in the wine overall. But to add body, they chose to do full cluster pressing, and leave it on lees for 7 month barrel aging.

All together, it results in a lovely wine that I very much enjoyed on a warm sunny day, and that would be a brilliant winter white as well. It’s a white with the drinkability of summer, and the anticipation of fall. The mood here is one that has grown accustomed to summer heat, and yet can begin to feel the leaves and fruit anticipating their turn.

Dominio IV “Still Life” 2010 Viognier

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Dominio IV’s 2010 Viognier, so titled “Still Life”, showcases fresh, fleshy fruit–a mix of stone fruits, and touches of jasmine, with hints of citrus, pear and lemon zest. The result is a rich flavored, relatively light bodied white that balances the opening dance of Springtime with a steady finish. This is a wine that anticipates summer–lightly tart to start with a balancing fruit sweetness, that opens to a softer, steadier presentation. This wine is crisp, while still also warm in the mouth, which I enjoyed.

Dominio IV has identified an area of Southern Oregon that does well with growing Viognier–the Rogue River Valley, with its higher elevations at 2200 feet brings together warm day temperatures with still cool nights to enliven the ripe but still crisp flavors of the fruit. They source the fruit for this wine from sustainable focused farms that Dominio IV works closely with for selection.

The fermentation here is done in a mix of mostly stainless steel, and some barrel on lees. It is then aged in, again, a blend of neutral French oak barrels and stainless steel tank. After blending, the wine is then held in tanks for a month, and aged finally for two months in bottle.

This wine is just now being released.

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Thank you to Kunin Wines, and to Dominio IV for these Viognier samples.

This week will also look at Kunin Wines’ recent red wine portfolio release, and then later at Dominio IV’s recent red wine release.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

A French Bubbles Tasting Complete with Dressing Up, Friends and Food

A Private Tasting and Dinner with the Gang: Tasting French Bubbles

Most of the gang — from left: Fasil, Leah, Katy, Caleb, Fred, Hillary, me, Katherine, Steve, in front of Pizzicletta

Katy and Caleb did a great job making the inside of Pizzicletta even more lovely than usualpic by Katy Connors

Getting Ready for Tasting and Dinner

Leah suggested we could all dress up for the event, an idea I readily go for

French Bubbles to Taste

A friend in our gang from last night is currently studying French wines, so when planning for our (usually about) monthly private tasting came up, and I offered several different possible themes for the occasion, French bubbles was the one jumped on. (Plus, we all just frickin’ like bubbles, cause we’re super smart like that, as my friend Kate would say.)

The idea for the night was to taste sparkling wines from France made in the Methode Traditionelle style all from outside of the Champagne region, and with unusual grape varieties establishing the cuvee’. Caleb offered to host the location with he and Katy selecting the food choices. Fred provided the pairing to go with the dessert Katy made. I selected the wines.

Here’s what we all came up with.

Opening Wine: Meyer-Fonne Brut Extra Cremant d’Alsace

We opened with a Brut-Extra Cremant d’Alsace by Meyer-Fonne. The wine showcases a blend of 60% Auxerrois, 20% Chardonnay, 15% Pinot Blanc, 5% Pinot Noir in a white cuvee’; 12% alcohol.

There is a wonderfully citrus, focused nose on this wine. The weight of Auxerrois shows here as round in the mouth, with an utterly dry presentation balancing the overall structure. The dryness of the wine is again balanced next to good fruit elements–pleasing notes of clementine and lemon zest, light evergreen hints, dried herbal notes, light grass and chalk. This has a medium acidity, and medium finish. The dryness of the wine worked well as an apertif, with just enough texture to push us forward to the second wine, and the food.

I tend to prefer a little more acidity on my methode traditionelle bubbles, but with Auxerrois serving as the primary grape, the acidity levels here were not surprising, and the wine still did well offering a generally clean and balanced presentation. It was a great opening wine, and held up well to the food as we tasted some alongside. Pairs well with herbal dishes.

Wine 2: Jean-Louis Ballarin Brut Cremant de Bordeaux

I felt lucky to locate a Cremant de Bordeaux because there are few imported to the United States. This one by Jean Louis Ballarin focuses on a Brut blend of Sauvignon Blanc and Semillon, in a white cuvee’ with 12% alcohol.

The bouquet and flavors of this wine are wonderfully mild, with a soft foam texture. The beads here are impressively small and persistent. This wine offers a lightly tropical floral and fruit presentation showing a floral front palate, fruity mid-palate, and musky finish. The combination of mango skin, light pineapple, meyer lemon and lime zest, show along side a slightly bitter bite and herbal qualities. The wine carries a pleasing medium-plus acidity matched by medium-plus finish.

While we enjoyed each of the wines, this was one of the groups favorites. It also did well alongside food as some of us saved enough to sip it with our meal.

The Food Interlude: Caleb Makes Eats

Involtini: Thinly Sliced Eggplant wrapped around Ricotta, Served in Tomato Sauce Yum (one of my favorite dishes)

Pork Shoulder Rubbed with Pesto, then rolled and tied like Pancetta and slow baked for 8 hours. Also, pleasantly called, “HOLY DEAR LORD GOD ALMIGHTY THANK YOU GOD.”

Caleb and Katy did a fantastic job providing food for the occasion. Katy put together a wonderful herbal green salad, charcuterie plate, and dessert (which I’ll show with its wine pairing towards the end here), and Caleb took the day to make us both Involtini, and slow baked pork shoulder. This is what I like to call, joy.

The gang enjoying the meal, with wine–pic by Caleb

Wine 3: Purete’ de Silex Brut Cremant de Loire

One of the group’s overall favorites, the Purete’ de Silex brings together a cuvee’ of 50% Chenin-Blanc, 30% Cabernet Franc, and 20% Chardonnay in a white sparkling presentation with 12.5% alcohol. (The website for this wine carries a different grape ratio; what I list here is what is printed on the bottle itself.)

The cabernet franc dominates the nose with wonderfully earthy and herbal elements, while the fruit sweetness of the chardonnay shows stronger in the mouth, and the chenin-blanc carries the body–the three together producing a nicely balanced wine. There is a bouquet of wet earth, dried herbs, apple sauce and green apple skin here, while the mouth carries honey dew, lemon peel, and even hints of seaweed. Medium acidity, with medium long finish. This wine is also a nice value.

Wine 4: Effervescence Brut Nicole Chanrion

The final sparkling wine of the night was, for me, the most surprising-this 100% sparkling Gamay with 11% alcohol.

For starters, Nicole Chanrion produces the Effervescence as a vintage cremant but labels it without vintage information. Looking further into her vinification techniques, the elements that surprised me make more sense. There is a woody, herbal quality to these bubbles that stands out, carrying with it a fuller texture than I expected from a Beaujolais–Chanrion, however, chooses full cluster fermentation here, immediately adding a heartier tone to the cuvee’ than might be expected from a just-berry press of the grape.

The Effervesence presents a mix of dried herbs and dried fruit–apricot, strawberry, raspberry and melon–touches of black pepper, with dusty, and even almost gritty flavors. (One of us actually used the word “newsprint” as the first descriptor that came to mind from the mouth. It’s appropriate and meant as more of a compliment than it sounds–it’s unusual, and a blend of dry, bitter, and dusty alongside the fruit characteristics.) The wine offers drying qualities in the mouth (again, this makes sense with full cluster fermentation), alongside medium acidity and a medium long finish.

Dessert: Katy Bakes and Scoops and Mixes: Praise God

Katy’s Dessert: Fresh just-under-ripe Peaches baked in brown sugar, then drizzled with a homemade raspberry sauce, served with homemade vanilla bean and cracked pepper gelato and fresh raspberries.

The dessert was a perfect close to the meal–simple, great texture (the advantage of using just underripe fruit here is that it absorbs the flavors well, while also staying a little firmer after baking, rather than becoming peach mush), fresh flavors, and lightness on a warm summer evening (we’re already having summer temperatures here in Flagstaff).

Dessert Pairing: Chateau de Montifaud Pineau des Charentes

To close and to pair with dessert, Fred selected what is traditionally treated as a French apertif, but with its dryness does very well alongside fruit-based desserts. Pineau des Charentes is a fortified wine, common to parts of Western France, produced from a combination of fermented grape must and Cognac eau-di-vie.

The offering from Chateau de Montifaud carries 18% alcohol with a mouth watering medium-long finish, offering flavors of concentrated apricot, date, apple juice, dried peach, and dried herbs with mixed cracked pepper. It’s great for sipping along side slightly sweet baked and fresh fruit, or on its own.

Our Charming Co-Hosts

Thanks to Katy and Caleb for co-hosting with me, and providing the great food and space! Pizzicletta on a closed night is my favorite place to be; even if I love the food there when it’s open too.

Thanks to Fred for selecting and bringing the dessert pairing.

Thanks to the gang for being there–such a good time! And thanks to our friend for taking pictures.

 

One More Consideration of Colli Orientali del Friuli: The Role of Environment, Calcium, and Finally Minerality in Good Tasting, Good Aging Wines of the Appellation; Or, Let’s Make This Title As Long As Possible, Shall We?

In traveling through Friuli-Venezia Giulia, and tasting the wines of Colli Orientali del Friuli, I became fascinated with the fact that the region itself seems to support more natural approaches to vineyard maintenance and wine production. In closing my series on the #cof2012 visit to the appellation I want to indulge my own geeky tendencies and consider the way in which environment, soil, and specifically calcium intersect to encourage the possibility of this more natural approach, as well as the aging potential of the wines. Doing so will lead too to thinking on the controversial, and somewhat esoteric idea of minerality in wine.

Wine Growing Practices in Relation to the Surrounding Environment

Approaching Solder

Friuli-Venezia Giulia celebrates generally cool temperatures and drying bora wind that offer an ideal climate for growing grapes, plus the drying conditions that allow for maintaining healthy fruit. As a result, it is generally easier for wine makers in the region to use more natural practices in the vineyard since there is less need to intervene to avoid fungal or mildew infections on the plant. However, the region offers other natural supports for less interventionist and more chemical free wine production as well.

Many of the smaller wineries also take advantage of their other environmental conditions to develop a more natural wine making practice. As described to us by Ivan Rapuzzi of Ronchi di Cialla, by maintaining vineyards near forests, the pest-predator balance found in the forests is extended to the vineyards as well. That is, many of the pests that strike grape vines, causing detrimental effect for wine makers, can actually also be found among the plants and trees of a forest. The difference in the forest environment is that a balance of pest and predator is more readily maintained so that the overall health of the forest stands even in the face of including some various plant pests. Vineyards, on the other hand, are often designed in such a way that isolate grape vines from other plant life, and as such remove them from the kind of natural balance Rapuzzi describes of the forest. The result is that vines become more vulnerable to pests as they are also in these conditions isolated from the predators that would rid plants of their parasites. By planting grape vines in close proximity to forests the predator population of the forest is available to the neighboring grape vines as well, thus keeping troublesome pests largely at bay. Additionally, proximity to forests helps to keep temperatures well regulated for the steady ripening of fruit.

However, the overall environment found in temperatures, winds, and botanical balance are only a portion of the story for the wines of Colli Orientali del Friuli.

Considering Colli Orientali’s Soils

The View at Le Vigne di Zamo

The ponca of Colli Orientali originates from its years as an Eocenic sea bed. The waters reached almost to the southern rim of the Julian Alps, gathering a rich blend of minerals in their soils, and also a high concentration of organic materials as sediment gathered on the sea floor over time. When the sea retreated, the hills and valleys of the eastern side of Friuli (including both the appellations of Colli Orientali del Friuli and Collio) retained soils valuable for growing low yield grapes with concentrated flavors and rich mineral elements.

The wines of Colli Orientali del Friuli are known for having superb aging ability, with the whites in particular matching the aging ability of those from Champagne and Burgundy. In meeting the Rapuzzi family of Ronchi di Cialla, Ivan discussed with us their own production history testing various techniques and their effects on wine as it ages. What they discovered from the practice was that the less the family intervened in the cellar the more readily the wines lasted well in the bottle over time. Ronchi di Cialla wines are known for doing quite well over extended periods, whether the wine be red, white, or a sweet wine. In their view, this reality confirms that the reason for Colli Orientali’s age-ability originates in the soils themselves, since it is clearly not merely a matter of the strength of individual grape types, for example.

Wine makers throughout Colli Orientali discussed their pride in the value that the soil imparts to their wines. The area consistently produces wine with a distinct mineral zing that shows itself readily in any of the lower intervention wines, and stands up against the more interventionist production techniques of other wine makers as well (that is, as Stuart George would put it, some wines have more make-up).

In considering both the sustainability in the bottle, and the mineral zing of the region’s wines, the wine makers regularly stated that it was the region’s soils that did the work for them, and that, in particular, the high proportion of calcium accomplished these feats.

The Role of Calcium in Root Development

The View from the Top of Ramandolo

Colli Orientali del Friuli celebrates a calcium rich marl, their ponca, which uniquely contributes to the quality of the region’s wines. The presence of calcium in particular stands as important here. Though the calcium rich soils of the eastern side of Friuli-Venezia Giulia are generally understood as too poor for grain or cereal type crops, the soils offer beneficial characteristics for grape vines.

Calcium plays a tricky balance in its benefits for vine growth. On the one hand, calcium rich soil does well at absorbing water during heavy rains (rather than rain simply running off the surface), while then retaining moisture for good periods after, during dry weather. The retention of water in this way allows the security of vine growth over time. However, on the other hand, during longer dry periods the cells of such soils dry up and shrink as the water evaporates, causing cracking and tightening of the ground (though not necessarily in a visible way). While the roots of the vines have been nourished by the water retention of the soil, they now are able to dive deeper through the earth that, due to its cellular shrinking, readily breaks up and makes room for the roots to move through. Thus, the vines receive the nourishment necessary to achieve basic root growth, and then have ease enough to achieve deeper root growth. In pushing into deeper earth, the vines are also forced to struggle in a way that impacts the production of the fruit, concentrating the juices of them and thereby also their flavors.

The benefits of calcium rich soils, however, extend beyond mere questions of moisture.

The Role of Calcium in Vine Development and Fruit Health

Vineyards at Solder

The presence of calcium in soil directly impacts the overall balance of minerals (essential plant nutrients) absorbed and utilized by grape vines, and plants more generally.

Calcium rich earth is generally more porous, or permeable at a small scale in a way that allows greater ‘openness’ (to speak loosely) within the soil structure. These small spaces serve to provide room for root hairs to more readily absorb nutrients directly from the earth itself. The more permeable the soil is in this way the less the plant must compete to take up the minerals needed and already present in the soil. That is, it is not enough for necessary minerals to be present in the soil. The proper conditions that support the plants ability to absorb those minerals must also be present. Soil permeability is one of those conditions.

Calcium also directly impacts the pH level of the soil, keeping the ground from being overly acidic. With more basic (less acidic) soils, vine roots are more able to take up necessary minerals that support the overall plant health and development. In this way, the presence of calcium in the soil allows plants to absorb a healthy balance of calcium, potassium, magnesium, and sodium.

The absorption of these minerals strengthens not only the overall health of the plant, but also the plant’s resistance to external pests. When absorbed by the vine, calcium strengthens the cellular walls of the plant itself, thereby reducing the potential impact of both external pests and enzymes, such as those caused by mildew or fungus. In testing of grapes, calcium actually shows at detectable levels within the fruit skin, and there has the effect of reducing the permeability (and also therefore the susceptibility) of the grape.

Testing has also shown that the absorption of minerals by the vine from the soils directly impacts both the acidity of the grapes, and so then also the pH of the wine itself. In this way, the mineral qualities of the soil do directly impact the sensory qualities of the wine as well–that is, the flavor and structure of the wine. However, the minerals within the soil also impact the degree to which a vineyard manager, and wine maker are able to achieve a less interventionist, and non-petro-chemical approach in making their wine. That is, in the case of calcium rich soils, it is easier for vineyard managers to use less interventionist vineyard maintenance, and to avoid petro-chemical treatments as the balance of the vineyard translates into the pest-resistance of the vines and fruit.

The Question of Minerality in Wine

Vineyards at Betulle

While scientific studies have clearly shown that the minerals within the soil directly impact the pH of the grapes in a manner that persists in the wine produced from that fruit (allowing for variations from production choices, of course), controversy around the question of a wine’s so-called “minerality” remains. What is important to point out here, in the midst of this particular discussion, is that minerality as a descriptor of a wine’s particular qualities is not necessarily a claim of the literal minerals present within that wine. That is, there are at least two different concepts operating here–on the one hand, the role of literal minerals on wine, and, on the other, an idea of a flavoral and textural quality experienced as something like minerals, which we reference as minerality.

Let me give away the beans and cheese of the point I’m going to make, and then make my argument for that point. Here it is, the beans and cheese: My point is that these two things–literal minerals, on the one hand, and minerality in wine, on the other–might have a direct correlation such that literal minerals in the soil are tasted as minerality in the wine, but whether that turns out to be the case, or not, in stating that one tastes minerality, one need not also be claiming that there are literal minerals being tasted. (The question of a possible link is not yet proven and many people because of that argue the correlation is not there–such a claim, however, is sloppy science. Science has not disproven the link.)

Now let’s turn to the clarification of this point.

First, let us consider the role of literal minerals on wine. It is without doubt that differing soil types carry different minerals, which are not only necessary for the growth of any plant, but also that those minerals within the soil directly impact the way in which that plant grows. Further, the mineral presence of the soil, and the soil permeability, not only allow for plant growth but also distinctly impact the quality of the fruit grown by the plant. In the case of wine, the pH levels and chemical balance found within the fruit are a result of the way in which the plant is able (or not) to take up calcium, potassium, magnesium, and sodium from the soil. So, the minerals of the soil simply are relevant to the wine that is produced from vines growing in that soil. Notice, however, that this is not a claim that we literally taste the individual minerals themselves in any direct way. (In fact, the results of most studies would seem to indicate that the levels of any of these four minerals in wine is too low for us to detect as anything like specific flavors.)

Second, let us consider the idea of minerality in wine. We can understand the word minerality, loosely speaking, to reference a sensory experience of something like the flavors and scents of particular minerals themselves, without that experience having to have a direct link to those literal minerals. It is often considered a peculiar description because it seems as though we don’t go around eating, tasting, or smelling the kinds of things wine tasters reference when discussing the notion of minerality. To understand what I mean, we can simply list off different examples of wine terms that are types of apparent minerality: the smell of chalk in champagne; the taste of river stones in a cool vintage Brunello; the scent of petrol in Riesling; the flavor and bouquet of graphite in a rich Bordeaux. In such cases, the term minerality is meant to capture a sensory experience had through the smelling and tasting of a particular wine, a sensory experience where we feel as though we are recognizing something very much like chalk, river stones, petrol, or graphite.

There has been much discussion (much of it argumentative) recently (and indeed for a long time) on the seemingly esoteric notion “minerality.” Many of the arguments depend on a mistake of concept–that is, they assume that the description “minerality” is being stated as a claim of actual mineral levels of the wine itself; and, further, that if there is no such link to actual minerals, then the concept minerality must be faulty. Such a link would depend on testing the wines themselves for those mineral levels. However, continuing to utilize the idea of minerality as a description of a particular wine’s qualities does not genuinely depend upon whether or not there is an actual link between the experience of something like mineral scents and flavors, and there being those actual minerals present in that wine. This is a mistake of assuming that our subjective language of experience can only be supported by systematic scientific legitimization. That is not only false, but also a misunderstanding of (a) the purposes of science, (b) how we experience the world, and (c) how we communicate such experience with each other.

As is no doubt obvious by now, I am fascinated by such questions as, is there a link between minerality in wine and minerals from the soil that wine’s vines were grown in? I honestly want people to continue scientifically studying this. Or, as another question, which I’ve addressed in this post, in what way does calcium impact the growth of vines and the qualities of the wine those vines produce? But, I am equally as fascinated by our own experience of the world, and how we communicate and share with each other such experience.

As an example, scientific studies have pointed out that apples, potatoes, and onions have a chemical make-up that should mean they taste the same. My experience of these three foods, however, is something more like tart and/or sweet for apples, earthy and watery for potatoes, and sweet, sharp, and/or biting for onions (it is apparently the smell of these foods that causes us to distinguish them). In the wines of Colli Orientali del Friuli, however, I taste a minerality I can’t help but love.

Iconic Wines: 2010 Heroine Chardonnay, 2011 Secret Identity Trousseau Gris Rose’

The Iconic Wines Project

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Let me be plain. I suspect Birk O’Halloran and Karl Antle like women, and super heroes, and women in superhero outfits. The truth is, I can’t blame them. I like those sorts of things myself–appreciate women celebrating their own awesomeness, spend as much time as possible dressing up in super hero-like outfits, and dream of someone someday deciding I’m worthy of being drawn up as a superhero comic and then actually following through on the idea.

I begin this way because Birk’s and Karl’s rather young project, Iconic Wines, recently sent me wine samples, and their work consistently presents itself with labels focused on their own renditions of female superheroes–a marketing concept after my own heart, clearly.

The two took the leap into wine making, with the help of wine maker Dan Petroski of Massican Wine along side, by traveling to California and sourcing grapes from established vineyards in Sonoma and Mendocino. They began with the release of the now sold out 2010 Heroine Chardonnay last October, and move forward with their own Rose’ version of the rather uncommon Trousseau Gris, which they’ve named Secret Identity.

2010 Heroine Chardonnay, and 2011 Secret Identity Trousseau Gris Rose’

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* 2010 Heroine Chardonnay

The first ever release by Iconic Wine, the 2010 Heroine Chardonnay, utilizes 100% Clone 4 Chardonnay arising from the 4-acre only Michael Mara Vineyard of Sonoma, run by Steve Matthiasson. The site takes up the soil of an old river bed with young vines that even in their early stages have already been regarded by well-known wine makers as showing good potential and quality. Fruit from the vineyard is sourced not only by Iconic’s good men but also by the likes of Abe Schoener of The Scholium Project, and Arnot Roberts for his own single vineyard wine.

For Iconic’s bottling, Birk and Karl choose to do a split harvest paired too with split production. The fruit is selected at two different stages of ripeness two weeks apart. A portion of each harvest is allowed to go through malo-lactic fermentation, while the remainder is not. Then the four pressings are blended to achieve the quality of Chardonnay varietal they are looking for.

The 2010 Heroine shows a classic rich flavor and texture combination offering flavors of fresh and candied citrus–fruit, zest, and blossom–with touches of ripe pear, light spice, and dried sage. The alcohol offers just enough heat and pepper to keep the wine warm in your mouth.

I will admit that I prefer a slightly higher acidity level on a round-palate Chardonnay than the 2010 Heroine has to offer. That said, the flavors and texture here were rich, and well executed. The wine would be beautiful alongside roast chicken breast, but it really got me craving both strawberries and mac & cheese, not to mention a good sit down evening at the end of a long day in superhero makeup. You have no idea how tiring a full day in superhero make up can be.

* 2011 Secret Identity Trousseau Gris Rose’

Trousseau Gris originates from France and was at one time widely planted in California under the name “Gray Riesling.” Today a mere 10 acres of the grape still stand along the North American coast in the Fanucchi Vineyards of the Russian River Valley.

As he describes it, Birk of Iconic is obsessed with Pinot Gris produced with skin contact. Known in Italy as Pinot Grigio Ramato, the extended skin contact on the lightly colored grape imparts a richer texture, along with more developed flavors from the fruit including spice notes, floral elements, and ripe orchard fruit. With Ramato in mind, the Iconic men decided to apply the same process to another Gris–the Fanucchi’s Trousseau. The fruit here comes from 30 year old vines, which is impressive. To produce this Ramato style wine, the juice was allowed to cold soak on skins in steel for 10 days without punch down or pump over. The wine was then pulled off skins and fermented in tank for 10 days before being aged in bottle for 6 months.

Let me say I very much enjoyed Iconic Wine’s current release, and their second wine, the 2011 Secret Identity. A word of warning–at first taste this wine appears pert, spicy, and a little too tart. But, like any good woman that demands your attention up front, she lures you in further as she relaxes and opens, becoming more floral, keeping that spice but integrating it into her warm humor, and approachable, while still sharp intellect… dear god, I’m honestly sitting here wishing I could be described like their Secret Identity wine…. Please don’t tell anyone.

As I said, this Trousseau Gris Rose’ starts tart in the mouth but opens to wonderfully ripe, lightly musky white nectarine, lychee and melon (there is a little sweat on this fruit. It’s sexy.), showcased alongside a honeysuckle nose and palate, light notes of dried oregano, and mace spice, and just a touch of residual sugar in the mouth. The scents are pleasant and balanced, and the structure shows well too, keeping your mouth watering through a medium-long finish.

I loved drinking this as a rose’ on its own, but it would also do very well with grilled chicken and sticky rice.

The Iconic men are also working on very low production Trousseau Gris wine fermented in barrel, instead of tank.

If you’re interested in their Secret Identity it is going on release to their mailing list this week. Find out more via their website: http://www.iconicwine.com/

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Thank you to Iconic Wine and Birk O’Halloran for sending me these samples.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

St. Helena’s Smith-Madrone: 2009 Chardonnay, 2006 Cabernet Sauvignon

Smith-Madrone and St. Helena, Napa

It’s a wonderful surprise to discover a new winery making wines to enjoy. Smith-Madrone rests in the Northern portion of Napa Valley to the west of the St. Helena area. Napa is of course known for big wine, but one of the distinctive aspects of this particular area of Napa is the high proportion of family owned, smaller size wineries. That is 95% of the wineries in St. Helena are family owned.

Started in 1972, Smith-Madrone remains in the same family ownership with which it began. The family focuses on keeping their winery size down to what keeps hands-on vineyard and wine making practices possible. The winery rests on top of Spring Mountain with elevations of 1300 to 1900 feet, and red volcanic soil slopes. The combination gives distinct flavor and delicacy to their grapes–there is a sort of flavor and structural precision that stands here along with noticeable red chalk elements–while their production techniques keep their wines clean and enjoyable.

One of the elements I appreciated about the Chardonnay and Cabernet Sauvignon from this year’s Smith-Madrone release was how they both showcase what California can do well. That is, both of these wines carry a recognizably California style, but each with their own distinct, (and lighter) personality, showing good balance between fruit and other flavor components; between noticeable alcohol and overall structure. These are clean, well made wines that present balanced palates, both with sophisticated nose and a range of subtle flavors in rich texture.

2009 Chardonnay

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The Smith-Madrone Chardonnay undergoes full barrel fermentation followed by 9 months in new French oak. That said, the oak elements are well integrated here. This is a California style Chardonnay that can relax with its own innate characteristics, thereby setting you at ease to enjoy them too.

The nose shows as lightly candied, nutty, and chalky, with good fruit of yellow apple skin and mixed citrus zest, and hints of toast. The palate follows with the addition of light white pepper accents. The overall structure is very pleasing–there is rich texture, with great acidity, and a good medium-long finish.

I would love to let this Chardonnay age to drink again in a few years, but it drinks beautifully now as well. The overall style is richer than I tend to reach for on a Chardonnay, but, that said, I was pulled in by this wine and enjoyed it. It’s a California style Chardonnay with well done, balanced presentation and its own story to tell.

2006 Cabernet Sauvignon

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The Cabernet Sauvignon shows an excellent nose with nice meaty qualities, light pepper, good earth, and red fruit. I like the red chalk effect on the palate that comes in alongside a great umami character (I was caught up thinking of caribou soup with red cherry, pepper, and light tobacco here, I have to admit), light tobacco notes, red fruit, and that nice alcohol pepper and heat. The presentation offers a drying grip, with pleasing texture, red fruit, and lightly watery body.

I very much enjoyed this Cabernet and wanted it alongside meat to help draw out more of the fruit flavors. The tannin here has enough of a drying effect that pairing with meat proteins would give more room to show off the flavors. Again, like the Chardonnay, I’d love to let this Cabernet age, and I enjoyed it now as well.

***

Thank you to Smith-Madrone, and Julie Ann Kodmur for sending these samples.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Wine Miracles in Alaska: Number 3: This one just because it’s nice

Sharing Wine with Family

Sharing wine with people that appreciate it similarly to you is awful nice, isn’t it? To share with my parents a brief window into how I spend my time I brought two (new to me) bottles with me to taste.

Baker Lane 2009 Sonoma Coast Cuvee Syrah

All three of us enjoyed the Baker Lane’s Sonoma Coast Cuvee Syrah. It offers a nose of smoked meat, red cherry and berry, clove, and hints of vanilla, with the palate following. This is an approachable medium bodied syrah that is well-balanced, and juicy in the mouth. It has the structure appropriate to food while not demanding it.

My mom was impressed by its medium-long finish, and my dad liked how clean the flavors were. The Sonoma Coast Syrah is a nice choice for its approachability, hitting the interests of three fairly different palates here.

Interestingly, our views overlapped on the Pinot Noir as well with none of us appreciating it as much. On the 2008 vintage the flavors present as chunky and disjointed with the structure also generally out of balance.

Wine for Smoked Salmon

One of my birthday wines this last year was the 2008 Brewer-Clifton Santa Rita Hills Chardonnay. I love its steely floral citrus combination of flavors. The acidity on this wine is beautiful and perfect for pairing with a richer flavored food. My brother in law home packs salmon from the family’s commercial fishing venture every year and then smokes some of it in a soft-smoke style. The flavors on the fish carry the distinctness of king salmon alongside pleasing buttery smoke notes all with a rich, soft texture. The Brewer-Clifton offers palate cleansing acidity and an utterly clean presentation to complement the fish. Oh! Alaska, how well you treat me on these visits!

It’s nice to see the Brewer-Clifton for sale in Anchorage. I shared the bottle with my mom and sister Paula and they both enjoyed it. Paula’s preference is to drink crisp whites and to steer clear of any buttery/oaky chardonnay’s because of their rounder mouth feel and richer flavors. The Brewer-Clifton showed her a chardonnay that can be done differently.

Angel Joy Tears

Years ago my friend Kate and I accidentally discovered Tokaji Aszu at a restaurant in Montreal named Aszu. We’d ordered a plate of Quebecoise cheeses and asked the Sommelier to take a risk and bring us something wonderful to pair and not tell us till afterwards what it was. He complied beautifully bringing us a glass each of the 2000 5 Puttonyos Oremus Tokaji Aszu. Later when I told our friend Luis about the wine he urgently demanded to know WHERE in Montreal they were pouring that wine because he’d been wanting to taste Tokaji Aszu for a couple of years (it’s harder to find in Brazil, where he’s from, apparently). He and I went back later that same week and worked our way through an utterly extravagant multi-course meal with the Sommelier selecting perfect wine pairings for each course. By the end of the night we were admittedly drunk, and so happy, sipping the Oremus. I announced that it was like drinking Angel Joy Tears, one couldn’t help but feel blessed. Later that month Luis and I plus two friends went to a performance of Shakespeare in the park alongside the pond in Parc Lafontaine near my old Montreal flat. At the end of the show Luis’s friend stood in front of me smiling hugely with a little bag. When I opened it it turned out to be a bottle of Tokaji Aszu they’d actually found at the SAQ (the Quebec Liquor Board Shop) and purchased for me as a gift. I was so happy I stood speechless and smiling with my hand at my heart for a very long time.Though I’d intended to hold that bottle as a special gift from friends, the next morning while eating avocado I realized the Oremus would pair perfectly with avocado. Then perfectly with maple butter toast. Then perfectly with citrus salad… I sipped through the bottle tasting it alongside everything I ate through the remainder of that day, and decided it paired perfectly with anything. The experience was wonderful.

In case it isn’t obvious already, Tokaji Aszu is a sentimental favorite for me. I associate it with absolute joy and gratefulness, with friendship and appreciation. I can’t help but be happy when I drink it (slowly and with great pleasure). Several years ago I introduced my parents to Tokaji Aszu and though my dad doesn’t go for sweet wines generally they both loved it. On my recent visit back home my dad kept commenting, “oh, I wish we could drink Tokaji with you!” On the third day, my mom jumped up saying she’d be right back. After running back from upstairs she showed us this bottle of Oremus 2000 5 puttonyos Tokaji Aszu that she’d pulled from her treasure closet. I’d given it to them as a gift several years ago and she’d saved it.

The 2000 is wonderfully balanced. It’s drinking perfectly right now. The sweet elements are balanced with a rich texture and excellent acidity. The dried apricot and pear fruit flavors dance alongside herbal notes–touches of dried beach grass and sage. The slight tartness couples with mouth watering that keeps the sweetness from ever being cloying. What a treat!

***

We’re back in Arizona again now. By this stage of my life I’ve learned to better integrate the qualities of where I’m from with the everyday life of elsewhere. For decades though the contrast I felt between my Alaskan life and my life ‘outside’, as we say in Alaska, was a challenge for me. It felt like I needed different persona almost to operate in Alaska versus anywhere elsewhere. The upside of having worked through such difference is that I believe that I do well with traveling, and I’ve developed a deep openness to seeing what is unique and valued in any particular place.

Still, it’s a funny contrast to go quickly to the quiet of Alaska and now be back to the quiet of my otherwise empty house. Outside pollen puffs from the Alpine Birch in my yard are floating up past the window, getting lit up by sun. The small leaves of the birch are dancing in the wind, their tops flashing as they hit the direct light of sun then dance out of it again.

***

Thank you to Baker Lane for the sample bottles. It was a pleasure to share the wine with my parents, and we all enjoyed the approachability of the Syrah.

Thank you to my mom for sharing her treasure. What a treat!

White Grape Varieties of Colli Orientali del Friuli: Regional Varietal Characteristics Cards

Colli Orientali del Friuli celebrates a blending of a Mediterranean with an Alpine climate–the mild temperatures brought by the sea, coupled with the drying winds from air rushing water to mountain. The calcium rich ponca (marl) of the Eonician sea bed that covers the appellation guarantees distinct minerality in the wines as well. As a result, the area is brilliant for white wines, and creates world class examples from a range of grapes.

Indigenous Grapes

As mentioned here previously, the wine makers of Colli Orientali carry a deep commitment to grapes indigenous to their hills and valleys. As a result, the region hosts wines truly unique to their soils.

Friulano

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Considered the signature white of Friuli-Venezia Giulia, Friulano boasts a combination of rich texture, full body, and delicate flavors. Tending towards moderate to lower acid, wines from this grape readily carry a rounded, almost fatty mouth feel. However, many wine makers of Colli Orientali play with such texture by beginning to test for acid levels on the grapes early, striving for that perfect balance of rich texture and still bright acidity.

Malvasia Istriana

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One of several grapes known as part of the Malvasia family, Malvasia Istriana is a strain native to the Istria peninsula, and readily grown in Colli Orientali, as well as Collio of Friuli-Venezia Giulia. This strain of Malvasia grows throughout the border region of Friuli, found in the hillsides of its nearest neighbors as well–Croatia and Slovenia.

Claiming the grape is indigenous to Friuli is lightly slippery as the grape is believed to originate from cuttings brought by merchants from Greece and then planted in the Friulian hillsides. Today, the grape grows almost exclusively in the Friuli region. However, some small plantings are also to be found in Emilia, to the southwest of Friuli, where it is used to produce a sparkling white wine.

Picolit

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An unusual grape that celebrates a firm foothold throughout Colli Orientali, Picolit is used primarily in the region for making a sweet, dessert style wine. However, some wine makers also use small quantities of the grape in white blends to bring a fuller body and lightly sweet notes to their wine.

Picolit has been found to be an incredibly old variety with information showing it reaching back all the way to the Roman empire. In its history, Picolit has celebrated distinction at the tables of emperors and popes, as well as leaders from countries throughout Europe. It has also nearly faced extinction only to be saved again through its offering as a gift to kings through Europe.

Today many wine growers in Colli Orientali have at least some small portion of Picolit planted. It is considered a wine to share with friends, or give as a gift, and is often celebrated at the end of a meal as a token of “sweets for the last.”

Picolit also boasts its own DOCG as it is considered a unique grape and associated style with excellent quality.

Ribolla Gialla

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Because of its documented history back to the 14th century, Ribolla Gialla is believed to be even older to the region. The grape showcases a brilliantly clean neutrality that allows it to really show the unique minerality of the region’s soils. The varieties naturally high acidity keeps its wines crisp and light serving as a wonderful palate cleanser. Historically, the wine was also used to make sweet wines, but today is generally produced clean and dry.

Verduzzo friulano

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Grown throughout Friuli, Verduzzo friulano is commonly associated with the DOCG designated wine Ramandolo, of the hills of the village Ramandolo. There the grape is treated to a unique sweet wine process that keeps good acidity alongside mouth gripping tannins.

The wine Ramandolo has a documented history back to the 15th century where it is known to have been served to popes and distinguished nobles. However, the grape’s history in the region of Friuli is believed to reach back to ancient times.

The grape Verduzzo friulano is unique in that it is a white variety that carries very high tannin levels. Its nearest genetic relatives have been shown to be entirely made up of red grapes, and so it is believed that Verduzzo originates as a genetic mutation from a red grape.

Though the grape is most commonly used to make the sweet wine Ramandolo, it is also used by some wine makers as a blending grape bringing textural qualities and weight to their white wines.

International Varieties

Though Colli Orientali has a special focus on its indigenous grapes the region also celebrates a host of high quality white wines from International varieties.

Chardonnay

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Colli Orientali showcases a host of wonderfully crisp, good aging, good quality Chardonnays with many wine makers choosing to produce varietals of this grape without oak influence. Other wine makers in the area choose to generate a richer bodied, still mineral driven rendition by allowing malo-lactic fermentation and oak influence.

Chardonnay is considered one of the most important international white varieties in the region, though originally it was planted under the belief that the clones were Pinot Bianco. Today the confusion has been cleared up and the region readily grows quality chardonnay vines.

Pinot Bianco

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A uniquely flavored and scented variety, Pinot Bianco (aka. Pinot Blanc) originates in France as a mutation of Pinot Nero (aka Pinot Noir). Though the grape is now less commonly grown in Colli Orientali than the international varieties Chardonnay or Sauvignon, there are some distinct, good quality Pinot Biancos celebrated in the region. Its good acidity and warming alcohol levels make it a nice pairing for richer starter dishes like lightly creamy soups, or egg dishes.

Pinot Grigio

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Though the grape Pinot Grigio is commonly associated with a crisp, clean, light flavored style wine, the variety originally tended to have a much fuller body and richer flavor in the Colli Orientali region.

Prior to the 1960s, the more common production style for this wine was to ferment it on skins allowing the pink or gray color of the grape to tint the juice, and the tannin and flavor of the grape body to impact the wine as well. The practice known as Pinot Grigio Ramato is still made in the region ranging from only a couple of days on skins with filtering following–leading to a richly textured, more fully flavored but still light bodied wine–to a full month on skins–creating a brightly colored, highly textured ‘white’ wine. Though they can be found, these extended skin-contact wines are not commonly sold on the market.

It is usual, however, to find the more commonly expected ultra light, often steely, apertif style wine from Pinot Grigio. Today Pinot Grigio from Colli Orientali will be sold either as a white, or as a lightly copper colored wine from skin contact occurring for 48 hours or less.

Riesling

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One of the less cultivated international varieties in the region, Riesling was imported to the region from Germany and is used in Colli Orientali to produce a dry style, crisp white wine with good acidity and bright, fresh fragrance.

Some of the wine makers we met referred to it as their project for fun.

Sauvignon

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Named by Bobby Stuckey, of Frasca in Boulder, as Colli Orientali’s “secret weapon,” Sauvignon (Blanc) has garnered special attention in and for the appellation. The consortium of wine makers for Colli Orientali del Friuli invested in a six-year research project specifically focused on the grape as a means of both determining what made the variety distinctive in its region, and to compare it against the famous Sauvigon Blancs of both France and New Zealand. The result of the study was to move forward an already world class quality wine.

The minerality of the soil produces a crisp herbal and tomato leaf nose to the wine coupled with good structure and a full body. The bright acidity makes it well suited to food, or as a pleasing apertif.

Traminer aromatico

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Known elsewhere as Gewurtztraminer, Traminer aromatico carries an unknown origin with some placing its start in Germany, and others in the Alsace region of France. Its movement into Italy is also uncertain, but today it is most commonly grown in Trentino, and in Friuli. That said, it is a beloved grape to the region, and yet also less focused on than the international whites of Chardonnay and Sauvignon.

The grape is known for its highly aromatic qualities, and in Colli Orientali its overall crispness is boosted by the growing conditions of the region.

***

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Well Aged Whites: Tasting at Livio Felluga, The Terre Alte

One of the insights of our visit to Colli Orientali del Friuli was how readily the region produces white wines that age well. A number of our winery visits included older white wines with their wine makers showcasing these bottles in order to share with us first hand the treasure developed in the appellation.

At Specogna it was a 1998 Chardonnay with incredible vibrancy. Conte d’ Attimis-Maniago let us select a 1997 Friulano that even having originally been made to drink young still carried fresh and lively aromatics. Ronchi di Cialla finished our lunch with a 1983 Verduzzo that brought together a mouth gripping texture with concentrated fruit and nut flavors. Livio Felluga offered a side by side tasting of their Terre Alte blend–1997, 1999, and then, for comparison, 2009. In each case, with differing white grape types, the wines were ready to drink, and enjoy.

Livio Felluga

A Missoni Rendition of the Livio Felluga Label

Planting his wine passion in 1956, Livio Felluga helped develop the wine industry of Friuli-Venezia Giulia. Beginning his vineyard projects immediately after the region became part of the country of Italy, Felluga faced the challenges of a post-war countryside. The region had suffered particular economic hardships during the World Wars, and though historical vineyards still stood through the hillsides of the border area most were abandoned or severely damaged as a result of the mid-century difficulties. Additionally, many indigenous grapes were no longer being produced as international varieties had been planted through the region during the post-phylloxera revitalization. Felluga focused his efforts on identifying vineyards still healthy enough to be restored, and on planting new vines in suitable soil through the Colli Orientali and Collio appellations.

Today, the winery of Livio Felluga is managed by his four sons and daughter, but as his daughter told us, Livio still visits the vines regularly, taking time to walk through his vineyards and check their overall health.

Inspired by the history of his region, Felluga chose a portion from a historical map of the area as his original label. Considered unique, the label has been celebrated by artists and writers from around the world as an expression of Felluga’s joy for the region he helped root a vibrant wine industry within.

Livio Felluga Terre Alte

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One of the signature white blends of the Livio Felluga winery, the Terre Alte celebrates a blend of Friulano, Sauvignon, and Pinot Bianco. As they explain, there is no formula for the blend. Instead, the character of the vintage determines what will best balance the quality of the three grapes within the bottle.

The Felluga family selected two older vintages of the Terre Alte for us to taste specifically so we could experience directly how well Colli Orientali del Friuli does in producing long lived white wines. They then also set a more recent vintage of the same blend alongside as comparison.

The 1997 and 1999 both showed vibrant and bright in the glass, very much ready to drink and enjoy now. As Jeremy described, the 1997 drank as a wine stretching its muscles–focused on fitness–while the 1999 carried itself more comfortably “like it was wearing a suit and ready to go out to dinner”–focused on style. To put it another way, the 1999 was more comfortable in the glass. Both showed impressive structure, and freshness both, while the 1999 felt rounder and the 1997 leaner on the palate. Each, admittedly, also showed as very slightly oxidized, though the 1999 was more so.

The newer vintage, the 2009, offered a more candied character while also a more precise expression, and crisper overall mouth feel.

Thank you very much to the Felluga family and winery for hosting us at the tasting room, and afterwards for lunch. We were able to eat at their Agriturismo across the street from the tasting room. The food and company carried a wonderful balance of rich flavor and lightness that led me to tell Whitney that the lunch was deepening my capacity for joy. The whole day really did. As mentioned in a previous post, Chris and I spent much of the meal nodding across the table at each other in appreciation of the food. He took some wonderful pictures of it as well. What a treat!

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

The Pinnacle and Depth of Joy: i Clivi Wines, and Meeting the Zanusso Men

I’d been thinking maybe I was posting too much on Friuli, and should start shutting down that whole cycle of posts. This morning I realized though that the thing that would make me happy, and bring joy to the day would be to dwell in the wines, and experiences from the trip that really hit the richest chime in my heart. To put it another way, I realized I hadn’t actually finished doing wine comics for my very favorite wines from the trip. I’d hit some of them–Ronco del Gnemiz Schioppettinos, Specogna and Toblar, Ronchi di Cialla–and I’d even posted stories from others of my favorites. But there were other wines I haven’t drawn yet simply because I was thinking I’d posted enough.

On the trip Chris asked me about drawing wine comics, how I got started, and what it was like for me. I responded, I don’t know. It just makes me happy. When I’m drawing one, I’m not thinking of anything else. I just am there, happy. So, to indulge in this self-revelation just a touch more–when I’m drawing comics of wines I really love, oh! Oh, the joy is deep and complete.

All of this is to say, the rest of this week I’ll post wine comics for a few more places I really loved visiting, and tasting. Mixed in will also be one more story from Ramandolo, and then finally white wine varieties of Colli Orientali del Friuli. THEN I’ll get on to something completely different (though still with joy, I’m certain).

***

The Wines of i Clivi

As Marco Zanusso explained, the Zanusso family (owners of i Clivi) chooses to keep their wine making process very simple. They try to be as precise as they can at each stage of production, while keeping out of the process as much as possible at the same time. As he told us, each stage of intervention with the wine is a kind of loss, so they try to do what they need to with as few stages as possible. The Zanussos believe that wine is meant to show the character of the soil, the environment, the earth from which it arises. As such, they try to reduce, as they are able, what Marco called “the marks of the cellar.”

As others through the region had also shared, the appellation celebrates a unique soil–a calcium rich marl they call “ponca”–that transfers a unique minerality to the wines, often showing either as a kind of saltiness, or a stark slate.

As a result of the Zanusso philosophy, their work readily counts within the natural wine category. Marco explained they are entirely organic, do not introduce yeast, and only introduce copper sulfate (to help prevent mildew on the vines), and sulfur (to help the wines stability in transport). In both cases, the family went through thorough testing to determine the ideal and minimum amount that best suits their vineyards, and their wines.

Interestingly, though i Clivi wines fulfill the natural wine category, the family has no interest in promoting their wines as such. As they explain, they’ve focused their practices in such a manner from the beginning, but promotion of wines as “natural” is a more recent phenomenon. Their views on avoiding such promotion are two-fold.

First of all, as Marco explained, the category seems to operate “not as a phenomenon, but a religion” and “not as a movement, but a crowd.” That is, the Zanusso family is well-invested in the practices of wine making that happen to make a wine count as “natural” but disagree with a lot of the ways in which people approach the idea of natural wines. As an example, Marco pointed out the sort of implicit contradiction that occurs when a wine maker refuses to use any additives because of the damage they appear to do to the environment, while then transporting their wines as far away as Japan, for example, thus using excessive fossil fuels that also damage the environment. Or, as another example, people refusing to drink any wine with additives while then spreading nutella all over their bread. His preference is to approach what can be done to support the vineyard, while doing so with a dedication to overall balance. In respect to the vineyard health, Marco emphasizes that it is the overall environment and soil itself that should be most considered. That is, only some locations and soils are suitable for growing wine making grapes. In focusing too heavily on the idea of natural wine people often forget to consider the quality of the wine itself–whether a wine maker is using appropriate terroir, and whether or not the wine he or she is producing is actually flawed.

Focus on the wine itself marks the second departure point for the Zanusso family from the natural wine ‘movement.’ As both Marco and Ferdinando Zanusso (Marco’s father) explained to us, they believe the focus should be on the wine itself. That is, whether the winemaker is present or not, whether the wine announces itself as natural or not, the question first is whether the wine is interesting, good, and worth drinking. As such, not only do the Zanussos avoid marketing their wines as anything other than i Clivi, they also avoid too heavily emphasizing themselves in the process. The value of the wine is to be found in the wine itself. The value of the vineyard should be in the estate and ground itself, not the wine makers’ name.

We were lucky enough to taste three i Clivi wines with Marco and Ferdinando Zanusso. I can’t even explain how grateful I am for the time given to us in their home. Dear Ferdinando, thank you.

i Clivi 2010 Ribolla Gialla

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The i Clivi Ribolla Gialla struck a cord with several of us in the group. The incredibly fresh, clean, and vibrant clarity of this wine is striking. As Talia commented, “I love the neutrality of Ribolla Gialla for how it transports the minerality of its ground.” The i Clivi rendition offered the most precise and clean sea fresh saltiness of any we tasted in the region. The acidity here was brilliant, watering the mouth and offering a long finish alongside the lightness of lemon, lime, and tangerine citrus notes.

i Clivi 2010 Friulano

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As Ferdinando explained, they work very hard to preserve the acidity in their Friulano. It is a grape that readily becomes almost fatty in the glass, due to its lower acidity levels. They prefer the freshness that spins through Friulano’s flavors when the acidity is higher, and so take great pains to keep the levels up in their wines. To do so, they begin sampling the grapes in early August and do so 2-3 times a week to determine the best harvest point. As Ferdinando stated, Friulano’s acidity levels drop very quickly on the vine, and so close attention is needed to target the right point for picking. Further, while they used to allow this wine to go through malolactic fermentation, they no longer do so, again to keep the acidity levels up.

The San Pietro Friulano offers the smooth texture of a Friulano but with good acidity, keeping your mouth watering for a medium-long finish. The mouth is simultaneously round and crisp-tart on this wine. Again, the minerality of the ponca shows here, but in balance with white pepper, lime blossom, touches of evergreen, and dried herbs.

clivi Galea 2005

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When asked about his own wines, Ferdinando responded that what he and his son like about the wines they had us taste is that there is a lightness to them, even with a fuller body and structure. As he described it, “when you put these wines on your tongue, it is not heavy. It goes easily.”

The clivi Galea carries the fullest texture of the three wines tasted, but just as Ferdinando describes, its rich texture is well balanced with an overall lightness that goes down easy. The clivi Galea offered hints of caramel and dried herb, alongside lemon and lime zest, honeysuckle, yeast bread, and touches of white pepper.

Thank you again to Marco, and Ferdinando Zanusso for hosting and taking the time to talk with us.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Tasting from the Top of Ramandolo: The History of the Grape and the Place

Sandro Vizzutti, Azienda Agricola Vizzutti Sandro e Marco

“We’re in Ramandolo. Every vineyard here follows the contours of the mountain. The people that live here respect the shape of the mountain. This is one of the few places where the name of the place is also the name of the wine. It is also the northern most part of the region, and of the appellation Colli Orientali del Friuli. We say here we are a border appellation and also a frontier appellation. It is a very challenging viticulture, and everything has to be worked by hand.

“The first historical mention of this wine was in 1408 or 1409, the beginning of the 15th century, being served to Pope Gregory. With the wine being documented in the early 15th century, it must have been produced much earlier.

“The wine is very small production, only 15-16 hectares. It is all very labor intensive [because of the grape type, and also the landscape. These vineyards climb up mountain sides.], and all the technical knowledge has been passed verbally from father to son, father to son.

“A Verduzzo grape ripens very very late with harvest starting in November. Then, a light drying of grapes is done. Historically, after vinification took place, in almost every case fermentation was stopped by cold weather so that in spring wines had lower alcohol levels, and a nice level of residual sugar. This is how we make the wine.

“Now, to make a technical point, even though I am not a fan of technical information. Ramandolo is made from a white but very tannic grape, Verduzzo. At the University of Udine, Professor Testoline did genetic mapping of these vines and its relatives, has sorted out how these vines have traveled. As a result, we know that the closest genetically linked grapes to Verduzzo, which is used to make Ramandolo, are all red grapes. So, it is believed that at some point there was a spontaneous mutation that turned a red grape into the white Verduzzo.

Any old producer will tell you that the best wine in the world is Ramandolo. Now, I can’t say that. I haven’t tasted every wine in the world.

Ramandolo is a wine that more than any other reflects the character and personality of the Friulian people. Imagine any where you are in the world there on the side is a bottle of Ramandolo. Then you walk by. Maybe you notice the bottle. Maybe you don’t. Eventually, you see the light reflect through the color of the bottle.

“This is just what it is like, the Friulian people. We do not try to stand out. But, people keep walking by, and eventually notice us, see the color and light of the bottle, and we get to know each other. We open the bottle. The wine, just like the Friulano, at first does not tell you much. it has a delicate, more subtle aroma. It is an aroma intended for noses that want to get to the bottom of what it is. To get to know what it is, you pour it into the glass, and then the wine becomes more intriguing. You have the courage to take a sip. Only in this sip do you realize a friendship has been made, and you learn more with every sip. It is a taste of generations–of parents, of grandparents, of ancestors.”