Tags Posts tagged with "Napa Valley"

Napa Valley

Acumen – the importance of the human factor

looking across Acumen’s Edcora Vineyard – photo used with permission from Acumen

The exceptionally heavy and much-appreciated rains seen in California this winter have people through the region feeling as though California’s recent drought is at least temporarily over. While vineyards throughout the lower-lying areas of California’s North Coast were under water in places, vines were dormant and there should be no negative effect during the growing season. On the positive side, water stores are refilled, and the aquifer is presumably at least partially replenished. Most of all, vines have access to natural groundwater in the soils again, which is a benefit as it serves overall vine health more readily than irrigation usually does. How the 2017 vintage goes will depend on the weather during the upcoming bloom and fruit set period, and then of course during ripening.

Because of the rains I had to postpone my scheduled visit to Acumen estate in the Atlas Peak AVA of the Vaca Range on the eastern side of Napa Valley. Though its high-elevation vineyards and well-draining volcanic soils meant flooding was of no concern on site, for some time roads throughout the region were underwater, and landslides were an issue in places as well. Travel through the valley was so difficult that I put off my meeting on the estate with Acumen president Steve Rea (pictured below) until a dry day in March by which time the roads had cleared and the vineyards were dry enough to walk.

Acumen may be a new project for the region – with its 2013 vintage their first and current release – but the wines are built from a much older site, the Attelas Vineyard, planted in 1992 by Dr Jan Krupp. Krupp is known throughout Napa Valley for having had a considerable influence on the Pritchard Hill and Atlas Peak subzones. Although Antica was the first to plant in Atlas Peak, Krupp established one of the region’s most famous sites, the Stagecoach Vineyard, sold just last month to Gallo. Krupp began planting Stagecoach in 1995 having already planted Attelas.

Part of what makes Atlas Peak unique as an appellation, besides its high elevation (reaching 2,663 feet at its highest), is its sizeable amount of…

To keep reading this article, including tasting notes on all of their 2014 wines, continue to JancisRobinson.com

Here’s the direct link: http://www.jancisrobinson.com/articles/acumen-the-importance-of-the-human-factor

Subscription to JancisRobinson.com is £8.50 a month or £85 per year ($12.20/mo or $122 a year for you Americans) and includes searchable access to the new 4th edition of the Oxford Companion to Wine ($65) and the 7th edition to the World Atlas of Wine ($50) as part of the subscription costs, as well as interactive discussions on the Purple Pages. Click here to sign up.

0

Larkmead Block Designate Cabernet Sauvignon

Larkmead winemaker Dan Petroski

In 2013, winemaker Dan Petroski helped shift the winemaking program at Larkmead Vineyards to include what are essentially block designate Cabernet Sauvignon wines. Continuing to make the recognizable white label wines, the new program has added an additional black label tier with three Cabernet Sauvignons differentiated by block. Importantly, what differentiates the three blocks is the soil.

Until 2013, Larkmead Vineyard was dealing with relatively young vines thanks to a massive replant in the second half of the 1990s. The replant was a move common throughout Napa Valley as many sites faced uneven vineyard architecture thanks to the relatively young region sorting out its own best techniques and practices. Much of the Valley had also been hit by phylloxera thanks to the notoriously vulnerable AXR1 rootstock.

When Dan began his winemaking career at Larkmead in 2006, then, he was working with vines generally under 10 years of age. For the variety, younger vines tend to produce more tenacious, angular wines. For overall balance of structure to flavor, mouthfeel and pleasure, then, it can be necessary to allow young-vine fruit to hang longer on the vine to soften up the structure and create a more approachable wine. Bigger wines, then, are often arrive the result, especially in warmer subzones like north Napa Valley.

By 2013, however, vine age at Larkmead had surpassed the ten-year mark and the winery was ready to start getting to know the unique expression of their heritage site. With this in mind, Dan also instigated a winery expansion increasing the number of tanks in the cellar to allow for block specific fermentations. Prior to the winery expansion blocks were blended in the cellar and bottled as a general Larkmead Cabernet. By expanding the winery tank count it became possible to translate the honed block-by-block farming in the vineyard into tank-by-tank fermentation in the cellar. The change allowed greater synchronicity between vineyard focus and winemaking execution. In late 2016, the effort uncurled into the release of Larkmead Black Label Cabernet Sauvignons.

While the 2013 vintage of Larkmead’s black label Cabernets capture the soil specific blocks from the North Napa site, it also marks a larger shift in expression for the house. 2013 across the region carries the hallmarks of both a warmer, early harvest and the drought effect. Wines simultaneously express fruit and structure – a combination missing from the comparatively lighter tannin, more up front fruit and hollow-bodied 2012 vintage seen throughout California’s North Coast. At Larkmead, the 2013 wines carry the purity of the new block-designate practice while also delivering the thrust of the vintage. It means intriguing and attractive wines distinctive from each other with character that feels expressive of site. By 2014, the block-designate wines are very slightly lighter bodied and fresher. Barrel and then tank tasting with Dan through the 2016 wines, the trend continues lighter until by 2016 the Cabernets feel as though they show a purity and lightness for the variety delicious, while unexpected from Calistoga.

The lightness being unexpected, however, comes, perhaps, less from the innate long-term characteristics (or terroir, if we must) of North Napa Valley than the lumbering weight of young vines that have dominated many sites of the subzone. Additionally, until recently, it has been far too easy for Cabernet of Napa Valley to come in big, even sweet, and dominated by oak as the market allowed, or even encouraged, such a stylistic approach – not that Larkmead was expressing that stereotype.

With the increasing complexity in stylistic interest happening in the global wine industry – there is not just a greater interest in lighter bodied wines that many people talk about but instead an increasing plethora of stylistic interests – it has become more and more necessary for wineries to get clear on what stylistic interests are driving their winegrowing and winemaking choices. To stand out in the wine industry today, stylistic choices must be intentional. It is harder to just meet market demand when market demand has bifurcated into multiple styles. All of this is to say, the shift in style that Dan is executing at Larkmead speaks to a bold, while necessary choice, as well as one that is well executed. He and the Larkmead team have chosen to take this particular moment when their vineyards have finally come on line with necessary age to capture a level of freshness both admirable and timely in Napa Valley.

The new Black Label series from Larkmead includes three block designate wines – The Lark, Dr Olmo and Solari. The Lark takes a four year release cycle, placing 2012 as its current release vintage, while both Dr Olmo and Solari are currently 2013. Soil differences in the three blocks stand as important because of the textural and palate weight differences they bring to the wines.

The Lark grows from white rock, bale loam soils that offer a seductive textural palate resembling the fine-grained tannin of benchland soils that stretch from Oakville through St Helena. It is comparatively a more luxurious wine with the elevated presence of the best sites of Napa Valley. It also does justice to the vintage capturing the purity possible from a year with a more upfront profile while harnessing a greater seriousness through its aging regime.

Dr Olmo grows from gravel dominated soils with the high tone and fresher aromatics and style common to that soil type while also delivering comparatively more rustic tannin – I love the freshness combined with distinctive elevated black floral character of this wine. It feels like hallmark Calistoga with its overt black notes – black herbs and black rocks lifted by anise. The block behind Solari carries a mix of gravel and loam. It’s a combination that brings a natural density and power to the wine still lifted by aromatic, built to age and yet able to deliver in its youth.

Copyright 2017 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

0

Hyde de Villaine

Born of a collaboration begun in 2000 between Napa Valley grower Larry Hyde and Burgundy winemaker Aubert de Villaine, Hyde de Villaine (HdV) produces premium Chardonnay (as well as a range of red wines) from one of the region’s most coveted sites for the variety. Hyde Vineyard grows Chardonnay in the clay soils of Carneros, that, combined with the site’s older vines, offer incredible innate power to its wines. The oldest section of Chardonnay at Hyde was planted in 1979, established with Wente cuttings. With the wish to stay entirely in California heritage selections, in the 1990s a portion of the vineyard was planted to Calera cuttings as well, though the majority continues to be Wente. Vine age has proven an advantage not only for the quality of the wine but also the health of the vineyard coming through the California drought. As the vines have continued to age, cellar choices have also shifted. The older the vines the longer the wines are held in barrel before bottling, for example.

Stephane Vivier leads the winemaking for HdV, working with the Hyde and de Villaine families to adjust the expertise of Burgundy’s long heritage to the particular character of Napa fruit. The house style, for example, has included full malolactic (ML) conversion since 2004. The cool character of the Carneros vineyard’s microclimate make preserving a sense of intense freshness while still doing full ML possible. The HdV team chooses to innoculate for ML with a strain that delivers ultra clean flavors, while also going through ML in a relatively shorter time. As Stephane explains, while many producers in much cooler climates choose to go through ML slowly to bring greater depth of flavor to otherwise steely fruit, warmer climate Chardonnay can benefit from the opposite approach – maintaining balance from a shorter ML process. While Hyde Vineyard is cool for Napa Valley, the wealth of sun brings greater flavor development, and overall temperatures are warmer compared to more genuinely cool climates like Burgundy.

The goal for HdV is to produce what Stephane calls restrained opulence. As he explains, in Burgundy, Chardonnay is understood as the Queen of Grapes, simultaneously sturdy, serious, and even imposing, with a noticeable presence. Respect for the fruit, then, comes with recognizing that natural stature of the variety. The view makes sense when tasting the HdV style – nobility comes with an innate opulence without excess as it is shaped by poise and control at the same time. Thus, HdV respects the fruit expression of California while crafting viticultural with a focus on freshness and cellar choices to maintain that integrity.

In the cellar, winemaking techniques are kept simple. Fruit is harvested to capture acidity. Then, in one of the most distinctive winery choices, the fruit is pressed at profoundly low pressure and slow speed. Pressing lasts a rather long time, as a result, outstretching industry norms for the region by more than half a day. In taking the long, slow approach, handling of the fruit is minimized through a gentle touch that invites a subtle frame and a range of understated flavors in the resulting wine. As Stephane explains, the idea is to keep things simple but to make complex wine. During aging there is no racking and before bottling no fining of filtration. It is not necessary with full ML. Barrel choices are kept consistent. Aubert has a long standing relationship, since the 1950s, with the Francois family and so those barrels are used for HdV as well.

Tasting Vintages: 2014 and 2011

Last week Stephane and I were able to taste the 2014 and 2011 vintages of HdV Chardonnay. The record cold temperatures of 2011 were outstanding for the variety. In 2014, the third year of drought brought a surprising combination of bright acidity and ample flavor at lower brix.

As Stephane describes, the 2011 vintage for Hyde Vineyard was fairly wet at the beginning and then turned cold. Big rains came at the end of the season, impacting harvest for many people, though HdV brought in fruit prior to the biggest storm. The weather conditions reduced fruit set and slowed ripening bringing a lot of innate concentration and producing a very focused and bright wine with an utterly persistent finish. The 2011 Chardonnay remains mouthwatering and focused while carrying a bit more richness of age compared to the utterly youthful 2014.

The 2014 harvest came with the impact of three years of drought. Vines were just beginning to show drought stress but vineyards throughout the region dealt with it by creating one more push for large yields, a hopeful last chance to reproduce. Yields were large throughout Northern California. At the same time, vines created a surprise reaction – vines had significant crop but with concentration comparable to that coming from cold 2011, also offering acidity and ripe flavor at lower than usual brix. The 2014 wine is savory and lightly spiced in a focused, mouthwatering frame. Opening lean and concentrated, it continues to evolve significantly with air pointing to good aging potential and plenty of interest through the palate.

Copyright 2017 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

 

Making Vermouth:
How one winemaker turned “failure” into a successful product

Elaine Chukan Brown

winemaker Dan Petroski

VERMOUTH TENDS TO BE thought of as an apt blender in a martini—a second thought to making a fine cocktail. Its history as a modern beverage dates back to the 1800s and is celebrated on its own, as well, and as an integral part of a robust food and wine culture in Europe. Recently, the beverage has gained some notoriety as part of the craft spirits boom in the United States. Small-batch vermouth has cropped up across the continent with domestic examples appearing from wine regions in New York, Oregon, California and elsewhere.

In Napa, Massican Winery’s vermouth has become a beloved staple of the wine-geek community and has found its way into bars in California and New York. Massican owner and winemaker Dan Petroski brought his love for Italian culture, food and wine to making his dry, white wine-focused brand. Several years ago, however, a mishap in the cellar led to him adding dry vermouth to the portfolio.

As Petroski explains, as an aromatized wine, vermouth offers an interesting opportunity for the vintner unsure of what to do with a less desirable wine.

Wine Mishaps

“The vermouth started out as a trial with Tocai,” Petroski said. “The vermouth was never meant to be. It was purely a wine trial, but in failure we saw an opportunity.”

Though the white wine variety Tocai Friulano has been legally renamed Friulano to avoid international naming confusion, it is still affectionately referred to simply as Tocai in Northeastern Italy. In Friuli, Friulano is one of the signature grapes of the region. In California, Petroski has been able to work with hundred-year-old vines of the cultivar first established by Italian immigrants farming the variety for their own use. Such fruit serves as an integral component of Massican’s flagship white blend, the Annia. It also ended up providing the base for his vermouth.

In working with Friulano for Annia, Petroski wanted to investigate different methods of clarifying the juice prior to fermentation, but the trial led to an off-wine.

“Tocai is a very reductive variety,” Petroski said. “It is important to clarify the juice prior to fermentation in order to ensure clean aromas and flavors. We wanted to test this process. After whole-cluster pressing the Tocai to tank, we mixed the tank and immediately barreled down one barrel—55 gallons—of wine. We cold settled the juice at 50° F for two days and racked off the clean wine. The remaining heavy lees and sediment…

To keep reading this article turn to the February issue of Wine Business MonthlyThe rest of the article looks at Dan’s process in formulating his own vermouth, the basic process for making your own vermouth, and key lessons Dan thinks anyone wanting to experiment should keep in mind.

In the print edition the article appears on page 118. However, you can also view it for free online by either downloading the entire February issue as PDF, or using their online click book option. The article appears on page 118 in each of the electronic versions as well. 

Here’s the link to download the February issue or use the click book: 

https://www.winebusiness.com/wbm/?go=getDigitalIssue&issueId=9023

 

Post Edit: This article will be available Tuesday, January 24, 2017, rather than Monday, January 23. Sorry for the confusion!

This autumn I was able to spend time with Antoine Donnedieu de Vabres, general manager of the Eisele Vineyard, previously known as the Araujo Estate, in Napa Valley. Together we walked the site, and discussed what changes the Artemis Domaines team has made since taking ownership of the property from the Araujo family in 2013. We were also able to taste the current-release 2013 vintage Cabernets, the first made by the new team, alongside previous vintages of Araujo, and take a look at their new Sauvignon Blanc programme.

In the summer of 2013 the Araujo family sold their famed Calistoga estate to French business mogul François Pinault, who also, through his holding company Artemis Domaines, owns Château Latour, a property on Bordeaux’s left bank, Domaine d’Eugénie in Vosne-Romanée and Château-Grillet in the northern Rhône. The 160-acre (65-ha) property included 36 acres of vines, historically known as the Eisele Vineyard. Donnedieu was made general manager with Hélène Mingot as winemaker. Steve Matthiasson, who began working with the vineyard under the Araujo family, stayed on as viticulturist. At the same time, previous vineyard foreman Victor Hernandez, who has been with the estate for years, was promoted to vineyard manager, working with Mingot and Matthiasson. Most of the vineyard crew, who have each been with the property for over a decade, also remained the same.

In 2016, Artemis Domaines decided to change the name back to its original, Eisele Vineyard, named for the family that established Cabernet Sauvignon on the property at the end of the 1960s. As a result, all wines from the estate bottled from 2016 onwards will be called Eisele Vineyard. Donnedieu’s explanation is that the vineyard name emphasises the site as the focus and source of quality for the wines, rather than any particular owner. It is also a way of celebrating the history of the site, which in turn emphasises their long-term vision for the property.

The rest of the article gets into the details of what changes the Artemis Domaines team has made since taking over the Eisele Vineyard, what their primary goals are for the wines, what made they decide to buy the estate, and how the wines from the new team compare to the previous Araujo wines. 

To keep reading, head on over to JancisRobinson.com where the article continues. You’ll need a subscription to read it.

Here’s the direct link: http://www.jancisrobinson.com/articles/eisele-vineyard-pinaults-california-outpost

Subscription to JancisRobinson.com is £8.50 a month or £85 per year ($12.20/mo or $122 a year for you Americans) and includes searchable access to the new 4th edition of the Oxford Companion to Wine ($65) and the 7th edition to the World Atlas of Wine ($50) as part of the subscription costs, as well as interactive discussions on the Purple Pages. Click here to sign up.

Wine & Spirits Dec 2016The Northern Paradox: Refined Cabernet from Napa Valley’s Warmest Climates
by Elaine Chukan Brown

Calistoga Canyons

One of the earliest signs of up-valley Napa’s potential to grow great cabernet was Eisele Vineyard, a site planted back in a rugged Calistoga canyon created by a seasonal creek. The site has been continuously under vine since the 1880s, when it was primarily growing zinfandel and riesling. Cabernet arrived in 1964, when Napa was beginning to turn its attention to Bordeaux varieties.

The soils of the canyon’s alluvial fan (rare in mostly volcanic Calistoga) grew ample, silky cabernet that caught the eye of vintners like Paul Draper at Ridge, who bottled a single-vineyard wine from Eisele in 1971. The cabernet has been bottled as a vineyard designate ever since: Joseph Phelps claimed it from 1972 until 1990, when the Araujo family began bottling their own wines from the site. Such an ongoing library of site-specific cabernet is unusual anywhere in Napa Valley. Most of the current vines were planted in the 1990s and have reached a healthy maturity.

To keep reading check out the just released December 2016 issue of Wine & Spirits MagazineThe rest of the article digs in further to the growing conditions at Eisele Vineyard. The article then turns to Larkmead‘s new block-designate bottlings, also from Calistoga, and then moves south to St Helena to speak with Cathy Corison of her eponymous winery and Aron Weinkauf, winemaker at Spottswoode

Considering how very much there is to say about the two regions in North Napa, the look at the four producers is only a very quick dive into the good work people are doing in the area but it looks at some of the factors that have helped make that work possible. 

The current issue of the magazine also celebrates organic farming in Champagne, quality wines from Verduno, and the return of classical Kabinett, along with a look at this year’s top rated wines in each of those categories as well as Rioja, Port and Alsace. 

The editors even managed to sneak in a contributor photo of me with blond hair – I couldn’t believe it. They snapped the photo without my knowing at their recent Top-100 event. 

Cheers!

View from Howell Mountain

Elaine’s review last week of Cabernets with the general Napa Valley appellation stirred up some strong reactions, including on our members’ forum. She addresses some of the issues raised by the first of her two articles on Napa Cabernets in this introduction to the second one, a report on a total of 90 Cabernets with one of the many Napa Valley sub-appellations described below. A report on Napa Merlots will follow. Elaine’s picture was taken on Howell Mountain.

The over-arching region and AVA of Napa Valley includes 16 sub-appellations ranging in their combination of growing conditions – elevation, soil types, drainage, mesoclimate – to create unique subzones that offer their own stylistic range and expression.

Producers within Napa Valley can chose to label their wines with the Napa Valley appellation as long as 85% or more of the fruit going into their wine is from the region. Labelling requirements for the sub-AVAs of Napa Valley are similar. For a wine to be labelled with one of the 16 sub-appellations the wine must be made predominantly from fruit grown in that subzone. Additionally, any of the sub-AVAs fully within Napa County must include reference to Napa on the label. For example, a wine from the Rutherford AVA has to be labelled with both Rutherford and Napa Valley. The two exceptions are Carneros, which stretches across both Napa and Sonoma Counties, and Wild Horse Valley, which includes land in Solano as well as Napa County. (See the online World Atlas of Wine map of Napa Valleyfor many of the sub-AVAs.)

Many of the most delicious wines of the region come from producers focused intently on specific subzones who label their wine with their relevant sub-appellation. In many cases, the growing conditions of a specific sub-AVA are expressed in the bottle.

To keep reading, heading on over to JancisRobinson.com where the article continues. You’ll need a subscription to read it.

Here’s the direct link: http://www.jancisrobinson.com/articles/napa-valley-subappellations-heartening

Subscription to JancisRobinson.com is £8.50 a month or £85 per year ($12.20/mo or $122 a year for you Americans) and includes searchable access to the new 4th edition of the Oxford Companion to Wine ($65) and the 7th edition to the World Atlas of Wine ($50) as part of the subscription costs, as well as interactive discussions on the Purple Pages. Click here to sign up.

From the Mayacamas looking into Napa Valley

In the first of two major reports on current releases of Napa Valley appellation Cabernets, her first for JancisRobinson.com, Elaine Chukan Brown reviews 57 wines, but finds frustratingly few to get excited about. A report on Cabernets labelled with one of Napa Valley’s 16 sub-appellations will follow. Elaine’s picture looking east over fog in the Napa Valley was taken from 1,800 feet up in the Mayacamas Mountains.

With its dry Mediterranean climate, Napa Valley offers ideal growing conditions for vines and, with good farming, the potential for abundant flavour with resolved tannins and plenty of natural acidity. Even so, economic pressures from land prices and labour shortages currently dominate the region, making Napa Valley Cabernet one of the most expensive wines in the world to farm. So, while vintners in the region benefit from propitious weather and overall growing conditions, they need to produce wines at high prices in order to afford production costs.

The result, unfortunately, means the average price for a bottle of Napa Valley Cabernet is substantial. Retail prices per bottle are generally well over $100, easily reaching upwards of $200 and more. Exceptions occasionally appear from producers who have owned their property for decades. Among Cabernets carrying the all-encompassing Napa Valley appellation, Stony Hill Cabernet at $60 is one of the most affordable quality examples, with lovely purity throughout. The Galerie Plein Air at $50 was another nice surprise offering the firm structure and ageing potential of the 2013 vintage with varietal character married to judicious oak presence. (Other examples can also be found in wines labelled with one of the 16 Napa Valley sub-appellations to be described in my next instalment).

To keep reading, heading on over to JancisRobinson.com where the article continues. You’ll need a subscription to read it.

Here’s the direct link: http://www.jancisrobinson.com/articles/napa-valley-cabernets-depressing

Subscription to JancisRobinson.com is £8.50 a month or £85 per year ($12.20/mo or $122 a year for you Americans) and includes searchable access to the new 4th edition of the Oxford Companion to Wine ($65) and the 7th edition to the World Atlas of Wine ($50) as part of the subscription costs, as well as interactive discussions on the Purple Pages. Click here to sign up.

 

1

Throwback Thursday

In honor of Ribolla Fest 2016, which just happened last night, I’m re-posting the start of a series I did on Ribolla Gialla in California starting back in 2012. The end of the post offers links to the entire series. Ribolla Fest originally began as Friuli-fest by the late George Vare, though the focus from its inception was on Ribolla. George fell in love with the variety at the start of the millennium and saw bringing (read: sneaking) it into the United States and fine-tuning its growing conditions here in California not only as a passion project but also a spiritual one. He believed it was some of the most important work he’d done in wine.

Meeting George in 2012 and receiving his encouragement in my writing, my interest and views of wine, and sharing with him a passion for Friuli and Ribolla, as well as acquaintance with the vintners that took up his torch in working with the Vare Vineyard, was a primary source of inspiration for me. It helped build my personal investment in my work in wine and served as part of the groundwork for venturing forth as a wine writer. He and several others in that first year I credit for my doing what I do now. 

Due to family and travel demands I missed this year’s Ribolla Fest but here’s a look back at some of the early work I did on the event, beginning with meeting George Vare. By this first meeting I’d already traveled Friuli, fallen in love with Ribolla, and met with numerous vintners there in Italy working with the variety. Seeing its translation in California gave me a way to imagine that even with a love for Italian wine myself perhaps I could find a home in wine here in the United States. 

At the bottom of the post links to the rest of the series are included. Subsequent installments in the series include George’s story as he told it to me, in-depth look at the growing demands for the variety, and other sites that it has since been planted. Having just left my academic career but treating wine with the seriousness I had as a graduate student I named the series, tongue in cheek, Attending Ribolla Gialla University.

I also wrote about George in the context of another series found here on the rise of skin-contact whites in California

Attending Ribolla Gialla University: Part 1: Meeting George Vare

Thank you to Eric Asimov for recommending this post in the July 20, 2012 edition of The New York Times, Diner’s Journal What We’re Reading.”

The following was originally published here on July 19, 2012.

Meeting George Vare

“Go make Ribolla Gialla popular.” –George Vare

the berries turn a full rich yellow at ripeness.

the first vintage with consistent berries.

the plant carries a virus that causes the leaves to yellow under stress.

barrel with a window

Ribolla Gialla left on skins for 1-year, then barrel aged for 3

a gift to take home, hand labeled and capped by George Vare

Ribolla Gialla with 48 hour skin contact

sparkling Ribolla Gialla that has not been disgorged

we’ll drink it at the Ribolla Gialla party

an earlier vintage

Friuli style white: Sauvignon Blanc, Tocai Friulano, Chardonnay, Ribolla Gialla

This is why I came back to Napa Valley so quickly.

Because in doing so I could talk to more people about George Vare. I’ve made my visit about so much more than just this one lucky meeting, so much more I love to do. But I came back now so I could meet more people that had worked with Vare, never presuming to ask if I could meet him too. Then, it turned out a meeting was arranged, and I got to hear his story, walk through his 2.5 acre Ribolla Gialla vineyard (the only one producing fruit in California, there are other plantings–more on that to follow), and taste his wines too. Here are photos from the visit. Write up to follow, along with photos from a grand Ribolla Gialla tasting here in Napa Valley.

***

Thank you to George Vare.

Thank you to Dan Petroski.

Attending Ribolla Gialla University, Part 2: http://wakawakawinereviews.com/2012/07/19/attending-ribolla-gialla-university-part-2-a-life-in-wine-george-vare-friuli-and-slovenia/

Attending Ribolla Gialla University, Part 3: http://wakawakawinereviews.com/2012/07/19/attending-ribolla-gialla-university-part-3-friuli-fest-2012-ribolla-gialla-tasting-and-discussion/

Attending Ribolla Gialla University, Part 4: Harvest of the George Vare Vineyard with Steve Matthiasson: http://wakawakawinereviews.com/2012/09/14/attending-ribolla-gialla-university-part-4-harvest-of-the-george-vare-vineyard-with-steve-matthiasson/

Attending Ribolla Gialla University, Part 5: Russian River Valley Ribolla Gialla, The Bowland’s Tanya Vineyard: http://wakawakawinereviews.com/2012/09/29/attending-ribolla-gialla-university-part-5-russian-river-valley-ribolla-gialla/

Attending Ribollat Gialla University, Part 6: The Vare Vineyard Tasting, Arlequin Wine Merchant: http://wakawakawinereviews.com/2013/04/23/attending-ribolla-gialla-university-part-6-the-vare-vineyard-tasting-arlequin-wine-merchant/

Attending Ribolla Gialla University, Part 7: The Matthiasson Vineyard, Napa: http://wakawakawinereviews.com/2013/05/01/attending-ribolla-gialla-university-part-7-the-matthiasson-vineyard-napa/

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Coombsville 

Looking southwest from Farella Vineyard in Coombsville

Coombsville just south east of the town of Napa (see this map) became an official appellation in 2011 and since then has received steadily increasing attention. Even so, this subzone of Napa Valley is still one of the sleepier, less developed parts of the valley. Being well off the main arteries of Highway 29 and Silverado Trail means that Coombsville continues to be somewhere primarily for those in-the-know. Its relatively low-key status is consistent with its winemaking history.

Contemporary vineyards in the subzone reach back to the mid 1960s and the planting of the Haynes Vineyard. While the winery Ancien now farms the property and makes wine there as well, the site has also been a fruit source for wineries such as Failla and Enfield Wine Co who seek its cooler-climate Syrah and older-vine Pinot Noir and Chardonnay. Ancien has been able to preserve some of the Burgundian varieties planted at the site’s inception. The rise at the centre of Haynes offers a central perspective on the region. Just up the hill stands the warmer Caldwell Vineyard, planted just over 10 years later when Farella Park Vineyard was planted just north east of Haynes. Around the corner, Tulocay winery was also founded in the mid 1970s.

Nearby, well-known Meteor Vineyard was established in the late 1990s. Such sites helped establish the insider view of Coombsville as a source for good-quality grapes. It wasn’t until the late 1990s that vineyard-designated wines from Coombsville sites began appearing occasionally. Producers as well known as Paul Hobbs, Phelps Insignia, Vineyard 29, Quintessa, Pahlmeyer, Far Niente and Dunn, to name just a few, have all relied on fruit from the subzone to bring a unique blending component to their wines. This is thanks to a combination of soils and unique microclimate.

To keep reading, heading on over to JancisRobinson.com where the article continues accompanied by tasting notes from the region. This article appear behind a paywall. 

Here’s the direct link: http://www.jancisrobinson.com/articles/coombsville-napas-southeastern-extremity

Subscription to JancisRobinson.com is £8.50 a month or £85 per year ($12.20/mo or $122 a year for you Americans) and includes searchable access to the new 4th edition of the Oxford Companion to Wine ($65) and the 7th edition to the World Atlas of Wine ($50) as part of the subscription costs, as well as interactive discussions on the Purple Pages. Click here to sign up.