Category Italy

The Scarpetta Wine Portfolio, A Drawing (w a little pig)

Last week I drew up and wrote up the wines of the Scarpetta portfolio, along with a summary of the lovely lunch that Lachlan Mackinnon-Patterson, and Bobby Stuckey threw for several of us at St. Vincent’s in San Francisco. Unfortunately, I was traveling without my scanner and so couldn’t properly place the tasting notes illustration for the wines.

Here’s the Scarpetta comic properly scanned. (I’ve also replaced the photograph of it in the original post.)

Cheers!

Scarpetta wines

click on comic to enlarge

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Jr and I are back in Sonoma again returning to our regular schedule of me tasting and interviewing people in wine, and her going off to school. Though, not till she recovers from some nasty cold. Hope you’re all well and enjoying the move from Winter into Spring with all its fits and starts. Joy to all of you!

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

The Punk Rock, Crossing Country Running, Cool Kids Club of Friuli Lovers: aka. Scarpetta

First of all, please forgive. I am currently traveling without my scanner, so after spending the day drawing I could only post my notes from Scarpetta’s current portfolio by taking a photo of it. I’ll reload the scanned-in image after I’ve returned to Sonoma next week. In the meantime, let the photo of the drawing suffice. Thanks! Updated with the scanned image!

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Celebrating Friuli (w a little help from Barbera): Scarpetta & Frasca

Scarpetta wines

click on image to enlarge; click twice to enlarge more

Bobby Stuckey greets me at the door with a smile and a glass of pink bubbles. I’m happy I took the drive to San Francisco. After a few moments everyone has arrived and we sit. Lunch is going to begin.

Master Sommelier Bobby Stuckey, and Chef Lachlan Mackinnon-Patterson have traveled from Boulder, Colorado, home of their well-known and celebrated Frasca Restaurant, to share their love for Friuli. After establishing their Friuli inspired restaurant, the team expanded to begin Scarpetta Wine starting with Friulano, Friuli’s classic white.

Stuckey introduces the day’s activities. “I feel like I’m in the cool kids club. But it’s surprising too because I feel like I’m still punk rock, and I feel like I’m still a cross country running nerd, but I get to hang with you guys. So, thanks.” The event includes Sommeliers, Wine Buyers, and Wine Writers from around the Bay Area.

The Sparkling Rosé

Bobby Stuckey

Bobby Stuckey setting the stage

Stuckey continues, focusing on the wine. He explains that the rosé offered upon entry is made with the Charmat method using a slightly unusual blend for the style of Franconia (aka. Blaufrankisch) and Pinot Nero (aka. Pinot Noir). Though the Charmat method is often maligned for its association with poor quality versions of Prosecco, Stuckey explains the technique is more centrally all about capturing tenderness and aromatics. Combined with care, and old vine material, Stuckey believes it creates a unique sparkling rosé.

The wine is paired with a winter Friulano Salad of apple, radicchio, shaved horseradish, and shaved hard cheese. The salad is all lightness and zest alongside the savory, floral bubbles. A beautiful opening.

Love for Friulano

To put the wine Friulano in its proper context, Stuckey compares it to Chardonnay. Where the French grape offers a neutral palate that allows technique to be shown on top, Friulano doesn’t. Where the French grape has been cleaned up and clonally selected, Friulano hasn’t. Instead, Friulano carries distinctive, even funky aromatics that Stuckey compares to the “wild dog of agriculture.”

For all the funk Stuckey ascribes to his beloved grape, the Scarpetta version is a clean, refreshing offering of its wine–all lifted aromatics, rounded palate, and pleasing viscosity on a stimulating palate. (Truth is though, whatever funk Friulano may have, I’m simply a fan of the grape.)

The wine comes to us alongside Friuli’s Native food, Frico–a fried cheese dish bringing together dried firm cheese with a molten center of Montasio cheese. Last year during COF2012, a group trip to Friuli six of us were lucky enough to take, we ate Frico daily. Don’t hate me Italy, but Mackinnon-Patterson’s version is even better, all smooth, lush, pungent, and easy mixed with smoked ricotta and sprinkled with fresh green onion.

Tasting the Whites

Lachlan MacKinnon-Patterson

Lachlan Mackinnon-Patterson serving up his risotto

Over time, Scarpetta expanded its white focus stepping into International varieties that have become classics of Friuli in their own right, both giving a unique presentation in that region.

* Pinot Grigio

As Stuckey explains, Pinot Grigio, though often maligned, can give a sense of freshness, with seriousness and concentration. Stuckey tells us, Pinot Grigio properly understood is a vehicle for terroir. “It is that,” he says, “that makes it a noble grape.”

Mackinnon-Patterson comes out from the kitchen to serve his Risotto and builds on Stuckey’s idea by drawing a parallel between cooking food and making wine. For Frasca’s chef, cooking is all about layers of flavor made through treating the flavors with time. In listening to Mackinnon-Patterson explain the courses, while tasting the foods and the wine, what I find in common are delicate flavors with stamina and presence. Each course, like the wines, comes in lifted, dancey, and rich.

* Sauvignon

Stuckey considers the idea of Sauvignon Blanc in Friuli, there referred to as simply Sauvignon. In Stuckey’s view, Sauvignon is the secret weapon of the region. It is the Ponca, their calcium rich soil, combined with the marginal climate of the area that offers a unique opportunity for the grape to give a triology of fruits–orchard, citrus, and stone–layering the mouth in unexpected complexity. Such flavors alongside the great acidity indigenous to Friulian wines and Sauvignon gives something more than a simply refreshing white wine.

Turn to Barbera

Scarpetta wines

Our meal finishes with a surprising turn (if you didn’t already know the Scarpetta portfolio), a red from Piedmont. Stuckey explains why they decided to focus on Barbera, their only wine from outside Friuli. In his view, the grape is the gateway wine to drinking Italian reds. For people used to French reds, Italians come with a lot more traction. For those drinking New World reds, the earthy flavors are often surprising. Barbera, on the other hand, offers a textural and flavoral connection to other Italian reds in a lighter, juicier, food friendly physique. This wine we drink with meat.

While Barbera is most commonly made in the Barbera d’ Alba DOC of Piedmont, there the grapes play second fiddle to their more popular neighbor Nebbiolo. In the Barbera del Monferrato DOC, however, Barbera is the focus with the vines being planted in high density, steep vineyards, and given the chance for old vine age.

Stuckey describes how he thinks of the grape’s characteristics. “This is what I think about Barbera,” he tells us. “It’s tangular. This grape is tangy, and angular. So we give it no new wood. It’s all about letting it be noble–a vehicle for terroir. That’s tangular.”

Stuckey invites us to enjoy the wines and food with one final comment. “Here’s what I want you to know,” he says. “When it comes to Scarpetta and Frasca, I would like to meet you on the corner of drinkable and thinkable.”

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Thank you to Bobby Stuckey, Lachlan Mackinnon-Patterson for the food, wine, good company, and invitation.

Thank you to David Lynch for hosting the tasting at St. Vincent, San Francisco.

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For great photos and more from the LA Scarpetta-Frasca tasting check out Whitney’s post over at Brunellos Have More Fun.

For more on the Seattle offering read Jameson’s post at JamesonFink.com.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

The Butterfly Effect: How the death of a fad gave birth to beautiful color in wine, Part 1: Considering Recent History

Thank you to Eric Asimov for recommending this article in The New York Times Diner’s Journal “What We’re Reading”, February 19, 2013.

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Circling George Vare: One Way White Maceration Ferments Came into California

George Vare, an investor with decades of experience in Napa wine, celebrates the work of experimental winemakers. For Vare, the passion of young people trying new approaches exemplifies the future of the California wine industry.

Operating outside the mainstream appears as a theme in Vare’s own history with the industry. In early 1995, Vare and Michael Moone decided to step outside the Cabernet and Chardonnay focus of 1980s and 90s Napa Valley and established a new company, Luna Vineyards. Vare had worked for decades already at scouting and expanding the commercial success of now historic Napa wine labels, including Geyser Peak Winery, Beringer Wine Estates, and others. In 1995, however, after considering the pulse of Napa wine, Moone and Vare realized there was room for taking their business in a different direction.

George Vare in his Ribolla Gialla vineyard

George Vare in his Ribolla Gialla, Friulano vineyard

Though Italian immigrants had helped establish the original wine industry through the valley, by the end of the last century, little interest in Italian varieties could be found rooted in the area. Together, Moone and Vare decided to take advantage of that missing piece by making Sangiovese and Pinot Grigio.

The original goals of Luna were to make Italian varietals to rival old world quality. Early vintages were described as carrying “old world austerity and terroir, bolstered by new world fullness and verve” (Boca Raton News 16 March 2003).

In March 1995, Vare and Moone’s Luna purchased a Chardonnay vineyard at what were then the Southern reaches of the Silverado trail. What is remarkable about the story is that soon after buying the 82 acre vineyard they replanted most of the site to Pinot Grigio, establishing 44-acres of the variety by 2000, and increasing from there. At the time, the idea of pulling out Napa Valley Chardonnay and replacing it with Pinot Grigio, was surely crazy. So, the group renamed themselves the Luna-tics. Where Oregon had begun the Pinot Gris experiment as early as the mid-60s, Luna stood as one of the leaders of the grape in California. In this way, the intention to do things differently defined the beginnings of Luna. As John Kongsgaard once explained, the self-named Luna-tics even used to play classical music to the vines.

John Kongsgaard Starts the University

After 20 years of success in the Napa Valley wine industry, Kongsgaard was brought in to Luna in 1996 to establish the house’s winemaking style. Konsgaard had started his career making wines in 1980, side-by-side with Doug Nalle at the now defunct Belvedere Winery. By the mid-1990s, however, Kongsgaard had proven himself as an influential winemaker through his 13-years of work with Newton Vineyards.

In 1997, Kongsgaard and Vare began making regular trips to Italy, originally searching for “the holy grail of Pinot Grigio.” As Vare explained, they searched first in Alsace, and though they liked those wines, the climate didn’t suit Napa. Alto Adige also proved too cold. Finally Friuli gave a closer parallel, and a wealth of influence through small scale and experimental winemakers of the region.

Kongsgaard worked with Christopher Vandendriessche, of White Rock, as assistant winemaker initially. Together they helped establish what Abe Schoener calls a university environment in Luna’s winery. Schoerner had begun working with the team at the end of the 1990s, gathering data on their vineyard sites, but also learning from Kongsgaard as Schoener’s mentor. Schoener makes clear too that Vare supported and encouraged the winery’s university methodology.

By allowing interns to make their own barrels of wine, while also doing their work for Luna, the facility trained a number of young wine enthusiasts that would go on to influence the area’s wine industry. But the approach also effectively expanded the experimentation witnessed by the mentors as well. Kongsgaard has stated that he fine-tuned some techniques he’d go on to use for his own label through the early investigatory period of Luna.

Schoener explains, Kongsgaard had a talent for standing back to let his mentees explore their interests in wine, while being there to facilitate a successful project at the same time. Vandendriessche operates with a similar approach in his work today at White Rock as well. The site served as Schoener’s first winery in establishing Scholium Project, and today facilitates the work of other new winemakers getting ready to release their work.

Learning from Radikon and Gravner

After Vandendriessche chose to move his attention to the White Rock facility, Kelly Wheat was brought in as the new assistant winemaker to Kongsgaard. Wheat began traveling to Friuli with Kongsgaard and Vare, who had already established strong relationships with the winemakers through Friuli and Slovenia. Wheat benefited, then, from the friendships already started with the likes of Stanko and Sasa Radikon, Josko Gravner, and others.

Radikon had begun experimenting with making his wines with extended skin contact in 1994, utilizing open top wood fermenters. Stanko Radikon’s father had talked about techniques used in Oslajve prior to the onset of more contemporary pressed wine techniques. Eventually Stanko decided to invest in using them.

Previously, Radikon explained, wines were made using all of the fruit, rather than removing the skins. The result was to develop wines with greater texture, aroma, and flavor, that also kept longer after being made. The skin contact style of winemaking, then, was historically situated–a normal approach for the technology of the time–but it was also economical–it made the wine last.

Drawing on Georgian winemaking history, Gravner began using extended maceration fermentation in clay anphora in 1996. He had helped introduce the focus and freshness of temperature controlled stainless steel vats to Friuli, thus introducing the winemaking changes associated with newer technologies. But after a friend brought Gravner a kveri (Georgian anphora), the winemaker experimented with the winemaking techniques of that region, known to be thousands of years old.

With both Radikon and Gravner there was an adjustment period while moving to the historical-but-new-to-them techniques. Each winemaker had developed expertise with their previous styles, and were known for making quality, terroir-driven wines. In shifting to the use of extended maceration, however, they also needed time getting to know the effects of the approach. In 2001, Gravner released his first fully anfora based portfolio (though bottlings as early as 1998 are still available for purchase in the United State). In establishing friendships with both Radikon and Gravner, the Luna-tics were able to learn new techniques both through direct witness at the Italian wineries, and through on going consultations had by phone.

Kongsgaard and Vare had befriended Radikon as early as their first trip to the region, meeting Gravner a few trips later. On one visit with Gravner, a barrel with a plexiglass side stood in the corner. Grapes were inside aging not only on lees, but skins, with the wine in such a state for over a year. The Americans were able to taste the wine from the experiment and were pleased at the result, not having heard of such an approach previously. As Vare described it, the wine had a nice weight and texture, without any bitterness.

Showing Skins: the practice moves to California

After returning from a visit with these winemakers in Friuli in 2000, Wheat decided to try the techniques himself and make extended skin contact lots for some of the white wines at Luna.

In 2000, Wheat began making a Pinot Grigio blend that sent 40% of the grapes straight to press before fermentation, while the rest were put through a crusher to allow more aromatic and textural contribution from skins.The technique loosely resembles the impact of older technology that broke up grapes more than simply pressing them, causing more skin and stem influence (and thus both more aromatics and more body) on the juice.

Wheat experimented further however, making small lots of white wine left to ferment like a red. Inspired by his time in Friuli, Wheat located some Friulano in 2001, sourced from the Hollister area (and grown in limestone) and fermented to dryness on skins, working similarly as well with Sauvignon Blanc and Chardonnay grown in or closer to Napa. The most successful of these, Schoener believes, was the Fruilano.

Having worked with Luna in various capacities for several years, Schoener became winemaker there after Wheat’s departure in 2002. Witnessing Wheat’s trials with skin contact, Schoener encouraged the Luna label to make some skin contact bottlings. Having become more mainstream by that point (Vare was also no longer acting president), the board was resistant to investing in wines without more proven market success. Schoener stayed in the role at Luna long enough to help winemaker Mike Drash take up the reins in 2003, only ever intending to secure a smooth transition from Wheat to the new person. After Schoener dove into his Scholium Project, beginning to make a skin contact Sauvignon Blanc, the now oft mentioned Prince in his Caves, in 2006.

Luna would not be bottling skin-contact only white wines. However, drawing on Wheat’s experience with the approach, Drash continued making what Luna called their Freakout White blend. The wine included extended maceration of Sauvignon Blanc, as well as Friulano left to ferment to dryness on skins.

Looking for Texture: Pax Mahle experiments

Over in Sonoma County, independently of the work being done with the Luna-tics, Pax Mahle had started Pax Wine Cellars in 2000. The label had a central focus on Syrah, but made Rhone whites as well. Working against the norm at the time, Mahle was committed to making low alcohol white wines, without the influence of new oak. One of the downsides of whites made in this approach, however, is a textural change in the wine’s mouthfeel–they become lighter, with less weight, and to some people, less interest. Searching for a way to offer more textural interest without reliance on new wood, while keeping alcohol levels low, Mahle began experimenting with skin contact lots in 2003. Just like the adjustment period between a new technique and quality wine necessary for Radikon and Gravner, Mahle explains it wasn’t until 2007 that he bottled a skin contact wine. He wasn’t willing to put a label on something he couldn’t get behind. It took those several years to find a barrel he believed in as a stand alone wine. Prior to 2007 the experimental lots were blended back into other white blends.

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To read part 2 in this series: The Butterfly Effect: How the death of a fad gave birth to beautiful color in wine, Part 2: Variety, Terroir, and Mind Scrambling

Part 3: The Butterfly Effect: How the death of a fad gave birth to beautiful color in wine, Part 3: The Craft of Wine Tasting, and the Question of Responsibility, Conversation with Two Sommeliers

To read last year’s series explaining Orange Wines beginning with how they’re made, then their presence in Georgia, Italy, and California, begin here: Understanding Orange Wines Part 1: A Quick and Dirty Look at How They’re Made and What Their Tannins Do To Our Saliva

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Over the next weeks I’ll be exploring the work of contemporary skin contact wines from California and Oregon winemakers, both varietals and blends. I’ve been lucky enough to taste several dozen examples both bottled and barreled from a range of grape types in both California and Oregon, and to interview a range of people on the subject.

I’ll be traveling in Sydney, Melbourne, and Geelong as well, however, and so my posts here will be mixed in with updates from Australian adventures.

Cheers!

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

 

Going Italian: Two Random Tasting Notes, for Ms. Snout

It’s holiday in the Americas. Or stateside, anyway. Here are notes on two wines I opened the day before Thanksgiving, and tasted again the day after, just for the heck of it.

The wines on Thanksgiving were nothing to write home, or you about. Poo.

Also just for the hell of it, here’s a photo from my toddler years. That’s me doing the toddling, my dad winning Movember, and my pretty Aunty being smart and reading things. Also, just to be clear, my family is so not Italian. Just awesome. My favorite parts of this photo include my belly, my dad’s shoes and smile, the weird portrait on the upside down newspaper, the obviously 70s decor, and the authentic Eskimo hanging in the hallway. Of course she’s wearing a fur collar–it gets fricking cold outside in Alaska.

Sottimano Maté 2010 100% dry still Brachetto

A bright pink, rose potpourri tinged aroma surrounded with spicy pungency. The spice, dried rose palate continues, wrapped in a juicy soft palate stimulation, and pleasing mouth grip. The finish is long here, stretching itself into a gentle squeeze sensation of a vibrant medium-light bodied red wine, leaving a late post-finish nuttiness I can’t help but enjoy. The vibrancy on this wine is stunning. It starts perhaps a little lighter than I feel like but each sip starts me with surprise, each swallow moves into a longer finish than I expect. Drink this wine and try not to wiggle.

Day 3: The wine is pert. There are ripe rose floral qualities on the nose and mouth blended through with canteloupe, now with a weighted belly of light leather and spicy pricks across the palate. If you want fresh, light, and zesty with a floral-fruit focus, this is your wine.

 

Poderi Elia Barbera d’ Asti 2009 100% Barbera

The focus of this wine seems to be ‘thickening up’ Barbera. The French oak spice here dominates much of what else the wine has to offer, though in a general sense the red fruit, oak spice, and alcohol heat do arrive together. Still, the ultra long finish form primarily in spice carry through. How will this wine age? The nose rushes a mixed floral potpourri that carries over into the palate, along with red fruit, and exotic spice. I appreciate the nuttiness of the initial finish, but it cascades into a predominance of spice that feels overdone. Too much new oak. My hope is that with a bit of age it will calm. That said, at $17 per bottle, I’ve got to keep things in perspective. You get a damn lot of wine and flavor for your money here. There is a generally smooth polish to the texture of this wine, upset to some degree by the spice pinprick of the oak. I just prefer a little less focus on spice.

Day 3: The spice has mellowed and moved alongside a nutty smoothness in both the midpalate and finish. The red fruit persists. There is a real top-note, soft palate focus on this wine balanced by heat in the throat and a long spice resonance.

Thank you to Michael Alberty, Storyteller Wine, Portland.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

 

 

Visiting New York City in Wine (pictures): Day 1: Tribeca Grill, Tribeca Wine Merchants, Tribeca, Clinton Hill

Flashes of Heaven: Visit to Tribeca Grill’s Cellar, aka. Crazy Whoa Wine

the Chateauneuf du Pape Cellar underneath Tribeca Grill

one corner of the Riesling and Pinot Noir Cellar underneath Tribeca Grill

1998 Chateau de Beaucastel Chateauneuf du Pape

1990 Domaine Leroy Richebourg Grand Cru; 1949 Domaine Leroy Musigny Grand Cru

1990 Petrus Pomerol Grand Vin; 1961 Grand Vin de Chateau Latour Premier Grand Cru; 1900 (certified) Chateau Margat Lillet-Witt; 1990 Grand Vin de Chateau Latour Premier Grand Cru

Steve Morgan, Tribeca Grill Sommelier, with Sacrisassi Schioppettino-Refosco

(to be clear: Tribeca Grill has a *57-page* wine book with a brilliant vertical, great price collection focusing in especially on Chateauneuf du Pape, Riesling, Burgundy, and quirky California and Italian gems, along with a lot of incredible other things–write-up to follow)

Around Tribeca

the freedom towers disappearing into fog

Visiting Tribeca Wine Merchants

estate bottles

Tribeca Wine Merchants’ Wine Tastings

 

Evening in Clinton Hill

a jazz trio practicing in their first floor Brooklyn apartment during a rain

Thank you to Levi Dalton.

Thank you to Steve Morgan for being so generous with his time showing me the wine program at Tribeca Grill, and for sharing the Schioppettino-Refosco blend by Sacrisassi with me in response to my “Hunting Schioppettino” write up.

Thank you to Tara Carille, Stu, and Nick for hosting me at Tribeca Wine Merchants and for sharing such fantastic wines with me.

Thank you to Birk O’Halloran, and to Dan Petroski.

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Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Beginning Summer Travels, and Hunting Schioppettino

Summer Travels

One of the side effects of having grown migrating between Anchorage in the Winters, and the Western Coast of Alaska in the Summers, then taking up a career in academia (where summers are markedly different from the school year), is that I still plan summer like it is time to do everything.

As a result, I’ll be out of Arizona for over two months with visits to New York City; the coast of California; Seattle; the fishing grounds of Bristol Bay, Alaska; Pinot country in Oregon; the wine and desert of Eastern Washington; and perhaps even a quick pop into Okenagan, British Columbia. My plan is to go ahead and do and write wine everything (at least, within the United States).

First up, I’m on the way to New York City for a week of walking around seeing city stuff (Flagstaff is beautiful but I long for city stimulus by now), and doing wine related activities. There are a number of people I’m very much looking forward to seeing. (Yay!)

During my week, one of my plans is to hunt Schioppettino–the wild, juicy wine from Friuli-Venezia Giulia. It’s harder to get in the United States but a number of importers and retail shops carry it in NYC.

Hunting Schioppettino

click on comic to enlarge

comic inspired by “Five Things You Love About Schioppettino (but don’t know it yet)” by Talia “I was born a unicorn” Baiocchi

As those of you that followed along on the #cof2012 trip know, our group was pretty obsessed with the wild berry, slightly saline, earthy, medium-bodied loveliness of Colli Orientali del Friuli’s Schioppettino varietals.

While there we were lucky enough to attend a Schioppettino focused dinner hosted by the Association of Schioppettino Producers of Prepatto, which included tasting 15-20 varietals, and one lovely, well-executed Schioppettino-Refosco blend by Sacrisassi, all from the Prepatto region. The Association regulates the production choices of wine makers to some degree, including minimum durations of oak influence and aging in bottle before sale, in order to preserve a focus of quality and style for the grape. Additionally, we tasted varietals from the likes of Ronchi di Cialla, Ronco del Gnemiz, Toblar and others, some of whom are outside the Association and outside Prepatto and therefore produce a lighter, juicier style for the grape.

Part of what fascinates me about Schioppettino is simply how localized it remains. Studies have shown so many different clones for this one grape all in the particular subzone of Prepatto that scientists are comfortable claiming it to be an ancient variety. Additionally, the vines particularly flourish within the zone of Friuli that is Prepatto, with its 23 different micro-climates, each sustained within Prepatto’s relatively small amphitheatre shaped landscape.

Schioppettino is the one grape indigenous to the region that really does grow uniquely in one appellation alone–Colli Orientali del Friuli. Prepatto is its primary home, with it growing minimally outside its amphitheatre. (Some people are currently experimenting with trying the grape in California but the vines are still too young to know yet how they will do in the New World–if anyone has more information on this project, I’d love to hear more about it.)

While we were lucky enough to taste much of all the Schioppettino produced on the planet, only a few currently make it into the United States. For those of you in North America, that, like me, wish to drink more of this tasty grape, three of the stand out producers brought into the United States include La Viarta, available from Kermit Lynch Wine; Ronco del Gnemiz, available in very low quantities from Italian Wine Merchant; and Ronchi di Cialla.

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If you’re wondering how the heck to pronounce the grape’s name, check out Do Bianchi’s video from his Italian Grape Name Pronunciation Project. We were lucky enough to spend an afternoon with Ivan who pronounces it for us here.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

One More Consideration of Colli Orientali del Friuli: The Role of Environment, Calcium, and Finally Minerality in Good Tasting, Good Aging Wines of the Appellation; Or, Let’s Make This Title As Long As Possible, Shall We?

In traveling through Friuli-Venezia Giulia, and tasting the wines of Colli Orientali del Friuli, I became fascinated with the fact that the region itself seems to support more natural approaches to vineyard maintenance and wine production. In closing my series on the #cof2012 visit to the appellation I want to indulge my own geeky tendencies and consider the way in which environment, soil, and specifically calcium intersect to encourage the possibility of this more natural approach, as well as the aging potential of the wines. Doing so will lead too to thinking on the controversial, and somewhat esoteric idea of minerality in wine.

Wine Growing Practices in Relation to the Surrounding Environment

Approaching Solder

Friuli-Venezia Giulia celebrates generally cool temperatures and drying bora wind that offer an ideal climate for growing grapes, plus the drying conditions that allow for maintaining healthy fruit. As a result, it is generally easier for wine makers in the region to use more natural practices in the vineyard since there is less need to intervene to avoid fungal or mildew infections on the plant. However, the region offers other natural supports for less interventionist and more chemical free wine production as well.

Many of the smaller wineries also take advantage of their other environmental conditions to develop a more natural wine making practice. As described to us by Ivan Rapuzzi of Ronchi di Cialla, by maintaining vineyards near forests, the pest-predator balance found in the forests is extended to the vineyards as well. That is, many of the pests that strike grape vines, causing detrimental effect for wine makers, can actually also be found among the plants and trees of a forest. The difference in the forest environment is that a balance of pest and predator is more readily maintained so that the overall health of the forest stands even in the face of including some various plant pests. Vineyards, on the other hand, are often designed in such a way that isolate grape vines from other plant life, and as such remove them from the kind of natural balance Rapuzzi describes of the forest. The result is that vines become more vulnerable to pests as they are also in these conditions isolated from the predators that would rid plants of their parasites. By planting grape vines in close proximity to forests the predator population of the forest is available to the neighboring grape vines as well, thus keeping troublesome pests largely at bay. Additionally, proximity to forests helps to keep temperatures well regulated for the steady ripening of fruit.

However, the overall environment found in temperatures, winds, and botanical balance are only a portion of the story for the wines of Colli Orientali del Friuli.

Considering Colli Orientali’s Soils

The View at Le Vigne di Zamo

The ponca of Colli Orientali originates from its years as an Eocenic sea bed. The waters reached almost to the southern rim of the Julian Alps, gathering a rich blend of minerals in their soils, and also a high concentration of organic materials as sediment gathered on the sea floor over time. When the sea retreated, the hills and valleys of the eastern side of Friuli (including both the appellations of Colli Orientali del Friuli and Collio) retained soils valuable for growing low yield grapes with concentrated flavors and rich mineral elements.

The wines of Colli Orientali del Friuli are known for having superb aging ability, with the whites in particular matching the aging ability of those from Champagne and Burgundy. In meeting the Rapuzzi family of Ronchi di Cialla, Ivan discussed with us their own production history testing various techniques and their effects on wine as it ages. What they discovered from the practice was that the less the family intervened in the cellar the more readily the wines lasted well in the bottle over time. Ronchi di Cialla wines are known for doing quite well over extended periods, whether the wine be red, white, or a sweet wine. In their view, this reality confirms that the reason for Colli Orientali’s age-ability originates in the soils themselves, since it is clearly not merely a matter of the strength of individual grape types, for example.

Wine makers throughout Colli Orientali discussed their pride in the value that the soil imparts to their wines. The area consistently produces wine with a distinct mineral zing that shows itself readily in any of the lower intervention wines, and stands up against the more interventionist production techniques of other wine makers as well (that is, as Stuart George would put it, some wines have more make-up).

In considering both the sustainability in the bottle, and the mineral zing of the region’s wines, the wine makers regularly stated that it was the region’s soils that did the work for them, and that, in particular, the high proportion of calcium accomplished these feats.

The Role of Calcium in Root Development

The View from the Top of Ramandolo

Colli Orientali del Friuli celebrates a calcium rich marl, their ponca, which uniquely contributes to the quality of the region’s wines. The presence of calcium in particular stands as important here. Though the calcium rich soils of the eastern side of Friuli-Venezia Giulia are generally understood as too poor for grain or cereal type crops, the soils offer beneficial characteristics for grape vines.

Calcium plays a tricky balance in its benefits for vine growth. On the one hand, calcium rich soil does well at absorbing water during heavy rains (rather than rain simply running off the surface), while then retaining moisture for good periods after, during dry weather. The retention of water in this way allows the security of vine growth over time. However, on the other hand, during longer dry periods the cells of such soils dry up and shrink as the water evaporates, causing cracking and tightening of the ground (though not necessarily in a visible way). While the roots of the vines have been nourished by the water retention of the soil, they now are able to dive deeper through the earth that, due to its cellular shrinking, readily breaks up and makes room for the roots to move through. Thus, the vines receive the nourishment necessary to achieve basic root growth, and then have ease enough to achieve deeper root growth. In pushing into deeper earth, the vines are also forced to struggle in a way that impacts the production of the fruit, concentrating the juices of them and thereby also their flavors.

The benefits of calcium rich soils, however, extend beyond mere questions of moisture.

The Role of Calcium in Vine Development and Fruit Health

Vineyards at Solder

The presence of calcium in soil directly impacts the overall balance of minerals (essential plant nutrients) absorbed and utilized by grape vines, and plants more generally.

Calcium rich earth is generally more porous, or permeable at a small scale in a way that allows greater ‘openness’ (to speak loosely) within the soil structure. These small spaces serve to provide room for root hairs to more readily absorb nutrients directly from the earth itself. The more permeable the soil is in this way the less the plant must compete to take up the minerals needed and already present in the soil. That is, it is not enough for necessary minerals to be present in the soil. The proper conditions that support the plants ability to absorb those minerals must also be present. Soil permeability is one of those conditions.

Calcium also directly impacts the pH level of the soil, keeping the ground from being overly acidic. With more basic (less acidic) soils, vine roots are more able to take up necessary minerals that support the overall plant health and development. In this way, the presence of calcium in the soil allows plants to absorb a healthy balance of calcium, potassium, magnesium, and sodium.

The absorption of these minerals strengthens not only the overall health of the plant, but also the plant’s resistance to external pests. When absorbed by the vine, calcium strengthens the cellular walls of the plant itself, thereby reducing the potential impact of both external pests and enzymes, such as those caused by mildew or fungus. In testing of grapes, calcium actually shows at detectable levels within the fruit skin, and there has the effect of reducing the permeability (and also therefore the susceptibility) of the grape.

Testing has also shown that the absorption of minerals by the vine from the soils directly impacts both the acidity of the grapes, and so then also the pH of the wine itself. In this way, the mineral qualities of the soil do directly impact the sensory qualities of the wine as well–that is, the flavor and structure of the wine. However, the minerals within the soil also impact the degree to which a vineyard manager, and wine maker are able to achieve a less interventionist, and non-petro-chemical approach in making their wine. That is, in the case of calcium rich soils, it is easier for vineyard managers to use less interventionist vineyard maintenance, and to avoid petro-chemical treatments as the balance of the vineyard translates into the pest-resistance of the vines and fruit.

The Question of Minerality in Wine

Vineyards at Betulle

While scientific studies have clearly shown that the minerals within the soil directly impact the pH of the grapes in a manner that persists in the wine produced from that fruit (allowing for variations from production choices, of course), controversy around the question of a wine’s so-called “minerality” remains. What is important to point out here, in the midst of this particular discussion, is that minerality as a descriptor of a wine’s particular qualities is not necessarily a claim of the literal minerals present within that wine. That is, there are at least two different concepts operating here–on the one hand, the role of literal minerals on wine, and, on the other, an idea of a flavoral and textural quality experienced as something like minerals, which we reference as minerality.

Let me give away the beans and cheese of the point I’m going to make, and then make my argument for that point. Here it is, the beans and cheese: My point is that these two things–literal minerals, on the one hand, and minerality in wine, on the other–might have a direct correlation such that literal minerals in the soil are tasted as minerality in the wine, but whether that turns out to be the case, or not, in stating that one tastes minerality, one need not also be claiming that there are literal minerals being tasted. (The question of a possible link is not yet proven and many people because of that argue the correlation is not there–such a claim, however, is sloppy science. Science has not disproven the link.)

Now let’s turn to the clarification of this point.

First, let us consider the role of literal minerals on wine. It is without doubt that differing soil types carry different minerals, which are not only necessary for the growth of any plant, but also that those minerals within the soil directly impact the way in which that plant grows. Further, the mineral presence of the soil, and the soil permeability, not only allow for plant growth but also distinctly impact the quality of the fruit grown by the plant. In the case of wine, the pH levels and chemical balance found within the fruit are a result of the way in which the plant is able (or not) to take up calcium, potassium, magnesium, and sodium from the soil. So, the minerals of the soil simply are relevant to the wine that is produced from vines growing in that soil. Notice, however, that this is not a claim that we literally taste the individual minerals themselves in any direct way. (In fact, the results of most studies would seem to indicate that the levels of any of these four minerals in wine is too low for us to detect as anything like specific flavors.)

Second, let us consider the idea of minerality in wine. We can understand the word minerality, loosely speaking, to reference a sensory experience of something like the flavors and scents of particular minerals themselves, without that experience having to have a direct link to those literal minerals. It is often considered a peculiar description because it seems as though we don’t go around eating, tasting, or smelling the kinds of things wine tasters reference when discussing the notion of minerality. To understand what I mean, we can simply list off different examples of wine terms that are types of apparent minerality: the smell of chalk in champagne; the taste of river stones in a cool vintage Brunello; the scent of petrol in Riesling; the flavor and bouquet of graphite in a rich Bordeaux. In such cases, the term minerality is meant to capture a sensory experience had through the smelling and tasting of a particular wine, a sensory experience where we feel as though we are recognizing something very much like chalk, river stones, petrol, or graphite.

There has been much discussion (much of it argumentative) recently (and indeed for a long time) on the seemingly esoteric notion “minerality.” Many of the arguments depend on a mistake of concept–that is, they assume that the description “minerality” is being stated as a claim of actual mineral levels of the wine itself; and, further, that if there is no such link to actual minerals, then the concept minerality must be faulty. Such a link would depend on testing the wines themselves for those mineral levels. However, continuing to utilize the idea of minerality as a description of a particular wine’s qualities does not genuinely depend upon whether or not there is an actual link between the experience of something like mineral scents and flavors, and there being those actual minerals present in that wine. This is a mistake of assuming that our subjective language of experience can only be supported by systematic scientific legitimization. That is not only false, but also a misunderstanding of (a) the purposes of science, (b) how we experience the world, and (c) how we communicate such experience with each other.

As is no doubt obvious by now, I am fascinated by such questions as, is there a link between minerality in wine and minerals from the soil that wine’s vines were grown in? I honestly want people to continue scientifically studying this. Or, as another question, which I’ve addressed in this post, in what way does calcium impact the growth of vines and the qualities of the wine those vines produce? But, I am equally as fascinated by our own experience of the world, and how we communicate and share with each other such experience.

As an example, scientific studies have pointed out that apples, potatoes, and onions have a chemical make-up that should mean they taste the same. My experience of these three foods, however, is something more like tart and/or sweet for apples, earthy and watery for potatoes, and sweet, sharp, and/or biting for onions (it is apparently the smell of these foods that causes us to distinguish them). In the wines of Colli Orientali del Friuli, however, I taste a minerality I can’t help but love.

One More Story from the Top of Ramandolo: Lorenzo Comelli’s Oro ETERNO ORO

The following story by Lorenzo Comelli arises as part of the ongoing series on Colli Orientali del Friuli, and the #cof2012 trip our group took at the beginning of April, 2012. The wine makers of Ramandolo were generous enough to host us for a comfortable, and easy going lunch at the top of their village. We tasted their beautiful, rich, wines–Ramandolo really is a fascinating wine made from the complex grape Verduzzo–and Lorenzo Comelli told us of his “Oro ETERNO ORO” project, with its focus on preserving the uniqueness of what they do in Ramandolo.

Lorenzo Comelli’s and Margherita Ferri’s “Oro ETERNO ORO”

Lorenzo Comelli of Filippon

“I traveled to Bordeaux to study wine making. We visited Chateau d’Yquem while there and they showed us a very old bottle with a cork, and their wine. The wine had become less and less in the bottle so that it was down very low. It was full of their Sauternes, a rich gold dessert wine, but with the cork it had evaporated away. I began to wonder, what could we make that would let a wine last hundreds of years, forever. And, then I realized, instead of cork, we would have to close the bottle with glass so it would be sealed. I decided to do this.

“So, I contacted an artist from Venice. A very very good woman that had come here to live in Friuli, Margherita Ferri. I talk to her about my idea. Ramandolo is a rich, gold wine, an ancient wine, and it can be preserved in her art. So, she make this for me. She had to speak to a lot of people. She spoke to people in Milano to find out if it would be possible to make a bottle like mine, a bottle we would close on top with glass so it would be sealed. She found, it is possible. So, together we made this bottle to close with glass in Milano.

“Agulia 2000 years ago made glass. I took the form for the bottle from Aguila and we went to Milano. We designed the form of this bottle. So, we made the bottle–the shape of an angel–we made the bottle and left only a very small hole at the top to put the wine in. Then I made my wine, my Ramandolo, and we put it inside the bottle through the very small hole. Then with the glass we closed the very small hole. We sealed the wine inside completely. We brought this bottle back here with us, to Udine.

“People say it is a most important moment in Udine. A symbol. The bottle is an angel and it has a gold top, and inside is our Ramandolo, a gold wine. And so it is called “Oro ETERNO ORO“–Eternity Gold. The wine will last into the future. We made only one bottle like this, and they asked, I made presentation in the art gallery. They had artists from all over Italy make art for the presentation, all of angels, and we dedicated it, and now the bottle stays there in this place, our eternal gold wine.”

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The other wine makers of Ramandolo spoke of Comelli’s “Oro ETERNO ORO” project as quite well known throughout the extended area. The exhibition appeared in numerous papers, and enjoyed a large reception. The bottle currently remains on exhibit with the other art of angels at the Galleria la Loggia, a celebration of the unique, long-standing history of Ramandolo.

To see photos of Lorenzo Comelli’s and Margherita Ferri’s beautiful bottle of Ramandolo, view the Galleria la Loggia’s Exhibition Catalog here: http://issuu.com/laloggiaudine/docs/catalogo-sottolealidellangelo

White Grape Varieties of Colli Orientali del Friuli: Regional Varietal Characteristics Cards

Colli Orientali del Friuli celebrates a blending of a Mediterranean with an Alpine climate–the mild temperatures brought by the sea, coupled with the drying winds from air rushing water to mountain. The calcium rich ponca (marl) of the Eonician sea bed that covers the appellation guarantees distinct minerality in the wines as well. As a result, the area is brilliant for white wines, and creates world class examples from a range of grapes.

Indigenous Grapes

As mentioned here previously, the wine makers of Colli Orientali carry a deep commitment to grapes indigenous to their hills and valleys. As a result, the region hosts wines truly unique to their soils.

Friulano

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Considered the signature white of Friuli-Venezia Giulia, Friulano boasts a combination of rich texture, full body, and delicate flavors. Tending towards moderate to lower acid, wines from this grape readily carry a rounded, almost fatty mouth feel. However, many wine makers of Colli Orientali play with such texture by beginning to test for acid levels on the grapes early, striving for that perfect balance of rich texture and still bright acidity.

Malvasia Istriana

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One of several grapes known as part of the Malvasia family, Malvasia Istriana is a strain native to the Istria peninsula, and readily grown in Colli Orientali, as well as Collio of Friuli-Venezia Giulia. This strain of Malvasia grows throughout the border region of Friuli, found in the hillsides of its nearest neighbors as well–Croatia and Slovenia.

Claiming the grape is indigenous to Friuli is lightly slippery as the grape is believed to originate from cuttings brought by merchants from Greece and then planted in the Friulian hillsides. Today, the grape grows almost exclusively in the Friuli region. However, some small plantings are also to be found in Emilia, to the southwest of Friuli, where it is used to produce a sparkling white wine.

Picolit

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An unusual grape that celebrates a firm foothold throughout Colli Orientali, Picolit is used primarily in the region for making a sweet, dessert style wine. However, some wine makers also use small quantities of the grape in white blends to bring a fuller body and lightly sweet notes to their wine.

Picolit has been found to be an incredibly old variety with information showing it reaching back all the way to the Roman empire. In its history, Picolit has celebrated distinction at the tables of emperors and popes, as well as leaders from countries throughout Europe. It has also nearly faced extinction only to be saved again through its offering as a gift to kings through Europe.

Today many wine growers in Colli Orientali have at least some small portion of Picolit planted. It is considered a wine to share with friends, or give as a gift, and is often celebrated at the end of a meal as a token of “sweets for the last.”

Picolit also boasts its own DOCG as it is considered a unique grape and associated style with excellent quality.

Ribolla Gialla

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Because of its documented history back to the 14th century, Ribolla Gialla is believed to be even older to the region. The grape showcases a brilliantly clean neutrality that allows it to really show the unique minerality of the region’s soils. The varieties naturally high acidity keeps its wines crisp and light serving as a wonderful palate cleanser. Historically, the wine was also used to make sweet wines, but today is generally produced clean and dry.

Verduzzo friulano

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Grown throughout Friuli, Verduzzo friulano is commonly associated with the DOCG designated wine Ramandolo, of the hills of the village Ramandolo. There the grape is treated to a unique sweet wine process that keeps good acidity alongside mouth gripping tannins.

The wine Ramandolo has a documented history back to the 15th century where it is known to have been served to popes and distinguished nobles. However, the grape’s history in the region of Friuli is believed to reach back to ancient times.

The grape Verduzzo friulano is unique in that it is a white variety that carries very high tannin levels. Its nearest genetic relatives have been shown to be entirely made up of red grapes, and so it is believed that Verduzzo originates as a genetic mutation from a red grape.

Though the grape is most commonly used to make the sweet wine Ramandolo, it is also used by some wine makers as a blending grape bringing textural qualities and weight to their white wines.

International Varieties

Though Colli Orientali has a special focus on its indigenous grapes the region also celebrates a host of high quality white wines from International varieties.

Chardonnay

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Colli Orientali showcases a host of wonderfully crisp, good aging, good quality Chardonnays with many wine makers choosing to produce varietals of this grape without oak influence. Other wine makers in the area choose to generate a richer bodied, still mineral driven rendition by allowing malo-lactic fermentation and oak influence.

Chardonnay is considered one of the most important international white varieties in the region, though originally it was planted under the belief that the clones were Pinot Bianco. Today the confusion has been cleared up and the region readily grows quality chardonnay vines.

Pinot Bianco

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A uniquely flavored and scented variety, Pinot Bianco (aka. Pinot Blanc) originates in France as a mutation of Pinot Nero (aka Pinot Noir). Though the grape is now less commonly grown in Colli Orientali than the international varieties Chardonnay or Sauvignon, there are some distinct, good quality Pinot Biancos celebrated in the region. Its good acidity and warming alcohol levels make it a nice pairing for richer starter dishes like lightly creamy soups, or egg dishes.

Pinot Grigio

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Though the grape Pinot Grigio is commonly associated with a crisp, clean, light flavored style wine, the variety originally tended to have a much fuller body and richer flavor in the Colli Orientali region.

Prior to the 1960s, the more common production style for this wine was to ferment it on skins allowing the pink or gray color of the grape to tint the juice, and the tannin and flavor of the grape body to impact the wine as well. The practice known as Pinot Grigio Ramato is still made in the region ranging from only a couple of days on skins with filtering following–leading to a richly textured, more fully flavored but still light bodied wine–to a full month on skins–creating a brightly colored, highly textured ‘white’ wine. Though they can be found, these extended skin-contact wines are not commonly sold on the market.

It is usual, however, to find the more commonly expected ultra light, often steely, apertif style wine from Pinot Grigio. Today Pinot Grigio from Colli Orientali will be sold either as a white, or as a lightly copper colored wine from skin contact occurring for 48 hours or less.

Riesling

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One of the less cultivated international varieties in the region, Riesling was imported to the region from Germany and is used in Colli Orientali to produce a dry style, crisp white wine with good acidity and bright, fresh fragrance.

Some of the wine makers we met referred to it as their project for fun.

Sauvignon

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Named by Bobby Stuckey, of Frasca in Boulder, as Colli Orientali’s “secret weapon,” Sauvignon (Blanc) has garnered special attention in and for the appellation. The consortium of wine makers for Colli Orientali del Friuli invested in a six-year research project specifically focused on the grape as a means of both determining what made the variety distinctive in its region, and to compare it against the famous Sauvigon Blancs of both France and New Zealand. The result of the study was to move forward an already world class quality wine.

The minerality of the soil produces a crisp herbal and tomato leaf nose to the wine coupled with good structure and a full body. The bright acidity makes it well suited to food, or as a pleasing apertif.

Traminer aromatico

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Known elsewhere as Gewurtztraminer, Traminer aromatico carries an unknown origin with some placing its start in Germany, and others in the Alsace region of France. Its movement into Italy is also uncertain, but today it is most commonly grown in Trentino, and in Friuli. That said, it is a beloved grape to the region, and yet also less focused on than the international whites of Chardonnay and Sauvignon.

The grape is known for its highly aromatic qualities, and in Colli Orientali its overall crispness is boosted by the growing conditions of the region.

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Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Wine Writer Superheroes: The Parzen Family: A Knight of Malta, his Lady of Honor, and their little one

Those of you that have been reading my blog for a while know that I like drawing wine maker superheroes. Recently I realized there are wine writer superheroes too.

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A Knight of Malta, his Lady of Honor, and their little one

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The Sovereign Military Order of Malta

The longest established chivalric order in the world, the Knights of Malta, is generally considered a sovereign body within International law, that is, the organization holds its own independent legal authority under agreement with the United Nations. The group reaches back to the middle ages having been established originally as the order of Saint John of Jerusalem, but became a fully independent military entity after the close of the crusades. Founded to provide medical aid to those in need, the group’s membership is dominated by medical providers of varying degrees and holds established charity projects on five continents, and more than 120 countries. In short, the Knights stands as a modern day superhero organization–people determined to do good wherever possible.

In Italy, the Knights of Malta own several wineries, including the Rocca Bernarda, which we were able to visit, as a means of funding their other projects. We were able to taste in the castle of the Rocca Bernarda with its sweeping views from atop the hill, and its terraced old vine vineyards. After tasting through their portfolio, our trusty guide, Jeremy Parzen excitedly asked if now that we’d had their wine, he could wear one of the helmets of the Knights of Malta.

Jeremy, Tracie, and Georgia Parzen

As is well shown already on this blog, I was lucky enough to travel in Friuli-Venezia Giulia, touring the appellation Colli Orientali del Friuli, recently with Jeremy Parzen as the trusted guide to our small group of plucky wine writers and bloggers. Before beginning the journey, Jeremy and I spoke over the phone. During the conversation, he and his wife, Tracie, drove south in Texas with their baby girl, Georgia, to visit Tracie’s parents for a weekend. It was clear in this first interaction not only that Jeremy was a man of understanding and generous heart, but also that he acts in glowing devotion to his two loves–his partner and daughter. During the phone call he took the time to explain to me who I’d be traveling with, how the trip would be handled, his experience that would serve as support in the experience. He also took pains to inquire as to my own needs and interests on the trip, and to investigate the degree of privacy I’d prefer both in being introduced and in posting on our adventures. (All intermingled with appropriately timed accolades for his wife and daughter.)

Upon arrival in Friuli, the same generosity of spirit showed itself in person. Jeremy did a wonderful job of balancing his own needs while tending to the well-being of our group. His ability to coordinate our travels, translate those we visited for us from their Italian to our English, and to both observe on his own and check-in on how well we were doing was a blessing. Further, he was willing to compliment any of us on what he appreciated along the way.

Tracie and Jeremy Parzen have both written on Italian wine for years via their individual blogs, offering their personal views and insights into the world, the politics, and the history of Italian wine to both other devotees and newer initiates. Their investment in such a project even brought them together.

One of the unexpected benefits of being able to travel with the #cof2012 group was Jeremy’s own appreciation for his family. As I explained to him one afternoon, I am someone that is grateful to witness and celebrate the joys of others, as they are willing to openly share. I’ve been lucky enough to raise my daughter on my own for over a decade now–she’s a real sweetheart and a total kick to help grow up. It’s a gift I wouldn’t miss, and also its own peculiar project, since from her toddler years it has been just the two of us. In being with Jeremy as he talked lovingly about Tracie and Georgia, I felt able to freely celebrate the pleasure he feels over having his family. It’s a real gift to see a man so in love with his wife and child. To put it another way, his joy deepened mine.

In thanks for inviting me to participate in #cof2012, and for his great work there, his dedication to celebrating the world of Italian wine, and his wide open loving heart for his family, I wanted to help Jeremy don that helmet, his family alongside. He is a superhero–one of the best kinds even–a real life grown man, well-grounded, and devoted. Thanks for everything, Jeremy!

Cheers to the wine writers’ Knight of Malta, and his Lady of Honor, plus their dear little one, Georgia!

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com