Tag syrah

The Making of a Food Wine, A Case Study: Donelan Acquerello 2010 Syrah

Donelan Acquerello 2010 Syrah w Tyler Thomas & Gianpaolo Paterlini

“Talking to other winemakers helped me understand what it means to be a winemaker.” -Tyler Thomas

“It’s not about knowing the tricks of the trade, it’s about how you’re going to use them.” -Gianpaolo Paterlini

Donelan 201 Acquerello Syrah

click on comic to enlarge

The importance of knowing your context plays behind the history of success for both Tyler Thomas, winemaker of Donelan Family Wines, Sonoma County, and Gianpaolo Paterlini, Wine Director of Acquerello Restaurant, San Francisco.

Winemaking with Tyler Thomas

Tyler Thomas graduated with a Master’s from UC Davis’s Viticulture & Enology program after having already completed an advanced Masters in Botany. His roots in science run deep. After finishing his work at Davis, however, Thomas recognized the importance of grounding his knowledge in experience, and in 2004 started a job at HdV in Napa Valley, with an agreement to also integrate work elsewhere in that first year.

After the 2004 harvest with the winery, then, Thomas traveled for the reciprocal harvest that New Year in New Zealand, returning North to do research on Sylvaner vines in Germany. During his time in Geisenheim Reingau, Thomas was able to take trips throughout Europe, meeting with winemakers in Burgundy, and Alsace as well.

It was through his time in Germany, Thomas explains, that he really learned what it is to be a winemaker. Thomas would sit with others in the region and simply define terms. The winemakers would discuss together their differing cultural views of wine, terroir, technique, and quality. The experience made clear for Thomas how culturally embedded views of wine, and its foundational elements turn out to be. In recognizing the importance of context, the point that you always choose how to make your wine, or what counts as quality came clear. “Talking to other winemakers helped me understand what it means to be a winemaker,” he says.

His background in Botany, and training in viticulture provided ample tools for winemaking, but as Thomas clarifies, his time abroad “was formative in shaping my philosophy. When I returned, then, to HdV, I recognized it was not what you do, but how you think about wine that makes you a winemaker.” HdV winemaker Stephan Vivier further rooted such understanding in Thomas. Vivier originates from Burgundy. In traveling abroad, Thomas was able to recognize a kinship in Vivier with other winemakers in France. Thomas’s early training with grapes, then, came from Vivier’s French sensibilities working with California fruit. The experience established in Thomas an approach defined by both patience, and thoroughness. In his approach to making wine, you sit back and wait, letting the wine takes its time, but you also keep clear track of where it’s at, and make sure what can be done early is tended to up front.

Gianpaolo Paterlini Grows the Acquerello Wine Program

Gianpaolo Paterlini grew up in Acquerello, the restaurant his father, Giancarlo, helped establish. Paterlini’s early memories, then, include his father’s work with the then-smaller Italian restaurant established in a neighborhood of San Francisco that was truly neighborhood then for all its establishment now.

At the age of fourteen, Giancarlo let his son know there would be no more free spending money, but if he wanted a job to earn cash, there was one to be had. So, Gianpaolo began working as a bus boy on weekends. At the time he had no interest in continuing his career in the service industry. Then he went to college in Boston. In summers, Paterlini’s work experience expanded to include food service, leading him to a restaurant job in Boston during the school year.

In Boston, Paterlini began work at Blue Ginger where he came to recognize a huge potential in the industry he hadn’t noticed before. He also saw how much fun it could be. Eventually, his life took him back to the Bay Area where he connected with the famed Sommelier, Raj Parr. Parr showed Paterlini what a top quality wine program looked like–it wasn’t just a great wine list, it was a wine list with an investment in wine education. Additionally, Parr helped Paterlini gain harvest experience with winemaker Sashi Moorman in Santa Barbara County, working in the Lompoc wine ghetto, side by side with many of the best labels from that region. In Lompoc, Paterlini explains, he didn’t only help make wine, but with the mass of winemakers in close proximity, he also drank some of the great wines from throughout the world. Work days would end with bottles for tasting.

In 2007, Paterlini’s experiences came together to illuminate the value of Acquerello for him in a new way. It was a quality restaurant that had never had a dedicated Sommelier. So, with his father’s blessing, Gianpaolo returned to the family restaurant focusing first simply on the restaurant’s established wines. Within short order, wine sales of the establishment increased. As a result, Paterlini was able to legitimate the value of establishing a full fledged wine program, based in what is now a 90-plus page wine list and education program focused primarily, though not exclusively, on Italian wines.

The Birth of a Partnership: Donelan Acquerello Syrah

Donelan Acquerello at the end of lunch

Thomas and Paterlini met through the restaurant. Owner of Donelan wines, Joe Donelan, had been a long time customer of Acquerello, with a friendly connection to the Paterlini family.

In his interests to stay informed and current with wine, Gianpaolo regularly tastes through California wine country (traveling as well to Italy and elsewhere). Through repeat visits to Donelan winery, Paterlini and Thomas recognized a relationship with wine that spurred both their interests. Over time, the connection bred a conversation about developing a unique Syrah together.

The focus of Acquerello’s wine list is deeply Italian, with some Champagne pleasantries, and California highlights as well. The wines by the glass, then, focus on Italian offerings that pair well with the current menu. Together the wine director and chef work for weeks to create a menu that seamlessly couples seasonal flavors with interesting wine. Paterlini had worked with wineries for a few custom bottlings before. From Italy, Sottimano created a 2007 Langhe Nebbiolo for the restaurant that, as Paterlini put it, was chosen because it “blew my mind so I bought a lot for the restaurant.”

In California, Paterlini has been able to garner two different vintages from Dan Petroski of Massican, to create first an Acquerello Chardonnay, and then in 2012 a Sauvignon. Massican is known for creating white wines from California with clear Italian inspiration. In those cases too, Paterlini happened upon barrel lots of Massican wine he enjoyed.

Enjoying Wine with Lunch

In private conversation when Thomas had briefly stepped out, Paterlini took the occasion to tell me what he appreciated about working with Thomas, “I know no one makng better Syrah than Tyler,” he tells me. “But I knew too that in working with him we’d get the experience of talking through what component parts would bring to the blend.”

The Donelan project differs from previous Acquerello wine partnerships in that when the possibility first arose, Thomas emphasized the process of partnership. Where Sottimano and Massican wines were discovered already complete and chosen for how they work well with the restaurant, the Donelan conversation occurred before a wine was made. “I wanted to make sure that the whole thing made perfect sense for Acquerello.” Thomas explained. In his view, making wine for Acquerello was exciting, but it was also a high responsibility. There was no point in doing it unless it was something the restaurant was going to love. But creating a wine they both believed in depended too on making it with the Donelan philosophy. The goal, then, became to make an Acquerello wine in the Donelan style — distinctly Syrah, strongly food focused, developed patiently over time.

Making the Wine

In order to accomplish the Acquerello goal, Thomas set about developing an abbreviated version of the Donelan teams approach–a series of blending trials over the course of a year. The first step would be to identify the barrel that would serve as the core of the wine. Together Thomas and Paterlini located a lot from the Kobler Vineyard, a site that produces friendly Syrah on the ligher side with lots of acidity and smoother tannin, flavored with elegant notes of mountain blueberry carrying frost touched edges.

Once the core of the blend was identified, the goal became then to determine what little bits from other barrels were desired. Together Thomas and Paterlini tasted and talked through the gifts and elements of other lots of Syrah in the winery. Their discussion focused on how each barrel would impact the blend, what it would add, or, detract.

The Donelan team, met repeatedly with the team of Acquerello to hone in on the restaurant’s perfect wine. At its final stage, five possible assemblages were brought to the restaurant in San Francisco where the entire staff of Acquerello blind tasted the five selections side by side. Remarkably, in the end, they all agreed on one. “At the end of the day, it was my call what blend was picked,” Paterlini explains. “But, instead, we included all 10 people [the Acquerello staff]. We all happened to agree, but the point was to act like their opinion matters, because it does.”

After the blend was finalized, Thomas performed a final test. He took a sample bottle with him to the restaurant one afternoon and sat down with Paterlini. Together they blind tasted through the red wine portion of the wines by the glass (BTG) menu checking to see if the Acquerello blend suited the overall architecture of the restaurant’s BTG program. The goal in tasting was to identify a consistency of mouthfeel between the Donelan wine, and the Italians on the restaurant’s list. “Did we get the mouthfeel to a point where it can represent Acquerello well?” Thomas asked.

Paterlini nods, “mouthfeel is the most important thing when selling wine to customers. You need to give them a texture they can relate to.”

The Final Wine

The Donelan Acquerello Syrah has the flavor of Donelan but with a more breezy pleasure. The focus is on open juiciness, the wine giving a portico of freshness to welcome the midpalate. It’s a shape Donelan wines don’t tend to have, yet it drinks like its part of the Donelan portfolio’s extended family.

Thomas addresses the presentation of the final wine, “the wine tells both our stories.”

Paterlini agrees, “we did exactly what we wanted to do. We made the wine we wanted to make.”

As the two continue talking, the relationship expressed within the wine becomes clear. It’s the approach they took to making the wine–working together, incorporating the entirety of both teams to find agreement through discussion–that showcases Thomas’s winemaking style. He values steadiness and patience housed in a path of rigorous attention, coupled with discussion with his people along the way. The Acquerello Syrah is a Donelan wine because it follows the Donelan process–similar oak regime, similar blending trial process. It’s the texture, and architecture of the wine that belongs to Acquerello.

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The Donelan Acquerello 2010 Sonoma Syrah is only available at Acquerello Italian Restaurant in San Francisco.

Other Donelan wines are available in the Bay area through Marathon Brokers, or by contacting Donelan Wines directly.

Thank you to Tyler Thomas, and Gianpaolo Paterlini.
Thank you to Emily Kaiden.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

 

The Release of a New Label: Goodland Wines

Tasting Goodland Wines

Goodland Wines

2011 Goodland Wines pre-bottling

“Goodland Wines is our thesis on Santa Barbara County.”

Considering History: Santa Barbara County Wine

At the end of the 1960s, the rolling hills of Santa Ynez in Santa Barbara County fed their golden grasses to cattle, the region largely focused on grazing and wide open spaces. Having graduated from UC Berkeley in 1965, Richard Sanford had a hunch that the cool climate of Santa Rosa Road, approaching the ocean, would serve grape vines. In 1970, along with Michael Benedict, he planted about a remote curve of Santa Rosa Road to establish what is now the oldest vineyard in the Santa Ynez AVA, an experiment that now gives insight to a still young wine valley. Pinot Noir and Chardonnay from that planting still give fruit.

To the North, three years later two brothers moved into Santa Maria putting a mix of vines that would become some of the oldest plantings of Chardonnay for the region, also still producing fruit. Together these vineyards marked the start of a new turn for the area, a focus on wine that has helped reshape a still ranching focused County.

In the initial decades of planting vines through Santa Barbara County, the region was a wild experiment. Sanford & Benedict stands out as one example that hit the experiment right early, while others in the County placed Cabernet next to Pinot to see which would handle the climate and soils best, then tore out vines. It was a new region with little wine growing history to rely upon.

Forty years later, Santa Barbara County has reached what some describe as its second wave. Enough history holds to show insight into the regions’ best expressions in wine. Sta Rita Hills have proven apt for Chardonnay. Happy Canyon gives vibrant Sauvignon Blanc, as examples.

Enter Goodland Wines.

A Thesis on the Region: Goodland Wines

Together Matt Dees, Dave Potter, Chris Snowden, and Ruben Solorzano, each well established in the wine industry in varying ways, would revel in a philosophical debate–what is the best wine expression of Santa Barbara’s various AVAs?

What is unique about Santa Barbara County is its varied climate within a very small area. At the coast, in the Sta Rita Hills, for example, the weather remains relatively cool throughout the day, with fog hovering close to ground and winds prevailing. Here Burgundy varieties and cool climate Syrah have been planted. Mere miles inland, the heat spikes enough that Bordeaux varieties show well in Happy Canyon, the hottest area in the County, also carrying the biggest diurnal shift with still cool nights. A touch between the two, a small bowl in the mountains, named Ballard Canyon, has proven well for Rhone reds.

As Dees describes, the variation within such close proximity makes the region exciting to work with as a winemaker. The current moment in the region’s development makes it exciting again. Still, the wine industry here is young enough that what grapes grow best where is still, to some degree, at play. As Dees explains, this point in history with the County’s unique conditions “gives us the chance to think about what we see here. That’s the joy of it.”

The four friends, then, decided to put their debate in the glass, so to speak, and establish what is a sort of thesis of Santa Barbara County wine–wines to express each AVA. In doing so, they also draw on the French model–labels that showcase the AVA first. As Dees explains, such a focus is not about a winemaker, but about what the appellation has to offer. “It’s the vineyard that matters.”

Knowing the Vineyards: Ruben Solorzano

DSC_0021

from left: Matt Dees, Chris Snowden, Ruben Solorzano (Dave Potter to the right of frame wrestling bear)

In talking to the group, Matt Dees and Chris Snowden both readily turn the focus to their friend Ruben Solorzano. The Goodland Wines project began as inspiration from the four of them together, but Dees and Snowden emphasize the important role Solorzano has played.

Solorzano has worked with vineyards throughout the County since the mid-1980s. In the region people call him “The Vine Whisper,” a title he laughs about but listening to him speak I begin to recognize why.

The four of us are standing next to Syrah planted through a limestone band in Ballard Canyon. It’s a vineyard that Solorzano knows well. I ask him to talk through how he works with the site. He walks up to the vine and touches his fingers to one of its arms. “The difficult thing about growing grapes,” he tells me, “is that there is no book you can follow. Every year you can learn, accumulate experience, but you have to start again every year.”

Dees compliments Solorzano’s intuition and knowledge of each of the vineyards the group works with. Solorzano responds that he’s been lucky to learn with lots of people, in lots of vineyards and get to know the area. Then he goes back to explain his work again. During the hardest part of the summer he visits each vineyard 3 or 4 times at different parts of the day. Each visit he simply walks up to the vines and touches them.

As he explains I feel my body slow down with his. “I walk through and touch the leaves, and touch the vines,” he says. He goes on to describe how he tries to imagine his way into what the vine is doing and what the vine needs. This is how he decides the best way to respond. “Somehow I just get to feel what the vines feel.”

Drinking the Wines

Ballard Canyon

the Syrah Vineyard in Ballard Canyon in January

Goodland Wines produces very small lots averaging only a barrel per wine, resulting in about 50 cases each. Together we were able to taste the 5 main 2011 wines, though they also have 2 entry level wines as well.

To be honest, I found the wines thrilling–lively, stimulating, and pretty, the cool nights throughout the County giving each wine vibrant acidity and an enlivening charge. As a portfolio too, I could read the thesis the foursome imagined writing, insight into the region presented by AVA.

Today Goodland Wines releases their label with three of the primary wines, and their two entry level wines available. In the Fall they will also release two additional reds.

The Individual Wines

The 2011 Sta Rita Hills White (a chardonnay) is full of “I love you” acidity, with a delicate nose, a citrus oil focus on the palate, and a long briny finish. It’s a fierce feather-weight fighter of a wine, and a bit of a trickster coming in with a delicate, pretty nose, that turns into a tiger on the palate.

Happy Canyon White from 2011 (Sauvignon Blanc) brings floral hints, and ultra light tropical fruit notes through the nose followed by a super clean and zippy lightly floral citrus bloom and tomato leaf palate. The acidity is a nice surprise with sea fresh touches and only hints of candy, followed by a long drying finish. This is a seafood wine with stimulating rich flavors and tight acidity.

2011s Sta Rita Hills Red (Pinot Noir) gives again a delicate nose followed by that tiger palate. It brings focused flavors with tons of acidity, red berry and rhubarb, lifted greenery, and a long brine finish.

The final two 2011 reds include a Happy Canyon Red (primarily Cabernet Sauvignon) and a Ballard Canyon Red (mainly Syrah) to be released in the Fall.

The team explains they have a passion for rugged mountain Cab and saw that style through Happy Canyon. They’ve been able to work with a high elevation site that gives tight little berries–concentrated flavors without over extraction. The wine is all dusty mountain fruit, with super fresh, pleasing green pepper, dried leather, tingling and drying tobacco, light menthol notes to keep it cool, and a long finish with great acidity.

The Ballard Canyon 2011 Red (primarily Syrah with a touch of Grenache) comes in biggest of all, a little more dominating on the palate with dark red and black berries, wrapped with black leather. It’s ultra tight with a juicy surface and a long tannic finish bringing in blueberry and a slight bitter grip at the end. It fills the mouth without heaviness.

In 2012 the gang was also able to work usher in a Santa Maria White offering the slightly more fruit focused give of that AVA accented with a lightly reductive style compared to the Sta Rita Hills presentation. They are also excited about the quality of their Grenache for 2012 for the Ballard Canyon Red.

To put it simply: Goodland Wines are recommended.

***

If you’re interested in purchasing Goodland Wines, they’re available online here: http://www.goodlandwines.com

***

Congratulations to the Goodland Boys!

Thank you to Matt Dees, Chris Snowden, Ruben Solorzano, Dave Potter, Sao Anash, and Lacey Fussel.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

Tasting the Sonoma Coast with Pax Mahle, Wind Gap Wines

Thank you to Eric Asimov for recommending this post in The New York Time’s Diner’s Journal “What We’re Reading,” February 15, 2013.

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Focus on the California Coast

Pax Mahle working on a Syrah blend

When I arrive at Wind Gap Winery, Pax Mahle is working on blending components for his Sonoma Coast Syrah. When he’s finished a stage of his work, we begin barrel tasting various small lot experiments that characterize the depth behind Wind Gap Wines. While maintaining focus on his label’s overall quality and central expression, from the beginning Mahle has nurtured his wine through side projects with experimental techniques. The Sonoma Coast Syrah, and its component parts

Wind Gap began with a central goal of expressing California Syrah unique to a particular site–the Western rim of the Sonoma Coast. The definitive wine for the label, then, is the Sonoma Coast Syrah, made with a blend of wines from three different vineyard sites within a few miles of the ocean. Though Mahle explains he is invested in an appellation focus, he knows people enjoy vineyard specific bottlings as well. As a result, Wind Gap also offers component bottlings from the Sonoma Coast blend.

Majik Vineyard carries a wild, heady top note that surprises me right out of the glass with its aromatic intensity. Nellessen Vineyard gives everything I love about Syrah–cool, lean, focused fruit, all backbone. “It gives the freshness and attitude of the blend,” Mahle explains. Finally, the Armagh brings the meat. “Armagh is the guts, the bacon, the bones.”

I nod in agreement and comment how much I love Syrah.

Mahle responds, “What I love about these wines is it would be very hard to confuse any of them for anything other than Syrah.”

Each of the four wines come in around 12% alcohol. “Yes, it is low alcohol,” Mahle tells me. “But that is not the point. The site gives that result. These wines could not be more representative of this part of California.” Nellessen Vineyard, as an example, Mahle explains is picked at the very end of the season, the grapes not ripe enough to harvest until November.

Most of the current portfolio

In 2000, Mahle and his wife began the label Pax Wine Cellars, along with an investor, with the intention of focusing on site specific Syrah from various parts of Sonoma and Mendocino Counties. The methods used on each bottling were the same–whole cluster, foot tred, with similar duration of elevage. In keeping the techniques basically identical for each site, the wines expressed gave a view of the uniqueness offered from various parts of this portion of the California coast. Some of the wines came in regularly light bodied and around 12%, while other sites easily ground out 15% alcohol. The model made sense to Mahle who saw it as analogous to enjoying Northern Rhone from Hermitage, versus Cornas, for example. If one wine had higher alcohol, and another lower, it was because that was what the site naturally generated.

The wines that gained press attention for Pax Wine Cellars turned out to be the big hoofed work horse wines with higher intensity and higher alcohol. The range of offerings, however, generated some confusion among consumers that would come in expecting each of the wines to offer similar expression–those from the rim of the coast were sometimes taken by the bigger bodied wine lovers to be green. So, to offer greater brand clarity, Mahle started Wind Gap with the intention of carrying those leaner bottlings from the edge of the coast under the new label. Soon after initiating the beginnings of Wind Gap, changes occurred in the original winery partnership at Pax Wine Cellars, leading to Mahle’s attention diving full-time into his newer label, and its expansion beyond Syrah.

Old vine bottlings--Grenache and Mourvedre

Wind Gap Wines arise from a focus on site expression, and the commitment to letting more delicate techniques provide a view into this portion of California. In thinking about the idea of California wine, and the oft referenced perception of more fruit focused, large bodied wines, Mahle turns again to France as a counter-example. “No one would say Languedoc wines should taste like Rhone or Bordeaux. California is much larger, a very big place [larger than France],” Mahle remarks, “so why can’t we have wines as varied?”

Two old vine bottlings showcase well-established plantings found in Sonoma County. The old vine Mourvedre draws fruit from vines planted in the 1880s at the Bedrock Vineyard of Sonoma Valley. The wine is impressively expressive while light in presentation. It’s a good, enjoyable wine. “The Mourvedre is fun to drink. I like to have fun.” Mahle remarks.

The old vine Grenache celebrates bunches grown in Alexander Valley in a vineyard entirely dry farmed in sand (an impressive feat). The vines are 70-80 years old. The wine is made partially carbonic with two different picking selections at two different levels of ripeness–the combination offering greater dimensionality to the final wine. It’s style echoes that of the Mourvedre while carrying the zest and red fruit zing of Grenache.

Chardonnays, including an old vine bottling, Pinot Gris, and Pinot Noir

Two Chardonnays show other aspects of the history of California wine. The Brousseau Vineyard in Chalone grows 38 year old vines in granite and limestone offering incredibly small berries, impressive concentration and that limestone-zing finish. The Yuen blend brings the Brousseau fruit in concert with 50 year old vines from James Berry vineyard in Paso Robles, only 10 miles from the coast. The combination lifts the intensity and seriousness of the Brousseau, into a balance of juicy citrus and blossom vibrancy with an under current of nuttiness and bread crust.

The Pinot Noir surprises me. (I hadn’t realized they were making one, to be honest.) It’s an intriguing and inviting wine, with a belly of dark fruit carried on a savory expression. It’s light with still great presence.

He realizes I'm taking his picture

What is common through the Wind Gap label is clean wines with strong lines. The structure is impressive throughout, the fruit allowed to speak for itself. These wines do not insist upon themselves, or demand you to listen. Instead, they compel your interest, leaving you happy to give it. There is great complexity here, and confidence. Wind Gap Wines carry intelligence dancing through a core of joy.

***

Thank you to Pax Mahle for taking time with me.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

Casa Dumetz: Wines with a focus on Care and Convergence, a conversation with Sonja Magdevski

Tasting with Sonja Magdevski Sonja Magdevski, Casa Dumetz wines

The food has not yet arrived for dinner and Sonja Magdevski, winemaker of Casa Dumetz, has begun interviewing me, though we’ve met for us to talk about her wine. Her work history includes a Masters in Journalism, I discover, and she writes for Malibu Magazine, as well as her own site Malibu Grange. The questions she wants to ask center around the career change I’ve made from teaching and academic philosophy to writing about wine. It leads us through intensive conversation on ideas of faith, commitment, passion, and fear. We both turned from advanced training in one discipline to pursue something different, and it gives us a way to mutually interview each other, both of us getting to talk and listen.

When we meet again two weeks later I discover an interesting correlation in Magdevski’s fascination with journalism and her investment in wine. Both include, for her, a sense of responsibility in freedom.

She explains to me the connection by starting first to describe her work as a writer. “It’s always been fascinating to me, journalism. People spend time with me for an interview, like we are doing now, you and me. After, I get to take all this information, and write anything I want with it. There is a real trust there. I want to show in what I write that I understood and absorbed the conversation. I love the freedom in that but I always ask, what is my responsibility? Who am I responsible to?” Magdevski describes her experience with journalistic interviews like she is being given a gift. She takes an awareness to her work that people are sharing something valuable. The responsibility and freedom both show themselves in her asking what she will do to best recognize that.

Wine parallels journalism, for Magdevski, through a similar process of honoring what she has received and asking herself what she will do with it. “All these hands have touched these grapes in the progress [from vineyard to wine], but in the end the decision [of how to make the wine] is made by one.” In this way, the relationship Magdevski sees between so many layers of human help–nurseries that provide cuttings, vineyard workers that plant and tend vines then harvest the fruit, other winemakers that offer advice and insight, people that later sell and purchase the wine–fuels a passion for her work. Listening to her speak about the process makes clear too that Magdevski has a deep appreciation for what it means to be human, and the value of human life. “In wine I am being given all this time. The grapes, they are a gift of time, and a product, and an experience. People take the time to grow fruit, listen to what I want, and then I get to do whatever I want with that.” She continues, again acknowledging the responsibility of it. “That freedom is exciting, and it is also sort of a test of your character. How are you going to impose yourself or not? The freedom of that is fascinating to me.”

The Wines of Casa Dumetz

Casa Dumetz wines

In considering how these ideas enter vinification, Magdevski again reflects on the idea of freedom. “I love the freedom of being able to take the wine and make whatever I want, and say, here I am. This is who I am.” She continues, “being able to say, this is what I did. I am open to you now, for better or worse.” What she loves most is letting the fruit character speak through the wine. Still, she gets excited about experimentation in the winery as a way of learning how the different sites show. When we meet the second time it is to barrel taste through her current vintage.

Putting her winemaking in context she tells me, “Viognier is why I started making wine. Grenache is why I keep making it.” We taste through multiple lots of Viognier, Gewurtztraminer, Roussanne, and Syrah. In the midst of the experience, she talks me through five different barrels of Grenache varying by clone and vineyard site. Her original Grenache comes from the Tierra Alta Vineyard in Ballard Canyon, a steep sloped site banded with limestone, but she wants to work with grapes from other locations as well. Her goal is both to see if she might find something else she likes as much, but also to consider more closely what it is she loves from Tierra Alta fruit. In learning about these differences in wine, she realizes she is also learning about herself. She discovers not only what her own preferences are, but also how she wants to express herself, and what she will or won’t do about how others may receive her and her work.

Magdevski describes Grenache’s character as she sees it. “I really love Grenache,” she tells me. “It has a peasant nature. I love the brightness of the fruit, yet it is super complex, and it can be really elegant. I think of Pinot Noir, and Cabernet as elegant wines, and I like that. But that isn’t why I drink Grenache. I am looking for more complexity and beauty of fruit than elegance.”

Talking through each lot with Magdevski I begin to zero in on the peasant nature she describes. The barrel she likes best right now offers a plush convergence of round fruit integrated with spice and stemy hints. The wine fills while floats in the mouth and tasting it I see pink. It’s texture is more rustic, less candied, and less dense than the other lots.

That plush lift characterizes the wines of her 2011 portfolio too. They are round in the mouth with a core of powder touched fruit. Both the Grenache and Syrah rush with complexity and lightness with an subtle edge of wild funk, while the whites–Viognier and Gewurtztraminer–drink with the warm feel of Grandma’s white tile and wood kitchen–clean, comforting, and familiar. The Gewurtztraminer she started as a tribute to her Grandmother and her family in Macedonia, where the grape is traditional.

With her 2012s, she is playing with not only differing clones and vineyard sites, but also varying techniques. Her whites use a blend of skin contact and straight to press juice that offers dimensionality and a multi-note flavoral echo in the mouth. She will also be bottling both a Syrah and a Syrah rosé again, alongside her beloved Grenache.

In considering what she loves about winemaking, Magdevski tells me it is the dance of going deep into “geeky winemaking talk” about science, the process, the fruit, and the numbers–again a recognition of sharing and learning–while striving to make “a bottle of wine that is approachable and not pretentious.” She reflects again, “I never want to take any of this for granted. This is a gift.” She continues. “The goal is to share this with as many people as possible.”

***

Thank you to Sonja Magdevski for sharing with me, and for pushing me too to reflect in conversation. Thank you for taking time to talk with me.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

Devoted to the Sta Rita Hills: Tasting wine near the edge of the world

Moving in the Sta Rita Hills

Looking at S&B Vineyard from Mt Carmel

Santa Rosa Road side of Sta Rita Hills; looking across to Sanford & Benedict Vineyard from Mt Carmel Vineyard

Yesterday Matt Dees, winemaker of The Hilt, drove me through the Santa Rosa Road section of the Sta Rita Hills. The appellation inspires in its winemakers a dogged devotion, and two differing kinds of commitment to match two distinct zones.

Melville Pinot Noir Vines

Looking across the flats of Highway 246 section of Sta Rita Hills, Melville Winery

Along Highway 246 there is a prevalence of diatomaceous soils, that is, to put it simply, sand. The vineyards planted here struggle in wind and lack of natural born water, depending on irrigation in the midst of no ground cover and no rain. Winemakers like Greg Brewer have found a way to devote themselves to the starkness of such conditions, offering wines with a vivid saline and seaweed finish. One of my favorites, the Melville Inox, gives the sense of shooting an oyster with rock salt on top.

Santa Rosa Road instead rolls in a twist of exposed and nestled hills. The canyon and slope sides curling and bowing into varied aspects and angles generating a rich texture and flavor potential, all with high acid commitment. The Santa Rosa Road section of Sta Rita Hills also has sand, but more prevalent loam and clay, with old vineyards still on own root and dry farmed. The vineyards through this zone can readily be considered heritage.

S&B Vines Looking Towards Mt Carmel

Looking across 1972 planted Mt Eden clones in S&B Vineyard, towards Mt Carmel Vineyard

On the North slope perches Mt Carmel, the beneficiary of an unfinished nunnery that just ran out of money. It’s undone building stands still devoted to God’s timing near the top of the hill. Below grow old vines brought into known quality by the work of Steve Clifton and Greg Brewer for their Brewer-Clifton label. Today the grapes are used instead by wine named for the vineyard, showing the dark fruit, spicy, thick skinned quality of Pinot Noir on this slope.

Now Sashi Moorman and Raj Parr of Sandhi Wines also source from Mt Carmel, finding a ready home for Chardonnay. Though they have made Pinot from the South facing slopes of Santa Rita Road as well, Sashi Moorman expresses a greater interest in making their Pinot from the North-facing side of the road. The North-facing side offers greater sun protection that Pinot Noir needs.

S&B Vineyard Looking toward Sea Smoke

Looking at Sea Smoke Vineyard, beside Mt Carmel, from S&B Vineyard

On this North-facing side, Sanford & Benedict (S&B), planted in 1972 with still about 100 acres of own rooted Pinot Noir and Chardonnay Mt Eden clones, offers steadier paced growth. Matt Dees explains the development of the clusters from this vineyard, “even with heat spikes, these vines take their time. They don’t jump to conclusions. They maintain their acidity. The fruit doesn’t jump. It mosies.”

The Santa Rosa Road area of Sta Rita Hills seems almost comforting against the persistent barrenness of the Highway. Both, however, trigger appreciation. Standing on Mt Carmel with Matt Dees, looking across to Sanford & Benedict, I was swelled with feeling. When you recognize that in the early 70s Richard Sanford planted his vineyard site amidst a completely unknown region it is easy to see his work as inspired.

View from the top, Pence Ranch

View from the top, looking into Sta Rita Hills from Pence Ranch

Sta Rita Hills as a whole carries that sense of inspired expression. The region should be respected for its ability to generate impressive whites. Raj Parr calls Sta Rita Hills one of the best regions in the world for white wine. Moorman too agrees that whites as a whole, not just Chardonnay, are brilliant here. Acidity comes naturally thanks to the Hills’ conditions. Coupled with the concentration and layers of flavor found through Santa Rosa Road, or the saline sea air finish of the Highway, the whites are more than compelling.

The region focuses too on Pinot Noir and Syrah, both benefiting from the acidity and long growing season. But where the whites speak with an established albeit young fervor, the reds offer a feeling of quality that is still discovering what can be said. It is the kind of exploration celebrated and encouraged by Matt Kramer in his recent push for Pinot producers to take chances. The work of Chad Melville through Samsara, and Ryan Zotovich through his self-named label, give examples of grounded reds with lift. Comparatively, larger projects like Dierberg, with winemaker Andy Alba, still show that stable verve possible through the region, and new projects too, like Blair Pence’s Pence Wines, offer insight into the lively richness possible with Pinot. The yet to be released Goodland Wines Sta Rita Red (a Pinot named to express the appellation rather than the grape) hits home with its impressively taut line of energy.

In his devotion to the Santa Rosa Road section of Sta Rita Hills, Moorman describes the contrast between the North [S&B] and South [Mt Carmel] facing slopes, “from Mt Carmel you really taste the sun. In S&B you taste the soil.” Tank tasting Sandhi Chardonnays with him it’s easy to agree with his description. Considering barrel samples from the wines of Highway 246 the third note becomes visible. There you taste the ocean.

***

Thank you to Sashi Moorman, and John Faulkner for taking the time to meet with me.

Thank you to Matt Dees for spending the morning touring me on the vineyards of Santa Rosa Road. Thank you to Drew Pickering.

Thank you to Greg Brewer, Steve Clifton, Blair Pence, Andy Alba, Jim Dierberg, Meredith Elliot, Lacey Fussell, and Sao Anash.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

 

Lagier Meredith: Visiting with Stephen Lagier, and Carole Meredith SCIENTIST LEGEND

I am going to confess something. I’ve been trying to write this two post series on meeting Stephen Lagier and Carole Meredith for almost a month. There are some people I have such appreciation that the challenge becomes wondering what I could possibly say. Rather than stall any longer, I thought I’d post photos of my first visit with them, and keep working on the write up in the meantime. They really are both enjoyable, remarkable people.

***

Visiting Lagier Meredith, Mt Veeder

Looking through the fog into Napa Valley

The day Stephen and Carole initially met with me was foggy. Standing on the lower porch we are looking East here into Napa Valley. Highway 29 is below hidden in the fog.

Looking into Carneros

The Mt Veeder appelation is unique to the region. It is one of several Mountain appellations within the larger Napa Valley, but Mt Veeder sits the furthest south, overlapping Carneros. As a result, Mt Veeder is also the coolest AVA in the Napa Valley benefiting from the marine influence with fog and cool air moving Northward from San Pablo and San Francisco Bays.

While the other Mountain AVAs rely on more volcanic soil, Mt Veeder hosts primarily sedimentary, former seabed earth. The Lagier Meredith Vineyards grow from sandstone and shale, both of which fracture allowing roots to grow deep and more readily access water.

The Mondeuse portion of Lagier Meredith Vineyard

Carole’s work in grape genetics heralded an understanding of genetic relationships of vines. While she also helped establish worldwide lab partnerships in order to build a genetic map of grape types, her passion was in determining the parentage and relationship between different vines. The first such breakthrough established Cabernet Sauvignon as the child of Cabernet Franc and Sauvignon Blanc. Her success in this discovery led to heritage vineyards in France allowing her to use their vine collections to research further. She went on to establish the origins of Syrah, Chardonnay, Gamay, Aligote, Pinot Meunier, and Zinfandel, among others.

Partially in celebration of her work, the Lagier Meredith Vineyards grow Syrah (a good match for the cooler climate, elevation, shallow soils of Mt Veeder), Zinfandel, and Mondeuse (“the crazy uncle” of Syrah).

Stephen and Carole planted Syrah first. After having dinner at their home with Jean Louis Chave, the 15th., a former student of Carole’s, the couple mentioned they were considering planting Syrah on the site. Chave looked out into the Napa Valley and agreed, “Syrah loves a view.”

Carole had a cast metal telephone art phase

My favorite part of all this? Meeting the unique character of people. Carole had a cast metal telephone art phase. The handle lifts up. She also made a wall mount version.

Stephen had a ceramic frog art phase

The couple’s interests paralleled even before they met. Stephen had a ceramic frog art phase. This one with a cap and cigar, others with other accoutrement, and different postures.

The friendly kitty

the curious kitty

They make wine and olives

They make wine, and their own olives from trees planted in the 1880s. They’re delicious (Rachel ate a whole jar of them almost in one sitting).

Syrah was unusual for Napa Valley when Stephen and Carole planted vines on their then brand new vineyard in 1994. At the time the region was planted almost entirely with Cabernet Sauvignon. Lagier Meredith Syrah was also one of the first from the region to be described by the media as showing a more restrained European influence.

Carole and Stephen

Stephen and Carole manage all aspect of the business–vineyard maintenance and planting, winemaking and marketing–themselves, but he is humble about the project at the same time.

When I ask him about the European comparison of their wines he responds, “It is a reflection of this place. That was not our goal. Our goal was to reduce our influence on the wine.”

Carole adds, “we are fortunate. We have a cool site, with shallow soils, that produce focused wines with complexity.”

Stephen continues, “we are just pleased this place makes this wine we enjoy, and people enjoy. It allows us to make a living.” He pauses, “so pleased.”

The couple had their first press in 1996, originally having planted vines for their own appreciation and use. When they tasted what the wine had to offer, however, it far outpaced their own expectations. So, they shared it with friends, who had a similar response. Their first release was in 2000, and was received almost immediately with good critical response, and a quickly loyal mailing list.

The shy kitty

the shy kitty

The shy kitty purr-meowing

Original concert posters

These concert posters are originals from shows Carole attended.

***
Thank you to Carole Meredith and Stephen Lagier for hosting me.

More to follow!

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

Santa Barbara Wine Country 5: Photos from Day 4

Santa Barbara Wine Country

Goodland Wines

Goodland Wines

unreleased Goodland Wines portfolio

Ballard Canyon

looking into Ballard Canyon AVA

Ruben Solorzano

Ruban Solorzano, Vineyard Manager, Goodland Wines partner

Limestone Soils, Harrison Clark Vineyard

Ballard Canyon Limestone Soils

Matt Dees

Matt Dees, Winemaker, Goodland Wines partner

Chris Snowden

Chris Snowden, Goodland Wines partner

Harrison Clark Vineyard

Harrison Clark Vineyard Syrah, Ballard Canyon AVA

Matt, Chris, Ruben, long term friends

Star Lane Vineyards & Wines, and Dierberg Wines

Star Lane Winery

Star Lane Winery, Happy Canyon AVA

1500 ft elevation Cabernet Vineyard, Happy Canyon

Star Lane Vineyard, 1500 ft elevation Cabernet Sauvignon

Andy Alba

Andy Alba, Winemaker Star Lane & Dierberg Winemaker

Star Lane Vineyards, looking into Happy Canyon

Looking over Star Lane Vineyards, the oldest Vineyards in Happy Canyon; Looking into Happy Canyon AVA from 1500 ft

Gravity Feed Winery, Star Lane

 

Star Lane Winery Gravity Flow Winery

Star Lane Wines

Star Lane Wines

Dierberg Wines

Dierberg Wines

Sta Rita Hills Pinot Noir Cluster (full size, not a wing)

Sta Rita Hills high elevation Pinot Noir cluster (photo by Andy Alba): actual cluster size (not a wing)

Rusack Vineyards & Wines

Rusack Vineyard

Rusack Vineyard, Ballard Canyon AVA

Rusack Vineyards, Ballard Canyon

Looking into Ballard Canyon AVA, Rusack Vineyard

Rusack Winery

Rusack Winery

Rusack Wines

Rusack Wines

Rusack Wines, Catalina Vineyard Project

Rusack Wines Santa Catalina Island Vineyard Project

Terroir Selections, and Sandhi Wines

Terroir Selections Wines

Terroir Selections Wines by the glass, The Watering Hole Tasting Room

Sandhi Wines

Sandhi Wines

***

Thank you to Matt Dees, Chris Snowden, and Ruben Solorzano.

Thank you to Andy Alba, Sarah Hunt, and Jim Dierberg.

Thank you to Steve Gerbac.

Thank you to Nat Gunter.

Thank you to Sao Anash, and Lacey Fussel.

opyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

Santa Barbara Wine Country 4: Photos from Day 3

Santa Barbara Wine Country

Andrew Murray Wines

Andrew Murray Roussane Grenache Blanc

2011 RGB, Roussanne Grenache Blanc

Andrew Murray

Andrew Murray

Andrew Murray Wines, RGB, Syrahs, GSM

Andrew Murray RBG, Syrahs, Esperance GSM blend

Andrew Murray's new label E11even

Andrew Murray’s new label, This is E11EVEN, Unplugged white blend, Pinot Noir, Big Bottom red blend

Andrew Murray

Andrew Murray

Fess Parker Vineyards & Winery, Santa Ynez AVA

Fess Parker Vineyards

Fess Parker Rodney Vineyard

Fess Parker Ranch

Looking out over Fess Parker Ranch from the Mesa

Vino Vaqueros Horses

Fess Parker Ranch’s Vino Vaqueros Equestrian Vineyard Tour Horses

Fess Parker wines

Fess Parker Viognier, Chardonnay, Riesling, Pinot Noir, Syrah, Red blend

Epiphany wines

Epiphany Grenache Blanc, Syrah, Red blend

Riverbench Vineyards, Santa Maria Valley AVA

Riverbench Vineyards

Riverbench Vineyards

Riverbench Old Vines

Old Vines in the midst of replanting at Riverbench Vineyards

Riverbench Winery

Riverbench winery

Santa Maria Valley Round Table Winemaker Tasting, hosted by Riverbench

Jenny, Kevin, and Laura

Jenny Williamson Doré, Kevin Law, and Laura Mohseni

Dieter Cronje, Presqu'ile wines

Dieter Cronje, Presqu’ile Winermaker

Richard Dore, Foxen Wines

Richard Doré, Foxen Vineyards

Kevin Law, Luminesce wines

Kevin Law, Luminesce Winemaker

Jenny Williamson Dore, Foxen wines

Jenny Williamson Doré, Foxen Vineyards

Clarissa Nagy

Clarissa Nagy, Riverbench Winemaker

Riverbench roundtable tasting

Presqu’ile Sauvignon Blanc, Luminesce Pinot Noirs, Riverbench Chardonnay and Pinot Noir, Foxen Chardonnay and Pinot Noir

Dinner with Casa Dumetz Winemaker, Sonja Magdevski

Sonja Magdevski, Casa Dumetz wines

Sonja Magdevski, Casa Dumetz Winemaker

Casa Dumetz wines

Casa Dumetz Viognier, Grenache, Syrah, Gewurtztraminer

***

Thank you to Andrew Murray and Kristen Murray.

Thank you to Ashley Parker-Snider and David Potter.

Thank you to Clarissa Nagy and Laura Mohseni.

Thank you to Richard Doré, Jenny Williamson Doré, Kevin Law, and Dieter Cronje.

Thank you to Sonja Magdavski.

Thank you to Sao Anash, and Lacey Fussel.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

Santa Barbara Wine Country 3: Photos from Day 2

Santa Barbara Wine Country: Photos from Day 2

Pence Ranch, Sta Rita Hills AVA

Blair Pence

Blair Pence, Pence Ranch

View from the top, Pence Ranch

View from the top, Pence Ranch looking out over Sta Rita Hills

Francisco Ramirez

Pence Vineyard manager, Francisco Ramirez, working with the Pence Vineyard crew in freezing temperatures

Pence Ranch Guard Dog

Pence Pinot Noir

Pench Ranch 2010 Pinot Noirs

Presqu’ile Vineyard and Wines, Santa Maria Valley AVA

Santa Maria Valley Succulents

Presqu'ile Wines

Presqu’ile Wines: Pinot Noir Rosé, Chardonnay, Pinot Noirs

Pensqu'ile Vineyards

Presqu’ile Vineyards, Santa Maria Valley

Matt Murphy

Matt Murphy, visiting the new Presqui’ile Winery site

Dieter Cronje

Presqu’ile Winemaker, Dieter Cronje

Bien Nacido Vineyards, Santa Maria Valley AVA

Old vines planted in 1973 on own rootstock, Bien Nacido

original Bien Nacido vines, planted in 1973 on own rootstock

Bien Nacido Vineyards

looking into Santa Maria Valley, from Bien Nacido Vineyards

Chris Hammell

Bien Nacido Vineyard manager Chris Hammell

Bien Nacido and Solomon Hills Wines

Bien Nacido and Solomon Hills Chardonnay, Pinot Noir, Syrah

Nicholas Miller

Nicholas Miller, Bien Nacido and Solomon Hills Winemaker

Evening Wine Tasting

J. Wilkes Chardonnay and Pinot Noir

J. Wilkes Chardonnay and Pinot Noir

Nagy Wines

Nagy Pinot Blanc and Pinot Noir

Byron Wines

Byron Chardonnay and Pinot Noirs

La Fenetre Wines

La Fenetre Chardonnay and Pinot Noirs

Qupe Wines

Qupe Roussanne and X-Block SyrahAu Bon Climat Wines

Au Bon Climat 30th-Anniversary Chardonnay and Pinot Noir

***

More notes, photos, and write-ups to follow.

Thank you to Blair Pence, and Francisco Ramirez.

Thank you to Matt Murphy and Dieter Cronje.

Thank you to Chris Hammell, Nicholas Miller, and the whole Miller family.

Thank you to Vidal Perez, Johnathan Nagy, Clarissa Nagy and Josh Klapper,.

Thank you to Sao Anash, and Lacey Fussel.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

Why California Cool(er) Climate Syrah Matters, or, Going Italian, Part 2 (because, in Part 1, I also posted pretty sensorily spontaneous tasting notes)

Thanksgiving holiday ending in the United States means people are flipping it towards Christmas, freaking out about selling as much as they can if they own businesses that make, or carry things to sell, and buying as much as possible for their little families to open on the offending day.

I actually love Christmas. But, I love it for the sense of snow christened gratefulness that comes with the incredibly cold weather I grew up within. That is, pinpoint, ultra focused, star flashes on snow so cold it has diamond shining clusters all through it’s crusty top. It’s so cold outside the air is silent, and on the holiday no cars move. Too cold to travel. Even the moose are moving slowly to eat the trees outside. (I grew up in Alaska after all.)

The thing about such familiarity with cold weather is you come to expect the tension it causes in the throat, and on the face. Warm weather, though desired, offends for the way it makes the entire body feel a little too soft. That’s what a warm bath does too–it softens everything through that thing the upper classes call “relaxation.”

Here’s why what I’m saying here matters. (I do realize it sounds like weirdly spontaneous personal revelry.) I’ve decided the difference between life in warm climates, and the kind of softness of flesh that accompanies it, versus the reality of cold-cold weather, helps to get at a wine descriptor I need. A very particular tension quite desirably found in some wine.

When thinking about descriptors for wines, one of the important points to make is that we can readily depict how it smells and tastes, on the one hand. But, we can also focus on the feeling and texture it offers, on the other.

Shifting to texture, mouthfeel, and stimulation in wine is what I want to do here. Making this move offers a different perspective than the more obvious-in-the-New-World attention to scents and flavors. It is a textural, surface-stimulation phenomenon I want to focus on.

I tried to find an old photo of me out cross country skiing, but I just couldn’t for now (I’ll get one up later, promise). But, let me tell you, holy god, Montreal (this is taken in old town) got so cold in the winter. So cold.

Some winters life in Alaska was so cold that to go out cross country skiing (I raced my first two years of high school, and was lucky enough to be sponsored by Fischer skis, though that entire tenure I swore I liked running better) I would coat my face in Dermatone wax stick to keep my skin from freezing. The Dermatone would layer against the cold air pushing over my face as I tucked down hills, or climbed against the wind of an uphill facing the water of the Inlet. Skiing in below zero Farenheit with Dermatone on my cheeks meant the warmth of my own body-heat, sealed beneath a layer of wax, stayed, blended with the sharp needle point prick of the cold air. It was a weird sort of tension in my skin that would worsen when I then stepped inside after to warm back up again, as if my body couldn’t help but fight that initial change.

Here is why I’m telling you this: I am drinking Donelan 2010 Obsidian Vineyard Knight’s Valley Syrah. It is their recent release. 385 cases produced. The nose carries ripe wild berries with the pungency of tundra plants growing in peat. At first taste, the fruit cascade drinks blue, cool, tight, yet round in the mouth. The wine swirls slowly as it turns towards the belly and then rubs down the throat with the heat-insulated, needle poking texture that comes from cross country skiing with Dermatone on the face in too much cold. It is a throat stimulation and weave that is not acidity zipping over the tongue (though there is enough acidity in this wine). It is the almost metallic vibrancy of the site. This is a Syrah with an older world sophisticated nature. It carries the tension of Cornas, with only the very initial fruit that would worry you it will be too big. Drink this wine when you want to tease someone. Tonight, I’m teasing me.

***

Donelan Wines: http://www.donelanwines.com/index2.html

Thank you to Tyler Thomas. This bottle was given to me as a sample.

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.