Authors Posts by Hawk Wakawaka

Hawk Wakawaka

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A wine drawing philosopher with a heart of gold. aka. #firekitten

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Throwback Thursday

In honor of Ribolla Fest 2016, which just happened last night, I’m re-posting the start of a series I did on Ribolla Gialla in California starting back in 2012. The end of the post offers links to the entire series. Ribolla Fest originally began as Friuli-fest by the late George Vare, though the focus from its inception was on Ribolla. George fell in love with the variety at the start of the millennium and saw bringing (read: sneaking) it into the United States and fine-tuning its growing conditions here in California not only as a passion project but also a spiritual one. He believed it was some of the most important work he’d done in wine.

Meeting George in 2012 and receiving his encouragement in my writing, my interest and views of wine, and sharing with him a passion for Friuli and Ribolla, as well as acquaintance with the vintners that took up his torch in working with the Vare Vineyard, was a primary source of inspiration for me. It helped build my personal investment in my work in wine and served as part of the groundwork for venturing forth as a wine writer. He and several others in that first year I credit for my doing what I do now. 

Due to family and travel demands I missed this year’s Ribolla Fest but here’s a look back at some of the early work I did on the event, beginning with meeting George Vare. By this first meeting I’d already traveled Friuli, fallen in love with Ribolla, and met with numerous vintners there in Italy working with the variety. Seeing its translation in California gave me a way to imagine that even with a love for Italian wine myself perhaps I could find a home in wine here in the United States. 

At the bottom of the post links to the rest of the series are included. Subsequent installments in the series include George’s story as he told it to me, in-depth look at the growing demands for the variety, and other sites that it has since been planted. Having just left my academic career but treating wine with the seriousness I had as a graduate student I named the series, tongue in cheek, Attending Ribolla Gialla University.

I also wrote about George in the context of another series found here on the rise of skin-contact whites in California

Attending Ribolla Gialla University: Part 1: Meeting George Vare

Thank you to Eric Asimov for recommending this post in the July 20, 2012 edition of The New York Times, Diner’s Journal What We’re Reading.”

The following was originally published here on July 19, 2012.

Meeting George Vare

“Go make Ribolla Gialla popular.” –George Vare

the berries turn a full rich yellow at ripeness.

the first vintage with consistent berries.

the plant carries a virus that causes the leaves to yellow under stress.

barrel with a window

Ribolla Gialla left on skins for 1-year, then barrel aged for 3

a gift to take home, hand labeled and capped by George Vare

Ribolla Gialla with 48 hour skin contact

sparkling Ribolla Gialla that has not been disgorged

we’ll drink it at the Ribolla Gialla party

an earlier vintage

Friuli style white: Sauvignon Blanc, Tocai Friulano, Chardonnay, Ribolla Gialla

This is why I came back to Napa Valley so quickly.

Because in doing so I could talk to more people about George Vare. I’ve made my visit about so much more than just this one lucky meeting, so much more I love to do. But I came back now so I could meet more people that had worked with Vare, never presuming to ask if I could meet him too. Then, it turned out a meeting was arranged, and I got to hear his story, walk through his 2.5 acre Ribolla Gialla vineyard (the only one producing fruit in California, there are other plantings–more on that to follow), and taste his wines too. Here are photos from the visit. Write up to follow, along with photos from a grand Ribolla Gialla tasting here in Napa Valley.

***

Thank you to George Vare.

Thank you to Dan Petroski.

Attending Ribolla Gialla University, Part 2: http://wakawakawinereviews.com/2012/07/19/attending-ribolla-gialla-university-part-2-a-life-in-wine-george-vare-friuli-and-slovenia/

Attending Ribolla Gialla University, Part 3: http://wakawakawinereviews.com/2012/07/19/attending-ribolla-gialla-university-part-3-friuli-fest-2012-ribolla-gialla-tasting-and-discussion/

Attending Ribolla Gialla University, Part 4: Harvest of the George Vare Vineyard with Steve Matthiasson: http://wakawakawinereviews.com/2012/09/14/attending-ribolla-gialla-university-part-4-harvest-of-the-george-vare-vineyard-with-steve-matthiasson/

Attending Ribolla Gialla University, Part 5: Russian River Valley Ribolla Gialla, The Bowland’s Tanya Vineyard: http://wakawakawinereviews.com/2012/09/29/attending-ribolla-gialla-university-part-5-russian-river-valley-ribolla-gialla/

Attending Ribollat Gialla University, Part 6: The Vare Vineyard Tasting, Arlequin Wine Merchant: http://wakawakawinereviews.com/2013/04/23/attending-ribolla-gialla-university-part-6-the-vare-vineyard-tasting-arlequin-wine-merchant/

Attending Ribolla Gialla University, Part 7: The Matthiasson Vineyard, Napa: http://wakawakawinereviews.com/2013/05/01/attending-ribolla-gialla-university-part-7-the-matthiasson-vineyard-napa/

Copyright 2012 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Coombsville 

Looking southwest from Farella Vineyard in Coombsville

Coombsville just south east of the town of Napa (see this map) became an official appellation in 2011 and since then has received steadily increasing attention. Even so, this subzone of Napa Valley is still one of the sleepier, less developed parts of the valley. Being well off the main arteries of Highway 29 and Silverado Trail means that Coombsville continues to be somewhere primarily for those in-the-know. Its relatively low-key status is consistent with its winemaking history.

Contemporary vineyards in the subzone reach back to the mid 1960s and the planting of the Haynes Vineyard. While the winery Ancien now farms the property and makes wine there as well, the site has also been a fruit source for wineries such as Failla and Enfield Wine Co who seek its cooler-climate Syrah and older-vine Pinot Noir and Chardonnay. Ancien has been able to preserve some of the Burgundian varieties planted at the site’s inception. The rise at the centre of Haynes offers a central perspective on the region. Just up the hill stands the warmer Caldwell Vineyard, planted just over 10 years later when Farella Park Vineyard was planted just north east of Haynes. Around the corner, Tulocay winery was also founded in the mid 1970s.

Nearby, well-known Meteor Vineyard was established in the late 1990s. Such sites helped establish the insider view of Coombsville as a source for good-quality grapes. It wasn’t until the late 1990s that vineyard-designated wines from Coombsville sites began appearing occasionally. Producers as well known as Paul Hobbs, Phelps Insignia, Vineyard 29, Quintessa, Pahlmeyer, Far Niente and Dunn, to name just a few, have all relied on fruit from the subzone to bring a unique blending component to their wines. This is thanks to a combination of soils and unique microclimate.

To keep reading, heading on over to JancisRobinson.com where the article continues accompanied by tasting notes for 24 vintages of the Mondavi Cabernet Reserve rather evenly spread from 1966 to 2013. This article appear behind a paywall. 

Here’s the direct link: http://www.jancisrobinson.com/articles/coombsville-napas-southeastern-extremity

Subscription to JancisRobinson.com is £8.50 a month or £85 per year ($12.20/mo or $122 a year for you Americans) and includes searchable access to the new 4th edition of the Oxford Companion to Wine ($65) and the 7th edition to the World Atlas of Wine ($50) as part of the subscription costs, as well as interactive discussions on the Purple Pages. Click here to sign up.

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Spending the Day at Frog’s Leap with John Williams

John Williams was kind enough to meet photographer Stephen Smith and myself to spend the day sharing and showing us the Frog’s Leap story.

The three of us met first thing in the morning to walk the vineyard and winery in the heart of the Rutherford Bench, then drove north through Napa Valley to see Frog’s Leaps other estate vineyards. Frog’s Leap is known for its Bordeaux varietal wines – Cabernet Sauvignon, Merlot and Sauvignon Blanc – and Chardonnay and also makes a succulent, fresh Zinfandel inspired by California’s old field blend style. At the vineyard near his home, Frog’s Leap recently planted an experimental block testing to see what new varieties respond well to the specific conditions of Rutherford. In a different block of the same site they also farms a collection of mixed-black old vines that go into the Frog’s Leap Heritage blend.

Frog’s Leap doesn’t just grow vineyards though. John has brought his focus to sustainability in farming practices such as dry farming while also focusing on sustainability of overall estate management. To preserve the economic health of the Frog’s Leap team, the winery established year round food gardens that are used on-site for winery meals and by winery employees. The gardens are also maintained by the winery and vineyard staff so that in the months when vines need less tending the garden keeps them busy and employed.

John’s inspiration for California’s old style can also be found in his restoration of the historic winery building from the 1880s that serves as part of the structure for his own contemporary winery, as well as his love for old trucks and cars.

We drove up the valley together in his 1969 Chevy. It was the fulfillment of a dream I’d had to cruise Napa Valley backroads in John’s iconic pick-up truck. That truck is an important part of Napa Valley history, full of Frog’s Leap stories. Incredibly, the three of us had so much fun that the day culminated finally in this…


Over the course of the day, while I interviewed John, Stephen documented our time together in photographs. He’s been generous enough to let me share his photos from the day here. I love the way they tell the story on their own.

Visiting Frog’s Leap in Photographs by Stephen Smith

Frog's Leap Winery

Frog's Leap Winery

Flowers at Frog's Leap

Starting the Garden at Frog's Leap

The Orchard

The Vineyard

The Vineyard

Bottling Frog's Leap

The Historic Winery

The Historic Winery

The Historic Winery

Inside the Winery

Entering the Winery

John Williams

Discussing Winemaking

Inside the Winery

Driving in the 1969 Chevy Pick-up Truck

The Old Vines

Inside the Old Winery

Dinner with John

Thank you to John for the great day and to Stephen for the fantastic photos.

Check out more of Smith’s photography at his own site: http://www.iamstephensmith.com/ and follow him on Instagram: https://www.instagram.com/iamstephensmith/. I really enjoy following his photographic travelogs online.

Copyright 2016 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

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I’ll be writing more here on my trip to Okanagan and Semilkameen Valleys, as well as judging the finals for the National Wine Awards of Canada. It really was a fantastic week. There are some really good wines coming out of BC. The professionalism of the National Wine Awards really impressed me too – it’s a smartly run wine competition.

In the meantime though I wanted to share this video from Jr.

Wei Chi Semillon

Erin Pooley started making Wei Chi Semillon in 2012. The next year a bunch of us were able to taste the early bottlings at our Semageddon celebration (it broke the internet: here, here, here, and here) and I was immediately impressed. The 2012 is a delicious wine but the 2014 vintage (yet to be released) is my favorite – nervy, fresh and nutty both, with the vivacity to age.

To share some of what I love about Wei Chi wine, and Erin’s philosophy behind it, I asked Jr, aka Rachel, and Erin if they’d get together and make a video.

Erin invited us to her home for dinner and the two of them discussed Erin’s appreciation of the meal, her love of Semillon and her winemaking approach for Wei Chi wines.

Dinner with Erin Pooley

Copyright 2016 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

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The Judgment of BC

View from the Judges Seat, Judgment of BC

This week I’ve been touring wine country of the Okanagan Valley with Jamie Goode and our trusty (and patient) tour pilot, Laura Kittmer. We’re hosted by the BC Wine Institute and welcomed by WineAlign to help judge the annual National Wine Awards of Canada looking at wines from across Canada at the close of our visit.

One of the highlights of the trip so far was participating in the 2nd Annual Judgement of BC. The tasting brought 29 top tasters from across Canada, as well as Jamie and myself, to blind taste and rank 12 wines from BC against 12 wines of the world. It was arranged in two flights, one pinot noir, the other riesling, both evenly split between BC and International wines. The event was sponsored by the BC Wine Institute and organized by Canadian wine educator DJ Kearney.

The inaugural event last year celebrated Steven Spurrier visiting British Columbia wine country for the first time and looked at Syrah and Chardonnay. As DJ Kearney explained, the goal for the Judgment of BC is not to ask who is best in the world but rather to investigate how BC wines rank against standard bearers from around the world. It’s an opportunity to investigate how well a relatively young wine region is doing on the world stage in terms of quality.

It was an honor to become part of the group present for the tasting. It’s a group that includes top writers, sommeliers, and buyers from across the country. Jamie also served as a judge last year. This year they decided to include a second international judge as well and kindly invited me.

DJ did a masterful job selecting wines. The international wines were all chosen purposefully to offer wines known as standards from their region meant to both push the local industry towards quality and give the judges insight into how local wines are actually doing currently. Wines were also selected to be in a relatively comparable price range.

As a taster one of the things I found most insightful was that when it came to quality the wines of BC were on par with the international selection. It was profoundly difficult for judges across the board to accurately select the BC contingent from their international counterparts.

Here are the final rankings. Judges were asked to taste each of the two flights and rank wines 1 to 12. Judges’ results were then added together and averaged to determine the final rank for the wines.

Pinot Noir

1. Bouchard Pere Premier Cru Beaune Clos de la Mousse Monopole 2012 Burgundy, France 13%
2. Bachelder Oregon Pinot Noir 2012 Willamette Valley AVA Oregon USA 14%
3. Felton Road Bannockburn Pinot Noir 2014 Central Otago, New Zealand 14%
4. Haywire Canyonview Pinot Noir 2014 Lenswood, Adelaide Hills, South Australia 12.5%
5. Meyer Family Reimer Vineyard Pinot Noir 2012 Okanagan Valley, BC 13%
6. Quail’s Gate Richard’s Block Pinot Noir 2013 Okanagan Falls, BC 12.5%
7. Blue Mountain Vineyard Reserve Pinot Noir 2013 Okanagan Falls, BC 12.5%

Two wines tied for 8th place:

Thibault Liger-Belair Bourgogne Les Grands Chaillots 2012 Burgundy, France 13%
JoieFarm Reserve En Famille Pinot Noir 2012 Naramata, Okanagan Valley, BC 13.6%

10. BK Wines Skin n’ Bones Pinot Noir 2013 Lenswood, Adelaide Hills, South Australia 12.5%
11. Moraine Pinot Noir 2013 Naramata, Okanagan Valley, BC 13.1%
12. Meomi Pinot Noir 2014 California, USA 13.7%

Though I was disappointed to see Meomi in the tasting (yes, I did score it 12 as well in my personal ranking of the wines), DJ was smart in her explanation of why it was included. Meomi is the number one selling Pinot Noir in all of British Columbia by a large margin and she felt it was important for judges to be aware of what that market share looks and tastes like in the context of global wine. Not all judges ranked it in last place.

Riesling

1. Max Gerd Richter Grazer Himmelreich Riesling Kabinette 2013 Mosel Valley, Germany 9%
2. Cedar Creek Platinum Block 3 Riesling 2014 Okanagan Valley BC 12.2%
3. Wild Goose Stoney Slope Riesling 2013 Okanagan Falls BC 13.3%
4. Chateau Ste Michelle & Dr Loosen Eroica Riesling 2013 Columbia Valley AVA Washington 12%
5. Leeuwin Art Series Riesling 2012 Margaret River, Australia 12%
6. Synchromesh Storm Haven Vineyard Riesling 2015 Okanagan Falls BC 8.9%
7. Culmina Decora Riesling 2015 Okanagan Valley BC 13.5%
8. Pewsey Vale Eden Valley Riesling 2014 South Australia 12%
9. Robert Weil Kiedricher Riesling Trocken 2012 Rheingau, Germany 11.5%
10. Tantalus Old Vines Riesling 2013 Okanagan Valley BC 13.1%
11. Orofino Hendsbee Vineyard Riesling 2013 Similkameen Valley BC 12%
12. Trimbach Riesling 2012 Alsace, France 12.5%

It was interesting to judge both flights blind partially because of the mix of styles and sugar levels for both sets of wines. Ranking them was very much an exercise in looking for harmony and quality regardless of style.

Before results were announced judges had the opportunity to judge amongst themselves and beyond the judging, just in terms of personal interest, some expressed a strong preference against the sweet styles while others notes that the RS in some cases brought the balance to the wine.

In my own case I noticed I was more willing to allow RS in the Rieslings than the Pinots and did feel that in the case of the Rieslings the high acidity levels sometimes benefited from a bit of sweetness. In other words, my views here remained consistent with how I’d viewed tasting Riesling previously.

It’s been a ton of fun to investigate BC wines and get to know the people of the region. I’m looking forward to tasting wines from across Canada when Jamie and I join the final rounds of the National Wine Awards.

If you want to read more about the event, this article offers some additional information from one of the other judges:

http://myvancity.ca/2016/06/22/the-wines-of-british-columbia-stand-up-to-the-world-at-the-second-annual-judgment-of-bc-wine-tasting/

Copyright 2016 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

Paso Robles: Wine versus Water

Paso Robles Eastside Vineyard

While El Niño this year brought ample rains to northern California, overall rainfall was less than originally predicted (see Alder’s recent report) and southern California saw far fewer winter storms. Of wine regions in the state, hardest hit by lack of rain has been Paso Robles. Paso’s challenges with weather are not insignificant. It has become one of the best-known wine regions of the Central Coast, as well as a leader in California’s Rhône movement. Most famously, the Perrin family of Château du Beaucastel has affirmed the value of Paso Robles by investing with the Haas family in the Tablas Creek project. The work Tablas Creek has done to import Rhône varieties and clones to their site in Paso’s Adelaida district has been of benefit to Rhône producers throughout the United States.

During California’s winter rainy season this year, northern storms failed to reach as far south as Paso Robles, and the few warmer storms from the south did not reach over the mountains separating Paso’s county of San Luis Obispo from its southern neighbor Santa Barbara County (see the brown hilltops in this picture of an East Paso vineyard). The Central Coast region received so little rain this winter, reservoirs are only 30% full. The reservoirs are primarily for the townships of San Luis Obispo such as Paso Robles, Templeton and Atascadero. Land within the county but outside town centres has to depend for water on residential and commercial wells in the Paso Robles Groundwater Basin.

Lack of rainfall these last several years has failed to replenish the Basin’s water level. Water issues in the area, however, are only partially due to the recent California drought. There has been a sizeable increase in overall water use from a significant rise in county residences as well as from the expansion of irrigated agriculture. This surge in demand for water has led to wells throughout the county being severely depleted. In the most affected areas, wells are down as much as 80 to 100 ft (24-30 m) from their original levels. As a result, small home-ranch owners (generally single-dwelling one-acre properties) face the possibility of losing homes they can no longer keep hydrated. Many have resorted to trucking in water. Even so, water use in the region continues to be unregulated although it is one of the very few in the state where well use is unmonitored and uncontrolled.

To keep reading, heading on over to JancisRobinson.com where the article continues accompanied by tasting notes for 24 vintages of the Mondavi Cabernet Reserve rather evenly spread from 1966 to 2013. This article appear behind a paywall. 

Here’s the direct link: http://www.jancisrobinson.com/articles/paso-robles-wine-v-water

Subscription to JancisRobinson.com is £8.50 a month or £85 per year ($12.20/mo or $122 a year for you Americans) and includes searchable access to the new 4th edition of the Oxford Companion to Wine ($65) and the 7th edition to the World Atlas of Wine ($50) as part of the subscription costs, as well as interactive discussions on the Purple Pages. Click here to sign up.

Mondavi Retrospective

The Robert Mondavi 1966 Cabernet Unfiltered

This year marks the 50th anniversary of the Robert Mondavi Winery on the Oakville bench of Napa Valley. To celebrate, the winery put together a two-day event for 25 journalists from throughout North America, offering us the opportunity to taste 24 vintages of Mondavi’s flagship Cabernet Reserve, as well as spending time with many of the key winemakers and viticulturists of the winery’s history.

It is difficult to think of any other Napa Valley Cabernet of which such a historic vertical would be possible. Wineries with a longer history such as Beaulieu and Inglenook have nothing like the continuity evident at Mondavi. There have been subtle and sometimes not-so-subtle changes of direction in winemaking here but in essence the team and intentions have remained the same, and the ownership has changed only once when in 2004 the Robert Mondavi Winery was sold to the giant Constellation. Its founder died four years later at the age of 94 (see Jancis’s appreciation of Robert Mondavi).

When Mondavi started his eponymous winery in 1966 the goal was to show that California could make wines to compete with the very best in the world. A mere 10 years later two of Mondavi’s original winemakers – Warren Winiarski, who helped start the wine programme at Mondavi, and Mike Grgich, who soon took over – would go on to win the famous 1976 Judgment of Paris in red and white categories respectively that did so much to establish the region’s reputation for world-class wines.

To keep reading, heading on over to JancisRobinson.com where the article continues accompanied by tasting notes for 24 vintages of the Mondavi Cabernet Reserve rather evenly spread from 1966 to 2013. This article appear behind a paywall. 

Here’s the direct link: http://www.jancisrobinson.com/articles/mondavi-retrospective-a-napa-history-lesson

Subscription to JancisRobinson.com is £8.50 a month or £85 per year ($12.20/mo or $122 a year for you Americans) and includes searchable access to the new 4th edition of the Oxford Companion to Wine ($65) and the 7th edition to the World Atlas of Wine ($50) as part of the subscription costs, as well as interactive discussions on the Purple Pages. Click here to sign up.

 

Michael Mara Chardonnay

The Michael Mara Vineyard Tasting

from left: Jill and Steve Klein Matthiasson, Richard and Susan Idell, Birk O’Halloran, Abe Schoener, Chris Brockaway in the Michael Mara Vineyard, Sonoma, April 2016

Last week Richard and Susan Idell hosted a producer tasting at their vineyard along with Steve Matthiasson, who farms the site. The Idell’s Michael Mara Vineyard hosts six acres of Chardonnay, clone 4 grafted to de-vigorating rootstock in an already de-vigorating site. The rocky soils, with their high drainage, not only keep vines from over-producing but minimize growth to such a degree as to create intense concentration in the fruit. Wines from the site consistently offer a glimpse of that stony character.

Planting the Michael Mara in 2006, Matthiasson helped design the vineyard, and continues to farm it, adjusting rootstock and techniques over time as characteristics reveal themselves through the vines. Within a vintage or two of first fruit, Matthiasson believed it to be a special site offering the kind of density through the palate and mineral expression, in his view, usually characteristic of older vine sites.

The concentrating power of the site can be glimpsed through surrounding foliage.

Michael Mara stands in the midst of a mini-plateau elevated by four feet when compared to surrounding properties. Throughout the earthen-swell trees reach almost half-size compared to those growing on lower grounds. Matthiasson believes the minimizing effect on plants comes from the low water retention of the soils, coupled with their mix of closely-packed rocks and volcanic earth.

Vines too grow smaller through Michael Mara, with not only less size increase year-to-year, but also less canopy compared to other vineyards. The combination of reduced growth and lessened natural shade again lead to concentration of the fruit. At the same time the juice-to-skin ratio is changed. Smaller clusters and smaller berries mean more skin to less pulp in the fruit. With the heightened phenolics from the skins, even wines put straight to press from the site carry a stimulating sapidity that washes the mouth with mineral freshness.

Flavors of the Vines

Growing up in Alaska, friends and I would sometimes spend an entire day just running through the mountains. A parent would drop us off an hour or so down the road on the Seward Peninsula at the entrance to a high elevation valley, then we would take the next several hours to simply run North through the belly of the Chugach mountains. Eventually we’d arrive near the edge of Anchorage, where another parent would pick us up. Along the way, if we grew thirsty, we learned to throw a rock in our mouths. The pebble would stimulate our palate making it water as we ran through the still snow-soaked summer range. The experience always tasted just a touch earthy, not quite salty but almost, with the flavor of fog lifting from the wet upland valley. In portions the resin scent of pine or evergreen blended in with the fog.

The stoniness of Michael Mara wines across producers and vintages reminds me of those runs through the mountains with a rock in my mouth – a mouthwatering wash of stones through the midpalate with a bit of earth and a flavor that’s almost salty but not – coupled with a bit of fog, a profound density of fruit, the flavor of which varies by picking time and cellar technique, and hints of forest resin.

The Idell family’s Michael Mara serves as source fruit for a range of producers making wine across a diversity of styles. Still that fruit density and stony wash remain consistent.

Following are tasting notes on the wines tasted at the event last week presented in the order tasted.

* Broc Cellars 2011 Michael Mara Chardonnay 12% $42

With delicate aromatics and a stimulating texture, the broc 2014 showcases a midpalate burst of fresh, clean fruit washed through with a mineral stimulating rush of acidity, and a savory finish. Refreshing, a hint funky, delicious.

* Matthiasson 2013 Michael Mara Chardonnay 12.9% $55

Offering a fresh fruit lift of pear and clementine touched by hints of honey and amber, the Matthiasson 2013 spins simultaneously with fresh and rich accents. Pleasing acidity carries almost lacy flavors married to a sense of lushness. Nice length and complexity. Delicious.

YoungInglewood 2013 Michael Mara Chardonnay 13.7% $60

Floral spiced aromatics followed by a palate of spiced wax, pear, and citrus rind with hints of savory forest-resin, the mid palate weight of the Younginglewood 2013 carries through a long finish. I would prefer a little less oak spice and a little less ripeness here but the wine offers a coherent expression of its style.

Idell Family Vineyard 2013 Michael Mara Chardonnay 13.2% $35

Tight aromatics and a subtle flavor profile with accents of oak spice throughout, the Idell Family Vineyards 2013 is not overly expressive currently but carries the promise of more. Showing light notes of pear and orange rind with a savory finish and persistent acidity, this wine would be worth checking-in on again in a year or two.

* Scholium Project 2014 Michael Faraday Michael Mara Chardonnay 13.49% $80

Savory aromatics and palate with a distinctive, animalistic energy brought into focus, the Michael Faraday from 2014 carries lacy flavors with a savory strength. With an almost implacable core, this wine will age through the apocalypse. It might be the only wine left standing after the Resurrection. (Does that make it heathen wine? If it is, I don’t want to be right.)

Scholium Project 2015 barrel sample Michael Faraday Michael Mara Chardonnay

Still in the fresh-wine phase, the 2015 Michael Faraday shows flavors still in evolution but carries nice energy and persistence worth investigating again later in bottle.

Iconic 2014 Heroine Michael Mara Chardonnay 12.8% $TBD

Subtle and savory aromatics with a fleshier mid palate and a softer finish (that is not to call it either soft or unfocused) than the other vineyard examples, the 2014 Heroine appears to have a little more influence of malolactic fermentation than some of the other wines poured. Carrying a subtle palate of flavor with still good density and a punch of zestiness spun through the finish. Hints of verve, pith, and savor.

Kesner 2013 Rockbreak Michael Mara Chardonnay 13.72% $55

My favorite of the three Kesner vintages poured, the 2013 feels the most cohesive with potential to age. Showing notes of wax-nut burnished by spice the flavors here are rich though nuanced with density and length carrying into a long savory finish. Allow plenty of air upon opening.

Kesner 2012 Rockbreak Michael Mara Chardonnay 14.3% $55

With subtle aromatics and palate, the 2012 is currently showing less complexity than the 2013 or 2011, as well as a softer finish.

Kesner 2011 Rockbreak Michael Mara Chardonnay 14.2% $55

While the 2011 feels more disjointed than the other vintages – simultaneously offering fresh fruit notes with a bit of ripe heat through the close – it also carries a burst of fresh flavor at the front of the palate that is pleasing, before falling into a softer finish.

Copyright 2016 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com.

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The Walla Walla Harvest Report

Anna Schafer

Like many wine regions around the world, Walla Walla in Washington state had its earliest harvest on record in 2015. Even so, producers throughout the Valley are happy with wine quality and most especially with the region’s three most-planted varieties: Cabernet Sauvignon, Merlot and Syrah. Early reports indicate that the vintage’s wines are already showing well overall.

While both 2014 and 2015 were hot years, 2015 avoided the excessive heat spikes of the earlier vintage and allowed vines to adjust to high temperatures and continue a more normal daily respiration cycle. Additionally, cooler temperatures towards the end of the growing season allowed both adequate ripening, and acidity preservation. As Anna Schafer (pictured), winemaker of aMaurice reports, ‘It was just a consistent heat throughout the summer and didn’t spike like it did in 2014. Also it consistently cooled off quite a bit in late August, which was a lifesaver for the vines as during the ripening they didn’t have to shut down and could continue respiration. Bottom line, I am surprised at how balanced the wines were and continue to be.’ While aMaurice farms in the Mill Creek District on the eastern side of Walla Walla, they also source fruit from throughout the region. Schafer has seen positive quality in all of their wines for 2015.

To keep reading, heading on over to JancisRobinson.com where the article continues accompanied by tasting notes for 61 Washington wines. Both of these articles appear behind a paywall. 

Subscription to JancisRobinson.com is £6.99 a month or £69 per year ($11/mo or $109 a year for you Americans) and includes searchable access to the new 4th edition of the Oxford Companion to Wine ($65) and the 7th edition to the World Atlas of Wine ($50) as part of the subscription costs, as well as interactive discussions on the Purple Pages. Click here to sign up.

The links are below. 

The Harvest Report: http://www.jancisrobinson.com/articles/walla-walla-2015-early-hot-but-good

The Tasting Notes with regional overview: http://www.jancisrobinson.com/articles/walla-walla-the-tasting-notes

You might also be interested in reading this free access photo (with captions) collection I posted from my intensive week in Walla Walla this summer:

http://wakawakawinereviews.com/2016/03/16/a-week-in-walla-walla-an-instagram-photo-collection/

Cheers!

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Winemaker Jeremy Weintraub

Jeremy Weintraub in the midst of the vineyards of Adelaida estate

Jeremy Weintraub in the midst of the Adelaida Cellars vineyards, July 2015

Last year I fell in love with the wines of Jeremy Weintraub. Though I’d enjoyed his wines from Seavey before, I’d done so unwittingly, drinking them simply for pleasure without knowledge of the winemaker. Then last summer I had the good fortune of touring Adelaida Cellars in the historic Adelaida District on the western side of Paso Robles, enjoying vintages early in its history, then forward again to the first of Weintraub’s. After the visit I continued tasting newer releases of Adelaida wines, and discovered too his own Site Wines label.

Last month Weintraub hosted me again for a unique opportunity to discuss his work across labels, tasting current releases of Site, Adelaida, and an older vintage of Seavey (2009) side by side. What proves central to Weintraub’s approach to winemaking is a quest for intimacy with the vineyard rooted in an eye towards refinement.

Weintraub began consulting with Adelaida’s Cabernet program in 2012 and became winemaker in 2013, moving from his winemaking position at Seavey in Napa Valley that he’d started in 2008. As he began at Adelaida he also started his own small production Site Wines label, focused on vineyards of Santa Barbara County. Weintraub’s experience is extensive. Prior to his work at Seavey he had already worked in both Paso and Santa Barbara County, interned in Tuscany, Central Otago, Martinborough, and Long Island, and earned an MS in Viticulture and Enology from UC Davis.

Seavey 2009 Cabernet Sauvignon

It is Weintraub’s previous position as winemaker that makes the sense of refinement central to his approach most obviously visible. Prior to Adelaida, Weintraub led the winemaking team at Seavey, one of the most under appreciated estates of Napa Valley. It’s one of those vineyards that reminds us of the very specific value of site, showcasing a quality that surpasses that of its neighbors.

The Seavey’s dry-farmed, hillside vineyards, in the heart of Napa’s Conn Valley, are well-placed to absorb ample sun, delivering dark flavor characteristics and abundant tannin. Yet it sits close enough to the cooling and mineral influences of Conn Creek and Lake Hennessey to also intimate notes of rose, violet, iron and spice, a complexity infused with dusty elegance. Picked to celebrate the wash of acidity possible with the site, vinified for judicious tannin management, and clothed by just a sheer chiffon of oak spice, Weintraub’s 2009 Seavey Cabernet reminds us what Napa Valley does at its best is seamlessness. It’s one of those rare wines that brings a pinching sting to remember, the thought that I might not drink it again.

But, while Weintraub’s time at Seavey clearly showcases the refinement of his approach, it is perhaps in his current work at Adelaida that his talent for it becomes most apparent. When a winemaker is lucky enough to work with a site like Seavey it can be easy to mistake the important synchronicity of winemaker to vineyard as either based all in site quality or all in winemaking. Through his work at Adelaida, a more complicated and varied site than his prior home in Napa, the skill of his craft becomes more apparent.

Established in 1981, Adelaida began farming and planting its own vines in the early 1990s, having sourced fruit prior to then. The site now includes a unique range of varieties from the high elevation Cabernet of their Viking Vineyard, to the steep, rolling knoll of Michael’s dry-farmed, head-trained Zinfandel; the limestone established Rhone varieties that sweep the property, and the swailed chute of historic Pinot Noir, Gamay, and Chardonnay in the 1960s-planted HMR Vineyard. All together Adelaida’s estate vineyards include 145 planted acres, one-third of which is dry-farmed while the rest is being weened over to dry farming, a shift made in response to the recent California drought and in conjunction with hiring Weintraub.

Adelaida HMR Pinot

Adelaida HMR Pinot from 2013, 2009, 2002, 1995; HMR was planted in 1964 in a distinctly cooler microclimate on the western side of the Adelaida estate

Tasting through vintage verticals of Adelaida wines, most particularly the famous HMR pinot, Weintraub’s shift in quality becomes apparent. Established in the mid-1960s, then purchased by Adelaida in 1991, the earliest vintages of Adelaida’s HMR Pinots have aged beautifully, picked for freshness and woven through with accents of American oak. By the early 2000s, the winemaking has shifted entirely to French oak but also to greater extraction and apparently less age-ability. Then in 2013, like an optometrist flipping the lens in an eye exam, the wine moves into clear focus and the vineyard character reads distinctly, a wine fine-boned and persistent with creamy cherry blossom, and spicy crunch, nice tension and length.

The HMR also offers another revelation.

Adelaida 2014 Gamay

Part of the uniqueness of the HMR Pinot rested in its inter-planting of 51-year old Gamay vines, by far the oldest Gamay in California and an unheard of gold mine hidden in the hills of western Paso Robles. Prior to Weintraub’s arrival, the Gamay had been vinified into the HMR Pinot. By 2014, Weintraub convinced the Adelaida team it was time to uncover their treasure and take the Gamay seriously as its own wine. Borrowing a guiding insight from Cru Beaujolais, they foot stomped their Gamay with 50% whole cluster inclusion. The result is an energetic, pleasantly structured, earthy wine with hints of spice, a wash of minerality, and just enough fruit, with the lifted aromatics of a pretty Brouilly.

Current Release Site Wines

Site Wines 2013 Roussanne, 2012 Grenache, 2012 Syrah, 2012 Red blend

Weintraub’s work in his own project, his small production Site wines, makes clear his ability to read a vineyard. The quality of winemaking for his own label thus confirms the promise of his on going work with the Adelaida estate. In sourcing fruit from a range of sites in a region in a committed fashion, a winemaker is given the best opportunity to get to know the distinct overall characteristics of that region, but also to express most clearly his or her own winemaking aims.  Here, Weintraub has chosen to focus on Santa Barbara County. The result is a collection of five distinct Rhone wines, two varietal whites and two varietal reds and a red blend.

My favorite of the Site wines proves to be one of the prettiest Roussannes in California in both the 2012, and especially the 2013 vintage, sourced from the Stolpman Vineyard of Ballard Canyon. He also produces a Viognier that, in both 2012 and 2013 by avoiding the exuberant aromatics commonly found in California Viognier, masquerades as delicate until its persistent, while still subtle, expression across the palate becomes apparent.  And finally also two concentrated while still mouthwatering Rhone reds, a Grenache from Larner Vineyard of Ballard Canyon, and a Syrah from Bien Nacido of Santa Maria Valley, plus a Rhone red blend from Larner, each with the promise to age.

The Site wines are delicious and freshly energetic but it is also in speaking with Weintraub about each of these vineyards that his perspective shines. The intimacy Weintraub shows with the sites is impressive and detailed, the insights of a winegrower with as much a love for biology as beauty. The same balance shows in his on going familiarity with Adelaida’s vast vineyard holdings.

Adelaida Current Release Wines

Adelaida Cellars new look: 2014 Picpoul, 2014 Gamay, 2013 Viking Bordeaux blend, 2013 Viking Estate Signature Series Cabernet

Weintraub’s winemaking at Adelaida produces a broad range of delicious and drinkable wines, but it is also an enormous estate with a vast range of plantings. In practical terms, such a large site also takes time for any winemaker to know, whatever their depth of talent. It can also mean some of the vineyards’ wines seem to have greater synchronicity from vine to wine through winemaker than others.

While each of the wines of Adelaida today is far more than drinkable, I find that synchronicity most elegantly through Weintraub’s 2014 Adelaida Gamay and Picpoul. While the 2013 Picpoul was a lovely wine, the balance of mouthwatering acidity to pretty fleshiness in the 2014 is inspiring. As paradoxical as it can seem when considering Paso Robles heat, it is the Adelaida whites, especially the Rhone varieties, and lighter reds I find most thrilling. In these I eagerly await seeing how they develop with on going vintages.

Turning to the more robust wines, the recent release of the Viking Estate Signature Series Cabernet, the 2013, is not yet showing what it has to offer – currently feeling sweet and simple on the palate as it finds its way through its first years of baby fat while also promising to become more lithe and agile with age. The Viking Bordeaux blend from 2013, on the other hand, delivers an earthy grace that by the third day open is singing, an early indication of where it will get with age.

Speaking with Weintraub about his ongoing intimacy with the estate, I am excited to continue following the development of the Adelaida Rhone wine and Cabernet program. While the Adelaida Estate will never deliver a wine like Seavey that is also its gift. Paso Robles carries vastly different character than Napa Valley. In the respectful hands of a winemaker like Weintraub its a character he’ll continue to hone with refinement.

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