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Wine Review: Kila Cava 2009 Vintage Brut

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There are three regulated sparkling wines in the world that follow methode traditionelle–Champagne, Franciacorta, and Cava. This approach to sparkling wine is believed to produce the finest quality bubbles allowing for rich complexity, well integrated flavors, and better ease on your head the next day if you inadvertently drink too much.

The challenge of producing sparkling wines in the traditional method, and the quality produced from it generally lead to a higher price tag. It takes a long time to tend to all those bottles with their twice-fermenting juice. Thus, the miracle of the Kila Cava–it retails at around $10 (I’ve found it online from a lot of places for less!) while offering a sparkling wine worth drinking for more. To add to the attraction, though vintage cavas are rare, the Kila Cava is made from its 2009 selection.

This is a pleasantly drinkable, clean, and palate cleansing sparkling wine. It’s nice on its own, and does well as an apertif too, but would pair with a range of foods (I was reading recently about people pairing toasty cavas with bbq even). As said, the Kila Cava is an incredible value definitely worth considering when you decide to jump on that “making it through another day is cause of celebration” + “celebrate with bubbles” band wagon. While you won’t stack this drink side-by-side against your high end champagnes or franciacortas, it will brighten up your day when you can’t afford to pull out that $100-and-up bottle.

The aroma and flavors here are pleasantly toasty, with apple and citrus fruit plus citrus flowers blended in. This is a nice example of how drinkable a cava can be, and also pours as an imbibing parallel to the incredible potential of a cheap date. The best cheap dates cost little money, have both people getting along easily, simply because they do, with a pleasant effervescent spark of attraction and charm. And, they end with you wanting that second date too. Kila Cava offers precisely that–simple, easy, inexpensive, charm, with you willing to buy it again to have another bottle.

Now that we’ve settled that, you bring me some food from Catalonia, and I’ll bring the cava. We’ll share.

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Thank you to Rich Edwards from Synergy for sharing this wine with me.

Copyright 2011 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Wine Review: Ca’ del Bosco Brut NV Franciacorta

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Franciacorta originates from the Lombardy region of Northern Italy. The beverage carries DOCG status, the highest quality designation and controls in the Italian wine world, and is considered to be a world class sparkling wine.

The wine undergoes the same general fermentation process as the French champagne, but is regulated to have longer lees contact than champagne, and uses slightly different grapes.

To translate: wines made in the methode traditionelle process (that by which champagne is also made), or metodo classico as it is called in Italy, undergo an initial fermentation as wine generally does, but then a second fermentation is done in the bottle, which introduces the bubbles to the wine. Another flavoring element in this method of sparkling wine production is called aging on lees–this is where the wine is left to rest on the yeast cells that remain after the completed initial fermentation process (prior to the secondary in-bottle fermentation). These yeast cells are now inert but still bring additional flavor, body, and character to the wine as it ages in their mix. While champagne is regulated to demand a minimum of 15 months aging on lees, Franciacorta demands 18. This is thought to produce greater complexity, a smoother body, and a stronger presence of minerality. Further, while champagne is made of a blend of chardonnay, pinot noir, and pinot meunier, Franciacorta switches out the last of these to instead use pinot blanc for a blend of three grapes.

Though inevitable comparisons to champagne are of course made, the producers of Franciacorta emphasize that they are not trying to imitate the famous French wine, and will sometimes outright refuse discussions of the sort. The production regulations carried by the DOCG focus on what is most effective for its region, and grapes, in this way striking a balance between established tradition and any necessary upgrades. The climate of the Lombardy region, and the choice of Pinot Blanco too certainly generate their own variation.

Ca’ del Bosco is considered one of the finest examples of Franciacorta. It’s vintage renditions have won blind tastings going up against examples of the finest sparkling wines from all over the world.

This particular NV Brut offers an incredibly drinkable sparkling wine option. The price point is similar to that of champagne, so it will offer no savings in that regard. However, the acidity here is moderate, reducing the sense of tang that cooler northern climate sparklers often carry. The palate here is well-balanced, and delicate but flavorful. There are light minerals on this drink, but they offer a pleasant, though moderate finish. The Ca’ del Bosco NV Brut shows a nice blend of fruit, white flowers, and grass+hay. The last two of these giving a more grounded quality to the wine overall, which I appreciated.

This is a clean, crisp, and fresh wine, good for drinking with mixed company–those more experienced with sparkling wines, and those unsure of them. I have to emphasize the initial descriptor I just gave there–this drink is impressively clean. As such, this wine will serve as a nice apertif, but with it’s range of flavors and grounded quality I have to say I’m dying to try it with a classic Italian style wood fired pizza with easy, clean toppings. My favorite is the margherita.

If you’d like to read more about Franciacorta here are two other blogs with brief discussions of the wine worth introducing yourself to:

From Learn Italian Wines

http://learnitalianwines.wordpress.com/2011/11/01/franciacorta-2/

and from A Wine Story

http://awinestory.com/2011/08/ca-del-bosco-in-franciacorta.html

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If you happen to be in, or travel through Flagstaff, AZ, be sure to stop at the award winning Pizzicletta. Caleb just opened his doors this summer, and he’s already been recognized in national magazines, and was given the local “Best New Restaurant” 2011 award. His pizzas are all handmade, and wood fired with excellent ingredients. Fantastic!

You can find him online on Facebook: http://www.facebook.com/Pizzicletta or on Twitter @Pizzicletta

Copyright 2011 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

A week on sparkling wines: Paul Bara Grand Cru NV Brut, for Katherine and Fred

Every once in a while people send me messages with a request for this site to focus on particular types of wine. I try to at least consider these requests. My friends ask for such things on occasion as well.

Not that long ago, Katherine asked me to do a week focusing on sparkling wines, especially, she argued, since the holidays are coming up. Though I thought I’d reviewed plenty of sparkling wines on here, she convinced me that this is just the time of year to go ahead and do more. I decided to take up her request by focusing on five unique examples of sparkling wines, each from a different country–five for the week.

The truth is, a week on sparkling wine must begin with France, the history of the two are too tied together to ignore. France is full of incredible sparkling wines, a number of which I have reviewed here, but the truth simply is that the Champagne region is the most famous, and carries a history with it too that demands attention.

Reflecting on which French sparkler I’d begin with while talking with my friend, Fred, he asked me to please review his favorite (he actually I think demanded–insert laughing smile here). He calls it his “desert island wine”–that is, what he’d want cases of to live through isolation (with his lovely wife, of course) on a small island in the middle of warm seas. When he says this I always imagine that there are plenty of tropical fruits, and root vegetables, lots of nice seafood, and a little cave in which his wine would stay cool. Somehow, I also assume Fred has magically sorted out how to make fried chicken on his desert island get away. Fred loves fried chicken.

So, we begin a week on sparkling wine, as requested by my friend Katherine, with a specific champagne as requested by my friend Fred. The requests are theirs, the reviews are mine.

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Bouzy is a village at the heart of Montagne de Reims (in Northern Champagne), a region regarded for its excellent Pinot Noir. Interestingly, though Burgundy is known for its Pinot Noir, the Champagne region actually has the highest number of pinot plantings in all of France. Famous to Bouzy is Paul Bara, the producer of a grower’s champagne by the same name, and the local pen of History of Bouzy. To say Bara makes grower’s champagne is to say, he not only grows his own grapes, he produces the champagne that will come from them as well, a dual-role not overly common in the champagne world.

Taking advantage of the high value pinot of the area, Bara focuses on the grape as the predominate foundation of his house. Known for bringing structure to sparkling wine, the pinot noir provides a kind of backbone on which rich flavors may shape. The Paul Bara shows this quality–offering wonderful structure, with well-balanced fruit and minerals. The nose starts delicate, and opens to richer yellow fruits, and light white flowers as it warms, showing a mix of yellow peach, mirabelle plum, orange zest and orange blossom. The flavors in the mouth follow, including each of these with a further layering of tart apple, and meyer lemon. There are even hints of fresh green herbs, and slight touches of mushroom. The minerals here are pleasing–they begin as wet chalk on the nose, and transform into a vague sea salt flavor accenting the fruits, and offering a long finish.

Incredibly, when you look to the production techniques of the Paul Bara family you discover that their property is a mere 11 hectares (that’s 26 acres), with incredibly low yield plants. The family’s commitment is to the highest quality fruit, and wine production. As such, they claim that each bottle from their winery is actually tended individually by hand moving through the champagne production process. The reality of that is truly remarkable.

I can see why this is Fred’s favorite champagne. With my dedication to sparkling wine, people sometimes ask me to walk through the local champagne section with them, and discuss the selections so that they can decide what to purchase. When doing this I regularly refer to the Paul Bara as the benchmark champagne–It is wonderfully balanced, showing fruit, minerals, moderate acidity, and good structure. In this way it is ideal to what a champagne can offer. It stands as a solid balance point between funkier, more yeast driven sparkling wines on one side, and leaner, more graceful, delicate fruit sparklers on the other.

I’m going to admit though that perfection is not what drives me to taste any wine. While I recognize, admire, and even enjoy what I’m calling the perfect wine, I am compelled more often by a hint of strangeness. In fact, when it comes to champagne I prefer a lot of yeast, a bunch of biscuit or brioche scent, a slightly funky palate. If you want a champagne more like I’ve just described, the Paul Bara is not your choice. However, I still commit to describing this Paul Bara as a benchmark for quality and balance. It is the sparkling wine to select for a mixed group with varying tastes. It would also do well as an apertif to open your palate for a meal, or to drink while eating fried chicken.

We goofy Americans–we love our fried chicken. (insert laughing smile here)

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psst… if Fred likes this wine review comic the hand drawn and colored original will also be his Christmas present

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Copyright 2011 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Chardonnay Varietal Characteristics Card

Thanks for your patience on the release of this Chardonnay Varietal Characteristics card. I got the flu at the end of the week, and so didn’t finish it for Friday as usual.

Stay healthy!

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Chardonnay is one of the most versatile grapes to make wine out of. Short of making a red wine with it (that would take actual other worldly magic), the flavors of chardonnay can vary widely depending on the location, and production techniques used. As a result, this card does what it can to capture the variation from colder to warmer climates, and also in production choices.

To briefly explain some of what is mentioned on the card–cooler climates tend to lead to lighter fruit flavors and more noticeable mineral flavors with higher acidity. Warmer climates on the other hand grow riper, and more tropical fruit elements.

When it comes to production techniques, oak can cause huge variation in the flavor of the varietal itself, depending too on the amount of toast (charring) on the inside of the barrels. The chart shows the effects of lighter to stronger oak influence.

One other production process sometimes chosen for making wine from chardonnay is malolactic fermentation–this is a process chosen by some wine makers after the regular wine fermentation, and converts malo acids to softer lactic acids. The result, when used, is a more buttery, even nutty flavor in the wine.

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To read more about different styles of chardonnay, check out the rest of the week’s posts and reviews on chardonnay varietal wines. Click on any of the following comics to go and read its accompanying post.

Cheers!

Copyright 2011 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Thinking about the Wine Making, and Wine Review: Scholium Project 2007 Los Olivos Vineyard Choephoroi

Scholium Project wines are something by which I am fascinated. The wine makers describe their project very specifically as a process, which in itself may not seem remarkable. However, the point of interest here is in how thoroughly they emphasize that point, and then pair it with the reality that wine making, as a process, is one of exploring not just fruit, but decay.

What makes this interesting to me is the way in which it seems this attitude shows itself in the Scholium Project’s wine making techniques. For example, their Choephoroi Chardonnay purposefully integrates the effects of oxidation, a process most often thought of as a fault in the wine world, but that in this case proves alluring in the glass.

Reading into the goals of the Scholium Project brings out another attitude that dramatically shows through their wines. The wine makers state that their interest is less in grape varietal than in the wine their vineyard can produce, less in appellation than the characteristics of their particular location. As such, the labels of their wines highlight two choices–vineyard location, and a moniker illustrative of the particular drinks qualities. In other words, there is no reference to either varietal, or appellation on the bottle.

When opening a bottle of the Scholium Project it becomes readily clear that they are right–in their hands what matters is the actual wine they made. Each of the Scholium Project wines I’ve been lucky enough to taste shows no immediate references to typical varietal characteristics or to other wines from their surrounding areas.

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The title for this Chardonnay, Choephoroi, names ancient Greek libation bearers–those that worked in service to participants of organized festivals. On their website, the Scholium Project attributes the inspiration for such usage to the play of the same name written by Aeschylus. Keeping this reference in mind, we know not to take such an idea of wine as pleasure for granted, as Aeschylus’s play warns us about the seriousness of fate, our own passions, and the impact of such things on our own following generations.

It’s an interesting framework to consider for this wine. The flavors offered here carry a richness that alludes to the multi-generational nature of the play it honors. You may think I’m reaching here, but the layers of complexity truly are reflective of such intensive layering. As the wine begins, it shows scents of tart apple, unripe pineapple, orange zest, and even hints of cooked tomato. But as it warms the character changes, opening to the richness of almost too ripe pear mixed with marzipan, of ripe yellow plum mixed with sea salted air. The body is rich in the mouth, and yet it presents as both wonderfully flavorful and somehow delicate.

I’m impressed too by the balance of minerals offered–they start as wet chalky earth, and develop into sea water stones. As such, the minerals bring with them the balance of freshness these concentrated fleshy fruits desire.

I honestly experienced this wine as an invitation to the full range of what it is to be human, which is why I describe it in the wine comic as “erotic.” This wine makes contact with each of my senses–the color is intense, floating through a highly viscous drink, in case you wonder how my eyes might be charmed–but it also calls on my intellect. I want to take time with this wine, and in return it is patient with me–willing to open slowly to share its range of experiences–growing, fermenting, and even oxidizing; sharing with me the wine makers’ process.

If you suspect I’m being too poetic or effusive in relation to this wine… it’s hard for me to imagine how else to speak about a wine so appropriately named after an ancient Greek tragedy. Surely the wine makers couldn’t have chosen such a moving, and intellectually driven namesake without expecting to illicit the simultaneity of feeling and thought in their own wine drinkers.

Really, take time with this one. Let yourself try something surprising. It’s harder to find, but worth the effort. The Scholium Project’s 2007 Choephoroi Los Olivos Vineyards is unique.

Copyright 2011 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

New World Chardonnay, and Wine Review: Brewer Clifton 2008 Santa Rita Hills Chardonnay

As mentioned on Monday, chardonnay is a grape that takes up the flavors of its production. As such, the environment in which it is grown, and the way the juice is treated after harvest strongly determine its flavors. The first two classic examples of chardonnay-focused wines discussed this week highlight the lightness and grace available from this grape. However, those are both instances of the varietal raised in northerly climates, with rich chalky soils.

Warmer climates, as found in many of the new world locales that chardonnay tends to be grown, produce a wider range of fruit notes in the wine. Many new world wine producers also focus on adding to the complexity of chardonnay by fermenting its wine in young oak, thus inviting flavors such as baking spices, and even the wood itself. The paradigmatic example of a New World Chardonnay, in fact, could be described as a fruit forward–think combinations of apple, Meyer lemon, pineapple, and peach–nutmeg touched, thoroughly oaked wine, with hints of wet chalky minerals and subtle earth notes.

Chardonnay is one of the grapes grown all over the world, rooting into almost any wine region. So, in focusing on the varietal this week I have chosen to focus not on regional examples of such wines, but instead on differing styles of the varietal beverage. My thought is that, in this case, much of the insight into this particular grape can be had from seeing how greatly it can vary in style.

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The wine makers of Brewer-Clifton prioritize little intervention in the development from fruit to wine. Their commitment instead is to create wines invested in what the grapes themselves show as a result of the vintage’s particular weather, and the unique elements of location from the Santa Rita Hills appelation of California, northwest of Santa Barbara. As such, fermentation and aging of their wines occur with only neutral procedures, and the vines are cultivated for low yield, high quality juice.

As they describe themselves, Brewer-Clifton is dedicated to developing and using the best techniques to create a wine particular to its region. That is, they make a point of studying historical practices in wine production, and at the same time to take advantage of only what will suit the grapes of that season most appropriately. As they explain, their goal is to develop the characteristics of their own appellation rather than to adhere to the historical styles of any other.

The 2008 Santa Rita Hills Chardonnay offers a powerful, and focused nose of pleasant lemon, honeysuckle (as well as other lightly scented white flowers such as orange blossom), and sea-wet rock minerals, that opens to include richer pear and heated almonds as it warms–all the while retaining those sea influenced minerals that create a pleasantly long, tangy finish.

This wine is both rich, and fresh, with a balance of fruit and minerals that makes it both pleasant and surprising to drink. When asked what I wanted to drink for my birthday this year, this Brewer-Clifton was one of my selections.

Copyright 2011 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Champagne and Chardonnay, and Wine Review: Pierre Gimonnet NV Blanc de Blanc

I can’t remember the first time I had champagne. The first wine that ever really grabbed my attention was a Chianti. I remember its effect on me clearly. It took a few years though before I was really hooked on exploring the wine world. The wine that accomplished that was a high end Barbaresco, and I remember the experience of drinking it clearly as well. So to adore delving into the world of sparkling wines, champagne especially, and yet not remember even a hint of the first time it really pulled me in strikes me as strange.

Chardonnay has a deep history in the world of champagne, and yet its production as a pure blanc-de-blanc (Chardonnay-only champagne) remains controversial. The region of Champagne is in the northern growing areas of France, and as such does well with producing the necessary wine style for making a bubble based drink. That is, to produce wines in the methode champenoise style, the initial still-wine needs to carry high acidity, and for that to happen, the wine growing region needs to rest in a cooler climate. The northern regions of France, then, do well for just this purpose.

Champagne can legally be made of a blend of three possible grapes–chardonnay, pinot noir, and pinot meunier. Connected to this trifecta is an idea that the traditional method of champagne production is all about blending. The chardonnay provides grace or finesse; pinot noir, the structure; and pinot meunier, the fruit character. From this perspective, then, the skill of instilling the proper balance in this style of wine depends on a foundation of well-blended juice. Some have even gone so far as to claim a blanc-de-blanc style champagne doesn’t truly fulfill the history of the category, and as such shouldn’t count.

As the story goes, however, Eugène-Aimé Salon disagreed. He imagined the possibility of producing the sparkling beverage out of devotion to a single grape, and created what still stands as one of the most famous, and coveted wines in the style. His thought was that the elegance, and grace of chardonnay would lend itself to such characteristics in drinkable star light. He began producing the beverage at the turn of the last century, and yet it took around twenty years before he released it commercially, retaining his first two decades of the specialty for friends.

Today, even with the controversial view of blending versus varietal champagne, a number of producers include a blanc-de-blanc style champagne in their offerings. Lovers of the bubbling varietal describe it as the lightest and most refreshing version of the drink. Those descriptors of elegance, and finesse are generally considered consistent to any version of a chardonnay made into champagne. While quality, of course, varies, and some can show stronger characteristics than one might anticipate for a single variety style sparkler, blanc-de-blancs all consistently show chardonnay’s individual grace.

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The Pierre Gimonnet non-vintage blanc-de-blanc is a fresh, crisp, approachable champagne. Thomas Keller has said he celebrates it as the apertif appropriate to open the palate for any meal at his restaurant French Laundry. Indeed, French tradition is to drink such bubbles for precisely this reason–to start a meal. While American views still take bubbly to be a celebratory-only beverage, as a Master Sommelier said to me recently, “I believe successfully making it through another day is always a reason to celebrate.” Bubbles are always appropriate.

Pierre Gimonnet is an easy choice for the apertif. It is also pleasant for drinking on its own, but is clearly perfect for working towards food. This champagne will not blow you away with complexity, or strangeness (something I have to admit I enjoy in many good wines), but this is precisely what’s perfect about it. It’s a wine much like the perfect dinner guest–easy to get along with, and good at facilitating conversation, both without monopolizing everyone’s attention for itself alone.

Copyright 2011 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

The History of Chardonnay, and Wine Review: Chablis Premier Cru 2008 “Les Forneaux” by Grossot

My experience (which admittedly could be peculiar to me) is that trying to drink Chardonnay within the Western parts of the United States has consistently shown with it a kind of prejudice. It is commonly the case that people I’ve met that are interested in, but only lightly knowledgeable in wine, have assumed Chardonnay to have a very determined, fruity and oak-y narrow band of flavors; a band of flavors they don’t appreciate. As a result, many of these people tend to avoid Chardonnay in general.

The truth of Chardonnay, however, is that it is what we could call a remarkably neutral grape with its flavors arising predominately from the environment in which it is grown, and the way it is produced following harvest. As a result, then, Chardonnay actually shows itself to be incredibly varied in the bottle. It is true that certain regions in which the grape is produced tend towards particular cultivation, and wine-making practices, thus producing (semi-)predictable flavors. But looking at Chardonnay world-wide shows a broad range of styles and flavors.

Chardonnay is a grape that truly has spread world-wide, thanks to its reputation as a rather agreeable agricultural project. It is known to adapt to a wide range of conditions, and respond readily to varied cultivation practices. Interestingly, it is also considered to be a kind of wine growers’ rite of passage–that is, it is a less challenging grape to grow than many, and yet still demands significant viticulture knowledge and ability to complete a successful chardonnay harvest.

It is understood that the green-skinned fruit originated in the Burgundy region of France, as a cross between two (now) uncommon grapes, where it grows predominately in chalky, or limestone soils. These contribute to a mineral rich body of flavors, with lighter fruit qualities than other areas of the world. The Northern portions of Burgundy, known as Chablis, also offer cooler temperatures, which further encourage a less fruit-driven, more acidic consistency.

Drawing on the effects of these conditions, the Chablis AOC is associated with stricter practices for how the grape is treated than in other areas of the world, the goals of which are to preserve the fruits own steely flavors. Most chardonnay producers from the region today ferment the grape in neutral stainless steel vats. Some short oak influence is found occasionally in Chablis wines, with such practices being more common in premier cru varietals of the region. By contrast, other locales that produce Chardonnay based wines will often ferment the product in oak barrels for more extended periods, allowing tannins from the (younger) wood to bring their own flavors and preservative qualities into the wine.

Historically, Chablis’s wine practices utilized older oak barrels that, due to age, failed to impart flavors to the wine from the wood. Because of difficulty in protecting the wine from various types of flaws when using this older wood, the shift to stainless steel vats became common. However, more recently, young oak barrels have been introduced to the wine-making practices of some Chablis wine makers. This change is considered controversial because of how it goes against the cleaner, neutral style of the juice made without oak usually associated with the region. Still, those that do use oak in Chablis do so only lightly in comparison to the more heavy institutionalization of wood barrels in much of North American Chardonnay production.

 

 

 

 

 

 

 

 

 

 

 

 

 

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Chablis Premier Cru is a designation given to vineyards with higher quality soils, and (generally) greater sun exposure than those of the standard Chablis designation. The premier cru vineyards are generally found on kimmeridgean clay ground, a type of soil that is believed to impart a very well-balanced, and well-structured quality to the grapes, while also maintaining a rather light fruit flavor. One of the finest qualities named for a Chablis Premier Cru wine is a firm balance between the wine’s minerality, acidity, and fruit flavors.

The Grossot’s “Les Fourneaux” offers exactly this sort of balance with subtle hints of star fruit, and lime peel, plus a subtle richness of pear, dancing alongside a sea-air type mineral flavor, and a pleasing acidity. This wine is both rich in the mouth and delicate in flavor, showing a long, happy finish. It also carries a pleasingly light, and glassy-smooth mouth feel. Further, the premier cru chablis of this domaine undergo a full malolactic fermentation, reducing any tartness sometimes associated with chardonnay.

The sea mineral flavors of this wine would pair beautifully with lightly flavored white seafoods, or shellfish. We ate it with a nicely brain-wrinkled Valencay cheese that turned out to be a much smarter pairing than originally anticipated. The light, rich flavors of the goat cheese, with the flinty tastes of its charcoal dusting matched the qualities of the wine beautifully–definitely recommended.

Interestingly, the Grossots focus deeply on what they describe as sustainable viticulture practices. As examples, they thoroughly prune their vines in order to allow space between grapes, and a resulting reduction in various ripening problems such as mildew. Such pruning reduces the need for any synthetic, or outside interventions to protect the health of the grape. Grossot then uses the pruning as a natural heating supply for the vineyard buildings.

Grossot’s wine making carries an international reputation of quality. He offers two other premier cru Chablis, and a standard Chablis AOC. I look forward to tasting and reviewing them in the future.

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If you’re in the Arizona region, check out the new cheese shop Bonne Lait in historic downtown Cottonwood. The boutique focuses on a small, but excellent selection of high quality cheeses from around the world. The employees are knowledgeable about their cheeses, and will gladly make up a small tasting platter of their various offerings for only $5. They also carry local handmade chocolates, and a selection of vintage items. The valencay that accompanied our Chablis was found during a break in a Northern Arizona wine tour. It was a welcome, and friendly respite in the midst of our tasting extravaganza.

Copyright 2011 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Syrah Characteristics Card

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For more on the history of Syrah, and the way it’s flavors, and production techniques change depending on geography and climate, see this week’s previous posts, all focusing on Syrah/Shiraz.

Cheers!

The History of Syrah, and Wine Review: Barruol 2009 “La Dore’e” Cote Rotie

The Washington Wine Industry, and Wine Review: Stone Cap Columbia Valley

Syrah in the Southern Hemisphere, and Wine Review: Luca 2008 Laborde Double Select Syrah

Wine Review: Torbreck 2009 Woodcutter’s Shiraz

Copyright 2011 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Wine Review: Torbreck 2009 Woodcutter’s Shiraz

As mentioned briefly on Monday, the origins of the grape variety Syrah remain contested. While some believe that it originates in the Rhone region of France, others maintain that Syrah reaches back to what is now Iran. DNA testing has confirmed Syrah as the daughter of two now-uncommon grapes from the area of Southern France. Many see this as confirmation of the grapes Rhone heritage while others remain unconvinced.

What we do know is that the grape now celebrates an appreciation around the world as both a varietal, and a blending grape. Though there are challenges in growing Syrah within varied climates, it has even so been successfully developed in the Americas, Europe, Africa, and Australia.

The grape was introduced to Australia in the 1830’s and by 1860 had already established itself there as an important agricultural product. The name for the varietal was in flux in the Southern-Hemisphere Continent, however, until the late 1900s when the title Shiraz was settled on in honor of one of the two possible origin stories–that the grape originated in the Shiraz region of Iran, and thus Shiraz was its proper moniker. This name is now also commonly used in both Canada and South Africa.

As discussed, different wine growing regions are often understood to have their own particular character, and style of flavor, though it is important to remember the variation still found between particular wines in any one region. Australian Shiraz is generally thought of as full-bodied, and fruit forward, showing more fruit than smoke, and with lighter tannins but higher acidity than their Northern counterparts. There is of course though great variation between particular wines. It is also generally understood that while French versions of Syrah do well with aging, Australian Shiraz tends to be drinkable young. Australia has been very successful commercially in their production and export of wine generally. The country is well-known for its Shiraz, and as such has influenced how other industries market their varietals as well, with the name Shiraz becoming more popular globally.

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I count myself lucky in having gotten to taste the Torbreck Woodcutter’s Shiraz. The quality to be had in this wine is fantastic at the price. It really has a lot of sophistication, and complexity to offer considering the cost. But even better, it’s a wine worth drinking regardless of the price.

As mentioned last week, one of my favorite elements of wine is the story behind it. Torbreck founder and wine maker, David Powell, has spent his life since college striving to learn wine making practices around the world. He originates in Southern Australia, positioning him to understand the unique climates and cultural elements of growing wine in the Barossa Valley. But further, he has deepened his understanding of wine growing techniques by working in the wine industry in both the United States and Europe. Charmingly too, his website celebrates his experience laboring as a wood cutter in Scotland, and names this experience as the inspiration behind his Woodcutter’s Shiraz.

As the story goes, Powell has spent time in the Rhone as well, connecting to wine makers there like Louis Barruol (the negociant for Kermit Lynch’s “La Dore’e” reviewed Monday of this week). Truthfully? I felt I could taste the influence of such friendship and study in a glass of this wine. I like the idea of some of the sophistication found in its bouquet and flavors being not only complexities of taste, but more deeply also layers of esteem integrated in from Powell’s time in California, his travels in Italy, and his friendships in France.

Though Australian Shiraz wine is generally thought as fruit-forward, and low in tannins, as mentioned above, this Shiraz displays a different texture, and flavor complexity. It showcases blackberry and cherry, as is known to flavor the varietal, and brings in too smoke, meat, and touches of licorice as well. The flavors are wonderfully balanced, with a long finish, and a pleasing texture in the mouth. This wine really does hold excellent value. It’s a varietal to be enjoyed–good with food or on its own. Drink now, or age it all the way into fantastic.

Enjoy!

Thank you to @TorbreckBarossa for discussing aspects of the wine’s history with me.

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