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Idlewild Wines 2012 Collection

Meeting Idlewild Wines

Idlewild Wines 2012 Collection

click on image to enlarge

With inspiration of Piemontese, husband and wife team Sam and Jessica Boone Bilbro launched Idlewild Wines with the 2012 vintage.

As they describe it, Sam and Jessica are both fans of texture and acidity. What is found in their wines is a marriage of delicacy and strength. As a portfolio, the 2012 wines express pretty floral aromatics with a driver of acidity and persistent tannin. Sam credits Jessica’s winemaking with a talent for holding onto delicacy, while Jessica points out the ways Sam pushes her to take her approach to the edge of what she’s used to.

An example can be seen in their Cortese (my favorite of these 2012 wines), an intensely uncommon grape for California vineyards. After locating the fruit, the couple decided to take a couple tons and just see how it developed. Wanting to make something more than the typical Cortese, Sam researched the grape’s treatment in Piedmont. Eventually, he located an obscure Italian text describing three winemakers using skin contact techniques in their approach, something Jessica hadn’t used in the same way on whites. They split the fruit into two lots, putting one on skins for 10 days, and the other straight to press. The straight to press lot brought acidity and drive, a linear presentation to the fruit, while the skin contact added texture and depth with ripe, almost musky flavors.

Sam and Emilia

Sam and Emilia checking fruit in Foxhill Vineyard, Mendocino, August 2013

Sam and I travel to the Mendocino, and Fox Hill Vineyard to walk through the fruit. In the Cortese parcel, he explains the difference in sun exposure between bunches. One side of the row receives more consistent light creating riper, darker skinned clusters that go into the skin contact lot to express the walnut and apricot flavors given by the sun. On the more shaded side, greener clusters go right to press for incredible juiciness. The blending of these two lots creates a showcase of Jessica’s expression of delicacy with depth.

Asking them to describe what they see in their own wines, Sam responds. “The drive is acidity, or tannin in the case of the Nebbiolo, but texture gives interest and a little tension.” In this description the pair find the sort of relationship they seek to express through Idlewild, something that can even be seen in the label’s name–a sense of contrast, two distinct, even opposing, pieces working together.

Jessica and Hudson

Jessica and Hudson talking Idlewild, June 2013

This sense of contrast with harmony can be seen in Jessica’s account of her own winemaking as well. “As much of a control freak as I am, I’m not as a winemaker. I make wine very much by feel.” The control comes in at the beginning–making sure tanks or barrels are clean, that the press has happened properly, but the rest occurs through what Jessica describes as listening. “When I stop, and really learn to listen to gut and intuition, it’s more real. The wine feels right.”

***

Thank you to Sam and Jessica. Nice to spend time with you Emilia and Hudson!

These wines were tasted through multiple visits over the course of the summer and fall.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Visiting Preston of Dry Creek Vineyards and Farm

Touring Preston Vineyards and Farm

Lou Preston

In 1973, after studying viticulture and oenology for a year at UC Davis, Lou Preston, and his wife Susan, moved to a small parcel with Dry Creek running through. The experience would place them in the middle of a community of Italian families multiple generations into life in the region.

What is now known as Dry Creek Valley became home to a push of Italian and Swiss Immigrants in the 1800s. The region developed a vibrant agricultural community growing some grapes, but more readily prunes, apricots, apples, grains, pears, walnuts, berries, and beans–essentially all the crops that enjoy warmer weather and help a community in relative isolation thrive. Wine’s mono-culture seen today did not thoroughly take root until the 1980s.

The effect of the Preston’s move from the Central Valley to Dry Creek was to put in direct contrast the more industrial style farming taught at Davis with the family driven agricultural of his Italian-immigrant neighbors. Preston explains that it is thinking back to the families he became a part of that inspires him. “What captures my imagination is the old way of doing things, in grapes and farming in general.” Today, Preston of Dry Creek brings together diversity farming carrying a focus on sustainability with enough of the right technology to simplify the labor. Over time the size of that original small parcel has expanded to 125 acres.

Jesus Arzate

Moving onto the original property, the Prestons inherited a mix of prune trees, and old vine zinfandel. That first harvest the family harvested the prunes, then pulled the trees and began planting more vines. By 1978, Preston brought in farm and vineyard manager Jesus Arzate, who has been developing the sites sustainable and organic program ever since. Arzate works not only with the vines, but the plants throughout the property, as well as the animals.

Together, Arzate and Preston have worked to increase native plant vegetation (as a support too of the helpful bug and bee populations), develop olive and citrus groves, apple orchards, and work to restore the creek bed through planting native trees along the creek side. The effect of rebuilding the creekside has been to increase the soil density thanks to winter deposits from flooding, and help improve the spawning habitat for trout.

The Preston Altar, the compost pile

One of Preston Vineyards more recent projects has been the development of their own compost. All of the grape and olive pommace, tree pruning, garden and animal waste are recycled through their compost and then recirculated back through the property. Preston refers to the project as exciting, describing it as “managing the spirit of a place” through the preservation and recirculation of the land’s microorganisms. Our first stop in the visit was the compost pile. As we drove away he referred to it as “the farm’s altar.”

Giuseppe

Once grape harvest is complete the property’s sheep and chickens are introduced into the vineyards to help assist with natural fertilization and pest control. To keep the animals safe and more readily managed, Giuseppe lives with the herd.

Giuseppe and his ewes

When I moved closer to the ewes to take their picture, Giuseppe moved between me and the sheep. Good dog.

Giuseppe's chickens

the Preston Farm chickens

Matt Norelli

Matt Norelli has been with Preston Vineyards for over 20 years, officially becoming winemaker in 2000. As a result, Norelli has helped oversee at least two significant changes in the Preston project.

Preston Vineyards was one of the few places with a tasting room open in the mid-1980s. As ubiquitous as the concept is today, at the time it was uncommon to walk into an open tasting room alongside a winery. In 1996, Preston built their current tasting room adjacent to the winery building, and the baking and farm store areas of the property.

What is more unusual is that in stepping into his role as head winemaker, Norelli also helped cut the wine production to less than a third of its peak. In doing so he assisted in the Preston shift from wine to a more diversified farm. At exactly the same time, Norelli clarified the recognizable Preston Vineyards style with a focus on clean fruit expression touched by an interest in earthiness.Rotating crops

In touring the Preston Vineyards Farm, Lou highlights various ways in which farming practices focus on the sustainable health of the property. Intentionally shifting ground crops is one such example. This bare plot contained Sauvignon Blanc that had severely declined in productivity. The piece will rest and then be replanted with a grain crop for the bakery program. Baker Lindsay Challoner has been experimenting with heritage grains for bread. The cleared parcel gives the opportunity to grow a greater range of grains to play with further.

Rebecca Bozzelli

Farmer Rebecca Bozzelli develops the Preston gardens rotating crops by season. We asked her to discuss further the importance of crop rotation. As she explains, in gardening it is important to rotate crops for the health of the soils, and so too the health of the food produced. By rotating crops with different root depths, the nutrients are allowed to develop or deplete at differing levels. In changing out plant types, plant-specific pests have little chance to increase in size and so are less likely to become firmly established in a garden. Soil-borne diseases tend to occur with various plant families (like tomatoes and potatoes with soil blight) but die off after 5 to 6 years. So, by planting by family, then waiting the 5 to 6 years before replanting the family in that same spot soil-borne issues can be avoided too.

Lou in the cabbage and kale

Lou walking through the cabbage and kale. Rebecca has just started experimenting with use of the biodynamic treatments. She hasn’t used them before but so far she can report that the resulting leafy greens are HUGE. I saw ’em. They’re HUGE.

Zin hill

Much of the Preston Vineyards property is on the flats along Dry Creek but they also own a hillside area on the Western slope that they refer to as Zin hill because of the 100+ Zinfandel vineyard that had grown there through the 1980s. The vines currently growing here are from cuttings of those original vines. Part of the hill they are currently allowing to rest. To the right you can see some of their olive trees, interplanted with citrus fruits.

The Preston Tasting Room

The Preston Vineyards’ tasting room offers not only their wine to sample or buy, but also samples of their olive oil, and various books that they’ve found useful for their farm philosophy.

The Preston Farm Store

Next to the tasting room, Preston Vineyards also showcases a farm store where their own produce, breads, and farm eggs are available for purchase.

Preston Community Activities

Rebecca Bozzelli has also helped develop a community focus in the gardening, including a “U-Pick” pumpkin patch happening now next to the tasting room and farm store. The pumpkin patch is one example of Preston’s expanding its focus on community engagement.

Lunch wines

At the end of the 1970s, Preston became the first to plant Syrah in Sonoma County, and among the first of the new adopters of the Rhone variety in California. There were sparse plantings of the grape in California in the late 1800s (with the oldest still existing vines found in Mendocino), but no new plantings were made again until the 70s. Today, Preston’s Rhone program has expanded to include a wealth of red grapes, as well as white. The wines are available both as classic, clean blends, or as single varietals in the tasting room.

Zinfandel was already established on the site when the Prestons purchased it, and they have continued to grow vines taken as cuttings from the historic vines. They have since also expanded into a refreshing, clean with greenery notes, and good acidity expression of Sauvignon Blanc, one of their signature wines.

Barrel tasting

Norelli let us sample some of the 2012 and 2013s. Incredibly, the 2013 crop was even larger than the 2012. 2012 also marks the start of a new experiment in making no sulfur, whole cluster Syrah. The 2012 example right now shows beautifully integrated with fresh blue-and-purple fruit and flower, Italian sausage, and nice earthiness. In 2013 he mixed in 10% viognier, offering a brighter lift in the flavor presentation. It’s too soon to tell how this wine will come together but it has nice components and strong structure that show promise. I’m looking forward to getting my hands on a bottle of the 2012 when it’s ready.

***

Thank you to Lou Preston. Thank you to Jesus Arzate, Rebecca Bozzelli, Matt Norelli, Lindsay Challoner. Thank you to Ken Blair.

Thank you to Michelle McCue, and Anne Alderete. Thank you to Jameson Fink.

I had a great time.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Touring Dry Creek Valley with Jameson Fink

Dry Creek Valley

Drink Zin, sign at Preston Vineyards tasting room

At the Northern edge of Sonoma County, the Dry Creek Valley appellation reaches from the late 1800s Italian-Swiss Colony multi-culture farming communities into the more wine focused plantings of today. The regions warm day time temperatures meant it did well for growing grapes in the post-Prohibition push for wine. It’s cool nighttime temperatures mean it also has the structural range to support quality wine today.

Today, the Dry Creek appellation carries a central theme of quality Zinfandels. The Valley can be understood through four quadrants with varying growing conditions and fruit characteristics. However, the area’s Zins still share commonalities when compared to those made in other areas of California. Dry Creek Valley Zinfandels tend towards berry fruits with more raspberry-to-blackberry in the Southern Valley, and blackberry-to-black plum further North. The area offers rich flavors without need for over extraction, black pepper, some earthiness, and good acidity and structure. There is, of course, variation in winemaking style by producer.

Historical vineyards dot the area with vines floating around 100 years in age mixed through with Carignane, and, in some cases, also heritage whites. Dry Creek Valley can also support beautiful examples of Rhone wines, with some of the first contemporary adopters of Syrah in California planted in the Valley near Cloverdale in the 1970s. Producers also do well with Rhone whites, and Sauvignon Blanc has proven a signature grape for the Valley.

Touring with Jameson Fink

Jameson Fink

Jameson Fink standing in front of Quivira Vineyards

This week I got to spend two days touring Dry Creek Vineyard with Jameson Fink. He’s a friend of mine that lives in Seattle, and blogs (and podcasts!) about food and wine. Here’s a link to his site: http://jamesonfink.com/

We’ve been talking for a while about doing a wine trip together and so jumped at the chance to join up for part of his time in Dry Creek. Later I’ll be doing write-ups on some of the visits. Jameson will be posting more on his blog too. In the meantime, here are some photos of the visits we did together.

Visiting Ridge Lytton Springs with John Olney

Ridge Lytton Springs

Ridge Lytton Springs

Winemaker John Olney

Ridge Lytton Springs Winemaker John Olney

John and Jameson

John and Jameson talking old vines standing in old vine Zinfandel

Petite Sirah coming in

Petite Sirah coming in at Ridge Lytton Springs

Aging Zinfandel

Aging Zinfandel in American Oak, Ridge Lytton Springs

Lytton Springs vertical

Three vintages of Ridge Lytton Springs (one of my favorites of theirs–it ages really well)

1997 Monte Bello

Finishing with a bonus: Ridge 1997 Monte Bello

Visiting Mazzocco Winery

Entrance to Mazzocco Winery

The entrance to Mazzocco Winery, Dry Creek Valley

View of Dry Creek

View of Lytton Springs Road from Mazzocco Winery

Tasting at Mazzocco with Rob Izzo

Talking Vineyard designates with Rob Izzo, Mazzocco Winery

Jameson and Rob

Jameson talking Zinfandel with Rob

Visiting Quivira

Jameson and Andrew at Quivira

I wasn’t able to stay for the visit at Quivira but before going in to taste wines in the tasting room I was able to get this shot of Jameson and Andrew Fegelman in the Quivira garden. I love this.

Touring Preston Vineyards and Farm

Lou Preston

Lou Preston introducing his farm

Giuseppe and his sheep

Giuseppe and his ewes (they go into the vineyard in Fall time along with the chickens)

Matt Norelli

Winemaker Matt Norelli talking about apple cider in the apple orchard

Rebecca in the winter garden

Gardener Rebecca Bozelli walking through the just planted winter garden

Jameson and the Preston farm team

Jameson with the Preston farm team, from left: Rebecca, Ken, Jesus, Lou, Matt

Jameson talking vineyards with Jesus and Lou

talking vineyards with Vineyard Manager Jesus Arzate, and Lou

farm food lunch

getting ready for lunch with farm foods

lunch wine

lunch with some Preston wines

***

Tomorrow I’ll post more on the Preston Vineyard & Farm.

***

Check out Jameson’s overview of the region here: http://jamesonfink.com/dry-creek-valley-wines-and-vineyards-provide-9-noteworthy-finds/

***

Thank you to John Olney, Rob Izzo, Andrew Fegelman, Lou Preston, Jesus Arzate, Matt Norelli, Ken Blair, Rebecca Bozelli, Lindsay Challoner.

Thank you to Michelle McCue and Anne Alderete. Thank you to Jameson Fink.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Behind the Scenes at Nonino Distillery, over at Serious Eats

Visiting Nonino, Tasting Grappa and Amaro

As some of you know, I was on a recent press trip to Italy. Part of the activity was spending a day with the Nonino family exploring their distillery and vineyards, as well as tasting through their impressive collection of grappa and amaro.

I just wrote up the visit with a behind the scenes slide show over at Serious Eats.

Nonino at Serious Eats

Check it out here: http://drinks.seriouseats.com/2013/10/behind-the-scenes-nonino-grappa-distillery-how-grappa-is-made-grapes-friuli-italy-amaro.html

Cheers!

 

Finger Lakes Riesling from Red Tail Ridge

Riesling from Red Tail Ridge, Finger Lakes

Red Tail Ridge Rieslingclick on image to enlarge

In the Finger Lakes Region of New York, Red Tail Ridge Winery has been growing in quality since 2004 offering unusual red varieties with a focus on Riesling.

The Finger Lakes Region of New York is known for its challenging climate that can bring serious growing difficulties in the vineyard including excess rain or moisture, and a genuinely cool climate. The area, however, has a long history of grape growing focusing on Concord grapes, and hybrids. More recently, some smaller growers have reached to International varieties with a strength for the cooler climate. In the last decade, these growers have successfully proven the region’s worth for quality Riesling.

Red Tail Ridge appears as an interesting winery for its focus on bringing together value-quality wines with both environmental and social commitment. Theirs is the first LEED gold certified green winery in New York State. Their Good Karma wine (labeled with the winery name on the back, it’s name, Good Karma, on the front) generates 10% of its profits for the region’s food bank, Foodlink.

The Wines

The Finger Lakes region produces Riesling presentation unique to the area. It succeeds at bringing together a cross section of fruits reaching out of citrus linearity into stone fruits and even light tropical freshness while maintaining acidity.

Red Tail Ridge offers Rieslings across a range of styles from dry to sticky. The three tasted here include the lighter side of their arc with a dry and to semi-drys. Each of the wines offers a strong focus on value with quality coming in well below the $20 mark. I am impressed by how much they are able to offer for their price.

The Dry Riesling is my favorite of the three giving clean fruit and flower across the full range of fruit characteristics showing a nice balance of citrus, stone, and tropical elements all with light feet and good focus. There are nice accents of mineral crunch and white rock here moving through a long finish. This wine retails for $18.95.

Good Karma brings together off-dry Riesling with unoaked Chardonnay for an accessible palate. The mineral elements on this wine range from crushed quartz to rock salt and bring another layer of interest to the nutty, lime blossom, and lychee combination. This wine retails for $13.95.

The Red Tail Ridge RTR Estate gives an off-dry presentation moving into more floral elements with its tropical notes giving jasmine and white tea alongside citrus and lychee, also retaining the mineral crunch. The light touch of sweetness here puts it alongside spicy food beautifully. The RTR Estate retails for $15.95.

Red Tail Ridge has also just released a new band of Rieslings, including their first dessert wine, and a late harvest presentation.

***

To read more on Finger Lakes Wines check out this article from Eric Asimov: http://www.nytimes.com/2011/10/12/dining/from-the-finger-lakes-seriously-good-wines.html?pagewanted=all&_r=0

These wines were received as samples.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Photos from a day in Venice: (aka. Praise God, may I have more time there)

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Photos from a Quick Trip to Venice

On my recent press trip to Italy we were able to fit in a quick over night stop in Venice. I’d flown through the airport but never had time to stay in the city itself. Honestly? I slept as well there as I did the last time I returned to my Great Grandparents (now defunct) home in remote Alaska — my childhood summer home. That is, really really well.

The thing about Venice is there aren’t any roadways. It’s just stone alleys interconnected with bridges. The city is a series of islands without modern day roads. The rumble of cars, and low din of engines we’re so accustomed to in most places doesn’t exist in Venice. For that alone it felt wonderful. But wandering the little alleys wasn’t too shabby either.

Our morning in Venice was our one time to ourselves on the trip. I spent my two hours purposefully navigating the islands without a map so I could test my inner compass on a city without square intersections. I had no destination in mind. I just wanted to see the place. So I set off with the idea I’d turn left to start and circle out for an hour, then return a different route, hopefully ending up to the right of where I started. I had one brief moment of panic five minutes before I was supposed to be back at the hotel to meet the group for the airport return. But, as my adrenaline rose I looked to my left, and there, it turned out, was the Prada store just around the corner from where we stayed. I made it!

Here are some photos from the brief visit. It’s beautiful there.

Entering the canals of Venice

To get from the Venice airport to the city of Venice demands a 45-minute boat ride across a small sea. Venice is a series of islands interconnected by bridges, with travel through the city occurring on the islands on foot, or between by boat. Here we’re entering the city via one of the small canals.

Traveling past homes in Venice into the center of the city

Entering the city includes travel along the backs of people’s homes, including view of their daily wash.

Heading out for cocktails and dinner

Visiting the Gritti Palace for drinks

After arrival, we set out to investigate local cocktail culture with our first stop at the Gritti Palace.

Inside the Gritti Palace

Inside the Gritti Palace Bar Longhi.

View from the Gritti Palace

The view from the back of Gritti Palace, where we sat–Santa Maria della Salute Church

Trying Grappa cocktails

Trying grappa cocktails with Nonino’s anniversary Picolit single varietal, the Passion Friuli, developed by Mirko Falconi

Meeting Mixologist Mirko Falconi

Gritti Palace mixologist, Mirko Falconi

Dinner at Taverna Fenice

Visiting Taverna La Fenice, around the corner from the opera house, for cocktails and dinner

Bartender Gennaro Florio

Fenice mixologist, Gennaro Florio

Ribolla Grappa

I follow around Ribolla Gialla, so I was excited to spot this bottle of Nonino’s Ribolla single varietal grappa.

Gennaro making us his signature cocktail

After dinner, Gennaro made us one of his signature cocktails, an espresso-grappa-kahlua concoction finished off with vaporized black tea and ginger. It was surprising for its lightness and delicate layering of flavors.

 

The morning

I took only a few pictures in the morning as I wanted to focus on wandering instead. Venice is one of those places where every corner is full of charm so I could have had a photo at every stop. My goal was to take streets with few people.

The view from my room

The shutters on my hotel windows helped with the good sleep. Once I realized how to open them here was the view from my room.

The view from my room

The view looking straight down

One of the canals

Setting out, turning left. This guy really was singing. I mean, GEEZ.

The view of Santa Maria della Salute Cathedral

Santa Maria della Salute church from the other direction

Wandering in Venice

one of Venice’s tiny alleyways

Wandering in Venice

Wandering in Venice

When you don’t avoid the crowds, this is what it looks like. The square in front of St Mark’s Cathedral.

Back at the hotel

Arriving back at the hotel just in time.

Jeremy and I in Venice

One of the big bonuses of this trip was getting to travel part of it with dear friend, Jeremy Parzen of Do Bianchi. We met up in Friuli (where we first met), then traveled to Venice, and on to Montalcino. It was great to see him.

Cheers!

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

 

Harvest in Montalcino: A Life in Wine: Talking with Massimo Ricco, Il Poggione Agronomist

Harvest at Il Poggione

In visiting harvest of the Sangiovese for Rosso di Montalcino and Brunello di Montalcino at Il Poggione, we were able to speak with both Fabrizio Bindocci, the General Manager and Winemaker of Il Poggione, as well as the President of the Brunello Consortium. We were also able to speak with his son Alessandro Bindocci, winemaker at Il Poggione–he and his father work together.

Along with Francesca Bindocci (Alessandro’s sister, Fabrizio’s daughter) the Bindocci’s are part of a multi-generational family that has worked at Il Poggione since Fabrizio’s grandfather began in the farm and vineyards.

Fabrizio and Alessandro explained they are able to maintain hand’s on work of the large property (none of the vineyard work is mechanized) by keeping 75 full time employees, and working closely with two vineyard team leaders that survey the overall health of the property and work with the other agricultural employees.

We asked if we could also speak with one of the team leaders, Massimo Ricco. The following was translated from Italian by Alessandro.

It was quite a pleasure talking with Massimo, to hear more about his life and work, but also partially because he seemed surprised by our interest in him. He and Fabrizio laughed with each other off and on throughout the interview. Massimo was willing to give us time but also seemed eager to get back to work.

Harvest in Montalcino: Meeting Massimo Ricco

Massimo Ricco

Massimo Ricco, Agronomist and Manager, Il Poggione

“I have been in the vines at Il Poggione for 2 years and 4 months. I was working for other properties, consulting for other properties in different regions before coming here. In Tuscany, and also in Umbria.

“I am a manager of the other vineyard workers. I am an agronomist. I check the vineyards, the health and state of the vineyard. When it is not harvest, I organize different work for the cultivation of the vines and olive trees. I like this sort of work but in the winter there is not enough work to do. I like healthy vineyards and making good looking fruit. It is the best satisfaction.

“I was born in Latina, near Rome, and grew up in Perugia. My wife also lives and works here. She works in the vineyard.”

Fabrizio nods and smiles saying, “Yes, they were a double purchase.”

Massimo nods and laughs. I ask him what work his parents do. “My father is a worker in chemical industries. My mother is a housewife.”

I ask how Massimo came to Il Poggione. Fabrizio laughs, “I found Massimo on my crystal ball. I was looking for a professional level collaborator. So I made many phone calls and Massimo came up. He was consulting for other wineries in Tuscany and Umbria at the same time.”

Massimo nods. I ask him how he likes working for one vineyard now instead of many in two regions. “I like working with one vineyard instead of many very much. There are less kilometers on the car.” He laughs. “The difference working one vineyard is positive. The advantage of a single property is to be there and follow the whole production life of the vine.

“The foundation of the work I got from the agricultural university in Perugia. For 3 years after, I worked for a company that built wineries. Then, I began consulting on vineyards and olive trees.

“The growing of the olive trees is quite simple compared to the vineyard. The trees demand less time. The most important thing for the olive trees is the pruning.”

harvesting Sangiovese

In Tuscany many properties inter-plant alternating rows of olive trees and grape vines. The temperatures are warm enough to ripen olives in the region so most properties have both plants. Il Poggione has one vineyard block with alternating rows, and other areas of the property where the plants grow on their own. Alessandro explained that in a bad frost one winter the trees in the inter-planted vineyard were the only to survive. Il Poggione produces, and bottles its own olive oil.

***

Thank you to Massimo Ricco. Thank you to Fabrizio, and Alessandro Bindocci.

Thank you to Megan Murphy. Thank you to Cathy Huyghe.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Metodo Italiano, aka the Charmat Process for Making Sparkling Wine (by request)

Making Sparkling Wine via Metodo Italiano

Metodo Italiano for Sparkling wineclick on illustration to enlarge

With my recent visit to Valdobbiadene, and the Prosecco of Nino Franco, I’ve received some messages asking if I could do an illustration explaining the process for making sparkling wine like Prosecco.

The approach differs from how wines like Champagne, Franciacorta, or Cava are made in that, with those examples, the secondary fermentation (which gets the bubbles in the bottle) occurs within the bottle in which the wine is later sold. This approach is called Methode Traditionelle.

With Prosecco, the secondary fermentation instead occurs within a large tank, and the wine is bottled after. This approach is known as Metodo Italiano.

Technically speaking, either method can be taken with any grape that can make sparkling wine. However, the two methods have differing effects on the final wine, and so many consider each to suit different grapes better than the other.

For example, the Methode Traditionelle generally requires higher acid levels in the original grapes, and so suits fruit like Chardonnay and Pinot Noir, which have naturally higher levels of acidity in cool climates.

On the other hand, Metodo Italiano has less impact on the flavors of the grapes, and so does well at preserving the original aromas and flavors of the fruit. For that reason, this approach does well at showcasing a grape like glera in its resulting Prosecco, which, at its best, has a pure fruit expression and accent of fresh greenery.

I’d already done a drawing of Metodo Italiano, so, here it is!

Cheers, and thanks!

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Harvest in Montalcino: Visiting Il Poggione

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Harvest in Montalcino

It is harvest in Montalcino. The Sangiovese for Brunello has been getting harvested throughout the region this last week. Last Friday a few of us visited harvest at Il Poggione.

Fabrizio Bindocci is the winemaker and General Manager, and has been working for the winery his father and grandfather also worked since 1976. He began as a vineyard worker, then eventually moved to the cellar. The previous winemaker, Piero Talenti, then chose Fabrizio as an assistant. They worked together for decades until Talenti’s death, at which time Fabrizio became head winemaker. Fabrizio is now also President of the Brunello Consortium.

We were able to meet with Fabrizio amidst the vines. Here’s some of what he had to say. All was translated from Italian by Fabrizio’s son, Alessandro, who now serves as winemaker with his father.

Fabrizio Bindocci

Fabrizio Bindocci standing in the Sangiovese

“My first harvest was 1976. There have been only two difficult vintages because of weather. 1992 and 2002 were difficult because of rain.” They were expecting rain at the end of the weekend so we asked how they would change harvest because of weather.

“It wouldn’t be smart to harvest the grape too early so we wait [if it is going to rain] until it is dry again. After, any grapes with mold must go on the ground. Our structure allows us to solve most issues quickly. With weather, there is nothing to do about it. Instead of chemical treatments [for mildew], we leave the canopy open for air to flow around the clusters.

“We pick based on three things. The flavor of the fruit. The texture of the skin. If it is too thick, we need to wait for it to soften. The seeds. When they are dark brown they are ready to harvest.

“Experience helps for knowing quality. I have worked these vineyards, one winery. It helps. You close your eyes and remember how it was in a vintage. This way you can do your work with greater tranquility, and less stress.”

Fabrizio and Alessandro Bindocci

Fabrizio and his son Alessandro

I ask Alessandro about the basics of harvest in Montalcino, including the time of day harvest occurs. There are no lights or irrigation tubes in vineyards here as are common in California. They are harvesting in the afternoon. He explains, “We harvest here only during the day from 8 am to 1 pm, then from 2 to 5 pm. This is true throughout the region. Everyone’s vineyards are so close to their winery it is within 5 minutes that the grapes are in the winery.”

Hand harvesting Sangiovese

hand harvesting Sangiovese at Il Poggione

Il Poggione employees 75 year round employees that take care of the vineyards and agricultural grounds. The property is a self-sustaining farm with olive trees, cattle, grain for the cattle, and a wild animal preserve. Rather than hire seasonal workers during harvest, Il Poggione keeps employees throughout the year that then also work harvest. All vine work, including harvest, is done by hand.

sangiovese

Sangiovese about to be harvested

I ask Alessandro to discuss their view on traditional versus modern styles of Brunello, as well as the role for contact with other regions. “It is important to know what other regions are doing as a way of innovating one’s own technique. Today there is a lot of sharing of ideas and techniques.

“Traditional style is best for Sangiovese, so you can taste the wine, not the oak. I am not against modernity or barriques per se. It can be good for other grapes. But we believe the traditional approach is better for Sangiovese. But still, you want to listen to what people are doing, and taste different styles.

“The younger generation is not afraid to experiment. I have even tasted Brunello from Sonoma made by a restaurant owner there.

“The most important thing for us is focusing on our vineyards, on working them by hand, on not over doing work with products in the vineyard. We have a large property but we work it like a small farmer, all manual. Tractors are used only to carry the tools, or fruit to the winery.

“We have 75 employees all year round. They are highly skilled technicians. They know the vines. There are two vineyard team leaders. We [Fabrizio and Alessandro] go every morning with team leaders to the vineyards.”

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To read more about harvest in Montalcino and keep up to date with the wine region there check-out the English-language site http://www.montalcinoreport.com/ managed by Fabrizio and his sister Francesca.

Thank you to Fabrizio and Alessandro Bindocci, and to Francesca Bindocci.

Thank you to Megan Murphy.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com

Touring the Prosecco DOCG, Valdobbiadene, with Nino Franco

Visiting Nino Franco

As some of you know, I just returned from a press trip in Italy. I am still researching and tasting from the various regions. In the meantime, here are photos from the first two days of our visit. We began in Valdobbiadene, in the Treviso province of the Northeast.

Silvia at the top of Rive di San Floriano Vineyard

Silvia Franco at the top of the steep slope vineyard, Rive di San Floriano

The region surrounding Valdobbiadene falls within the highest quality area of Prosecco, which reaches to the town of Conegliano. The steep sloped hillsides rise prior to the Alps out of former-marine soils combining the cooling effects of the mountains, with chalky, crisp, mineral-driven soils.

looking into the town of Valdobbiadene

the town of Valdobbiadene

The region between Valdobbiadene and Conegliano is being considered for a World Heritage site designation. Known history of the region reaches back to the 11th century, and includes scientific work done by one of the first wine schools in the world, and commemoration in Renaissance paintings by artists Conegliano, and Bellini. One of the unique aspects of the area that qualifies it for consideration rests in its long standing relationship with viticulture. The region’s geography, both culturally and physically, so thoroughly intertwines with the vines that the shape of the area, and the persistence of the hillsides cannot be discussed without recognizing the role of Prosecco.

Tasting the Nino Franco Rustico

The Franco family have lived in the region for generations, with four generations now having operated their Nino Franco winery.

Annalisa and Silvia

Annalisa and Silvia Franco hosted us for lunch as a way of introducing us to their wines, and welcoming us to Italy. Then we toured the vineyards of the area.

Tasting the Primo Franco Prosecco

Giovanni Franco founded the winery in 1919 naming it after his son, Antonio (nicknamed Nino). At the time it was not possible to sustain a sparkling only operation, so the family sourced red grapes from neighboring areas to make still wines as well. Having been part of the family business since the 1970s, Primo Franco (Nino’s son) became the head of the company after his father’s death in the early 1980s. He chose to shift the focus away from still wines and begin the project of a sparkling only winery. In 1983 he completed his first example as head of Nino Franco, naming it the Primo Franco.

The Single Vineyard Prosecco, Grave di Stecco

Today, the family also makes single vineyard Proseccos showing the unique expressions of the hillsides through the area. The Grave di Stecca is one such example from the family’s own vineyard located in Valdobbiadene.

Over the hillsides of Valdobbiadene

The area of Cartizze, in the heart of the Valdobbiadene-Conegliano stretch is considered the premier of the region. The concentration of vines, and the intricate vineyard rows are stunning and begin to make sense of quality differences between the best of Prosecco, and the bulk versions of the valley floor. The mountains in the distance here also host vineyards just below the forest tops.

Over the hillsides of Valdobbiadene

Standing in a vineyard in Cartizze

Glera, the Prosecco grape

The glera grape has recently earned its name, having previously just been called prosecco. To distinguish the region from the fruit, the name Prosecco is now protected and isolated to the region in Italy. At its best, glera offers focused fruit flavors with a crisp edge to it.

Harvesting a terraced vineyard

standing in a terraced steep slope vineyard during harvest. Standing a terrace below, I am at least four feet below the harvester. Looking straight ahead I can only see her boots. (Thank you to Cathy for the photo suggestion.)

Cathy and Primo tank sampling first fermentation

Prosecco goes through two tank fermentations, with DOCG quality inspections at each stage. The first tank fermentation occurs immediately after harvest and produces the more austere still wine that will be the basis of the sparkling. Cathy and Primo as we tank sample the 2013 harvest of Rive di San Floriano.

Primo and Silvia tank sampling second fermentation

The still wines are brought with their lees to the secondary tanks where they will undergo secondary fermentation and be left on their lees the better portion of a year for aging. Lees contact and aging are a choice made at Nino Franco, and are not necessarily practiced by other wineries. Silvia and Primo help us tank sample the sparkling 2012 Grave di Stecca.

Aging Prosecco on lees

The single vineyard Grave di Stecca is aged in bottle before release.

Prosecco tasting

Tasting through the Nino Franco lineup, all sparkling. from left: Rustico (their “premium entry level”), the Valdobbiadene blend, the single vineyard 2012 Rive di San Floriano, the single vineyard 2010 Grave di Stecca, the Merlot-Cab Franc sparkling rosĂ© (project they make with a red wine producing friend) 2011 Faive, the 2012 Primo Franco

Primo with his first bottle of Primo Franco

Primo standing with his first bottle of 1983 Primo Franco

The Franco family, Silvia, Primo, Annalisa

Silvia, Primo, and Annalisa Franco standing in Cartizze

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To read more about Nino Franco, check out Alfonso Cevola’s post from a visit he made here: http://acevola.blogspot.com/2013/05/the-battle-for-prosecco.html

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Thank you to Primo, Annalisa, and Silvia Franco.

Thank you to Megan Murphy, and Kanchan Kinkade.

Copyright 2013 all rights reserved. When sharing or forwarding, please attribute to WakawakaWineReviews.com